Best Video/Cinema Lenses Under £800 in 2026
Tamron Di III 18-300mm f/3.5-6.3 -A VC VXD
Great Alternatives
These options also score highly and may better suit your specific needs
Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro
Why we recommend this ▼
This 105mm f/2.8 macro lens stands out with its true 1:1 life-size magnification and a fast f/2.8 aperture for excellent subject isolation. Its Dual-Motor STM autofocus system provides smooth, quiet operation, making it a strong choice for video work. This lens is best for photographers and videographers specializing in detailed product shots, insect photography, or anyone needing a versatile, high-quality macro prime.
Viltrox 13mm F1.4 f/1.4
Why we recommend this ▼
Its ultra-wide 13mm focal length and bright f/1.4 aperture excel for environmental portraits and low-light shooting. The STM motor and minimal focus breathing make it particularly stable for vlogging and video work. This lens is best for APS-C Z-mount shooters who prioritize dynamic wide-angle stills and video over extreme portability.
Sigma Contemporary 56mm f/1.4 DC DN
Why we recommend this ▼
Its 56mm f/1.4 aperture on an APS-C sensor provides an 84mm full-frame equivalent focal length, ideal for creating sharp portraits with a pleasing background blur. The lens is exceptionally lightweight at 295g and features a stepping motor for quiet, responsive autofocus. This lens is best for Nikon Z APS-C shooters seeking a compact, fast prime for portrait and street photography where subject isolation is key.
Nikon Meike 24mm F1.4 AF Ultra Wide Angle Large Aperture Auto Focus STM Full Frame
Why we recommend this ▼
Its f/1.4 maximum aperture and STM motor provide a bright, fast, and quiet focusing experience ideal for low-light and video work. The optical design, featuring three ED and three aspherical elements, promises high sharpness and controlled aberrations for its class. This lens is best for Nikon Z shooters prioritizing astrophotography or environmental portraits where a wide, bright prime is essential.
Laowa Zero-D 9mm f/2.8
Why we recommend this ▼
Its 9mm focal length and rectilinear "Zero-D" design deliver an extremely wide field of view with remarkably low distortion for architectural or interior photography. The lens is exceptionally compact and light at just 215g, making it a highly portable option for APS-C Nikon Z cameras. This manual focus prime is best suited for landscape and real estate photographers who prioritize minimal geometric distortion in a lightweight, ultra-wide package.
Sirui 20mm T1.8 1.33X Anamorphic
Why we recommend this ▼
Its 1.33x squeeze factor and T1.8 aperture enable a true 2.35:1 cinematic aspect ratio with excellent low-light performance for Super 35 sensors. The inclusion of a quiet STM autofocus motor with eye-tracking is a significant functional advantage for a dedicated anamorphic lens. This lens is best for independent filmmakers and videographers seeking authentic anamorphic character and a wide field of view without the cost of full-frame cinema lenses.
