Best Lenses under £400 for video production

Best Pick

Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM

98.5 Video/Cinema Score
55mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 aperture and STM autofocus provide excellent low-light performance and smooth, quiet focusing for video. The lens offers a classic 55mm portrait focal length on APS-C cameras and features a direct USB-C port for firmware updates. This lens is best for videographers and street photographers using Nikon Z-mount APS-C bodies who need reliable autofocus and shallow depth of field.

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Viltrox 15mm F1.7 Z-Mount

84.7 Video/Cinema Score
15mm f/1.7 Nikon Z IS
Why we recommend this

Its bright f/1.7 aperture excels in low light and offers strong background separation, while its 12-element optical design with ED and aspherical elements ensures sharp, controlled images. The lens is notably compact and lightweight at 180g, making it a practical choice for extended handheld use. This lens is best for Nikon Z APS-C shooters who need a sharp, fast wide-angle for astrophotography or environmental portraits where portability is key.

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Sigma Contemporary 16mm f/1.4 DC DN

72.5 Video/Cinema Score
16mm f/1.4 Nikon Z
Why we recommend this

Its f/1.4 maximum aperture and 24mm full-frame equivalent focal length deliver excellent low-light performance and a versatile wide-angle perspective for APS-C Nikon Z cameras. The lens features a stepping motor for quiet, smooth autofocus, making it well-suited for both stills and video capture. This lens is best for portrait photographers and content creators on APS-C platforms who need a bright, fast prime for environmental portraits and vlogging.

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Laowa Argus 33mm f/0.95 CF APO

67.1 Video/Cinema Score
33mm f/0.95 Nikon Z
Why we recommend this

Its exceptionally fast f/0.95 aperture and APO (Achromatic) design promise excellent sharpness and bokeh, aided by specialized ED and aspherical elements. The lens is a manual-focus specialist built for Nikon Z-mount APS-C cameras, offering a classic 50mm equivalent field of view. This lens is best for portrait photographers and filmmakers who prioritize ultimate control over depth of field and optical character over autofocus convenience.

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Meike 55mm F1.8 Full Frame AF STM Stepping Motor

86.9 Video/Cinema Score
55mm f/1.8 Nikon Z IS
Why we recommend this

With a bright f/1.8 aperture and STM autofocus motor, this 55mm prime lens excels at isolating subjects with smooth bokeh, even in low light. Its compact 201g build and optical design with extra-low dispersion elements effectively suppress chromatic aberration and flaring. This lens is best for street photographers and videographers who need a lightweight, fast-focusing portrait lens for Nikon Z mount cameras.

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Nikon NIKKOR Z 40mm f/2

64.1 Video/Cinema Score
40mm f/2 Nikon Z
Why we recommend this

Its compact 170g build and bright f/2 aperture make it a highly portable prime lens for Nikon Z full-frame cameras. The inclusion of two aspherical elements and a Super Integrated Coating contributes to sharp image quality with reduced flare. This lens is best for photographers seeking a lightweight, affordable walk-around or portrait lens for everyday use.

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TTArtisan 17mm f/1.4

63.8 Video/Cinema Score
17mm f/1.4 Nikon Z
Why we recommend this

Its ultra-wide 17mm f/1.4 aperture excels in low-light street photography and creates a shallow depth of field for dramatic portraits. The compact 247g metal build and manual focus design offer a tactile, minimalist shooting experience. This lens is best for Nikon Z APS-C shooters prioritizing a fast, affordable prime for environmental portraits and urban street scenes.

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7Artisans AutoFocus 35mm F1.8 Full Frame

60.4 Video/Cinema Score
35mm f/1.8 Nikon Z IS
Why we recommend this

Its standout feature is the silent STM motor enabling millisecond-level autofocus with eye, face, and animal tracking, paired with a durable metal body for a premium feel. The F1.8 aperture and advanced 11-element optical design deliver excellent background separation and sharpness, while the stepless aperture ring ensures smooth exposure transitions for video. This lens is best for hybrid shooters and content creators who need reliable autofocus and cinematic control for both photo and video work.

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Rokinon 14mm F2.8 UMC Super Wide Angle

44.3 Video/Cinema Score
14mm f/2.8 Nikon Z Weather Sealed
Why we recommend this

Its 14mm focal length and f/2.8 aperture provide an extremely wide, bright field of view ideal for expansive landscapes or tight interiors. As a fully manual lens, it offers a straightforward, budget-conscious entry into ultra-wide-angle photography without electronic features. This lens is best for photographers on a strict budget who enjoy manual control and are shooting static scenes like architecture or astrophotography.

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Best Lenses under £800 for video production

Best Pick

Tamron Di III 18-300mm f/3.5-6.3 -A VC VXD

75.1 Video/Cinema Score
18-300mm f/3.5 Nikon Z IS Weather Sealed
Why we recommend this

Its 18-300mm focal range offers a versatile 16.6x zoom in a relatively compact 621g package, paired with effective Vibration Compensation (VC) stabilization. The lens stands out with its 1:2 maximum magnification ratio, providing surprisingly strong close-up capability for an all-in-one zoom. This makes it an ideal single-lens solution for travel photographers and hobbyists who want to capture everything from landscapes to distant wildlife without changing gear.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro

72.3 Video/Cinema Score
105mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

This 105mm f/2.8 macro lens stands out with its true 1:1 life-size magnification and a fast f/2.8 aperture for excellent subject isolation. Its Dual-Motor STM autofocus system provides smooth, quiet operation, making it a strong choice for video work. This lens is best for photographers and videographers specializing in detailed product shots, insect photography, or anyone needing a versatile, high-quality macro prime.

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Viltrox 13mm F1.4 f/1.4

68.3 Video/Cinema Score
13mm f/1.4 Nikon Z IS
Why we recommend this

Its ultra-wide 13mm focal length and bright f/1.4 aperture excel for environmental portraits and low-light shooting. The STM motor and minimal focus breathing make it particularly stable for vlogging and video work. This lens is best for APS-C Z-mount shooters who prioritize dynamic wide-angle stills and video over extreme portability.

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Sigma Contemporary 56mm f/1.4 DC DN

68.2 Video/Cinema Score
56mm f/1.4 Nikon Z
Why we recommend this

Its 56mm f/1.4 aperture on an APS-C sensor provides an 84mm full-frame equivalent focal length, ideal for creating sharp portraits with a pleasing background blur. The lens is exceptionally lightweight at 295g and features a stepping motor for quiet, responsive autofocus. This lens is best for Nikon Z APS-C shooters seeking a compact, fast prime for portrait and street photography where subject isolation is key.

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Nikon Meike 24mm F1.4 AF Ultra Wide Angle Large Aperture Auto Focus STM Full Frame

69.8 Video/Cinema Score
24mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 maximum aperture and STM motor provide a bright, fast, and quiet focusing experience ideal for low-light and video work. The optical design, featuring three ED and three aspherical elements, promises high sharpness and controlled aberrations for its class. This lens is best for Nikon Z shooters prioritizing astrophotography or environmental portraits where a wide, bright prime is essential.

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Laowa Zero-D 9mm f/2.8

57.7 Video/Cinema Score
9mm f/2.8 Nikon Z Weather Sealed
Why we recommend this

Its 9mm focal length and rectilinear "Zero-D" design deliver an extremely wide field of view with remarkably low distortion for architectural or interior photography. The lens is exceptionally compact and light at just 215g, making it a highly portable option for APS-C Nikon Z cameras. This manual focus prime is best suited for landscape and real estate photographers who prioritize minimal geometric distortion in a lightweight, ultra-wide package.

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Sirui 20mm T1.8 1.33X Anamorphic

44 Video/Cinema Score
Nikon Z IS
Why we recommend this

Its 1.33x squeeze factor and T1.8 aperture enable a true 2.35:1 cinematic aspect ratio with excellent low-light performance for Super 35 sensors. The inclusion of a quiet STM autofocus motor with eye-tracking is a significant functional advantage for a dedicated anamorphic lens. This lens is best for independent filmmakers and videographers seeking authentic anamorphic character and a wide field of view without the cost of full-frame cinema lenses.

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Best Lenses under £1,000 for video production

Best Pick

Nikon NIKKOR Z 28-400mm f/4-8 VR

74.6 Video/Cinema Score
28-400mm f/4 Nikon Z IS
Why we recommend this

Its 28-400mm full-frame zoom range offers exceptional versatility in a single lens, covering wide-angle to super-telephoto focal lengths. The 5.5-stop VR image stabilization is a significant strength for handheld shooting, compensating for its variable f/4-8 aperture. This lens is best for photographers who need maximum focal length flexibility without changing lenses, particularly for landscapes, events, or wildlife where carrying multiple optics is impractical.

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Tamron Di III VC 70-180mm f/2.8 VXD G2

66 Video/Cinema Score
70-180mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

This lens stands out with its constant f/2.8 aperture and a fast VXD linear AF motor, delivering reliable performance for its compact, 1270g design. Its Vibration Compensation system provides a key advantage for handheld shooting, a feature often missing in this class. It's best for photographers seeking a budget-friendly, portable telephoto zoom for portraits and general use, where its macro score is less critical.

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Viltrox LAB AF 35mm f/1.2 Z

62.2 Video/Cinema Score
35mm f/1.2 Nikon Z
Why we recommend this

Its f/1.2 maximum aperture offers exceptional low-light performance and a very shallow depth of field for a full-frame lens. The quiet VCM focusing motor and an integrated LCD screen for settings are practical features for on-location work. This lens is best for portrait photographers and videographers who prioritize a bright, fast aperture and manual control in a native Z-mount design.

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Best Lenses under £2,000 for video production

Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S Optical Zoom

85 Video/Cinema Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and multi-focusing system deliver sharp, aberration-free images across its 24-70mm zoom range. The lens is also built with robust weather sealing and specialized coatings that effectively suppress flare and ghosting. This lens is best for event and wedding photographers who need reliable, high-quality performance in varied lighting conditions.

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Tamron Di III 35-150mm f/2-2.8 VXD

72.3 Video/Cinema Score
35-150mm f/2 Nikon Z Weather Sealed
Why we recommend this

Its f/2-2.8 aperture range is the fastest available for a zoom, offering exceptional low-light capability and background blur. The VXD linear motor provides notably fast and quiet autofocus, which is ideal for capturing candid moments. This lens is best for event and portrait photographers who need a single, versatile lens with pro-level speed and rendering.

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Laowa Probe 24mm f/14

34.9 Video/Cinema Score
24mm f/14 Nikon Z
Why we recommend this

Its long, slender probe barrel enables a 2:1 maximum magnification and a 0.8" minimum working distance, allowing for unique close-up perspectives. The wide-angle 24mm focal length provides greater depth of field than traditional macro lenses, and the waterproof front barrel is a practical feature for adventurous shooting. This lens is best for macro photographers and videographers specializing in detailed, immersive close-ups of small subjects or in tight spaces like food or product photography.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR Z 70-200mm f/2.8 VR S

76.7 Video/Cinema Score
70-200mm f/2.8 Nikon Z IS
Why we recommend this

Its constant f/2.8 aperture provides excellent low-light performance and subject isolation throughout the 70-200mm zoom range. The included lens hood and cap add practical value for on-the-go photographers. This lens is best for budget-conscious shooters needing a versatile telephoto for portraits and general use, though it lacks stabilization for video work.

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