Find the best video and cinema lens in 2026
Key video lens features:
- Minimal Focus Breathing - Size doesn't change when focusing
- Smooth Focus Ring - Precise manual control
- Consistent Aperture - No exposure shifts when zooming
- Parfocal Design - Maintains focus while zooming
Best Lenses under £500 for video production
Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens
Great Alternatives
These options also score highly and may better suit your specific needs
Sigma 24mm f/1.4 DG HSM Art Lens for Canon EOS EF
Why we recommend this ▼
Its f/1.4 maximum aperture and robust HSM autofocus system enable excellent low-light performance and sharpness. The lens's 24mm wide-angle focal length is particularly well-suited for environmental portraits and cinematic video work. This lens is best for portrait photographers and videographers who need a fast, wide prime for creative shallow depth-of-field shots.
Meike 85mm F1.8 SE Mark II STM AF Full Frame Auto
Why we recommend this ▼
Its standout feature is an 85mm f/1.8 design with an STM motor for silent, smooth autofocus and an 11-blade diaphragm for high-quality bokeh. The lens is further distinguished by a micro Type-C port for online firmware upgrades, enhancing its longevity and feature set. This lens is best for portrait photographers and videographers using Canon EF-mount DSLRs who prioritize smooth focus pulls and creamy background separation.
Samyang Rokinon 50mm f/1.4 AS IF UMC Lens for Canon EF
Why we recommend this ▼
With its bright f/1.4 aperture and inclusion of hybrid and aspherical elements, this lens excels at creating sharp portraits with smooth background blur. Its robust all-metal build and Ultra Multi-Coating ensure durability and reduced flare for the price. This lens is best for portrait photographers and budget-conscious shooters seeking classic 50mm rendering on a Canon EF system.
Best Lenses under £1,000 for video production
Tamron SP AF10-24mm F/3.5-4.5 Di-II LD Aspherical
Great Alternatives
These options also score highly and may better suit your specific needs
Canon EF 100mm f/2.8L Macro IS USM Lens
Why we recommend this ▼
Its 1:1 magnification and built-in Hybrid Image Stabilization make it a top choice for capturing fine details. The inclusion of an Ultra-Low Dispersion element and Super Spectra Coating ensures sharp, color-accurate images with minimal aberrations. This lens is best for photographers specializing in close-up product shots or detailed nature macro work.
Samyang Rokinon SP 50mm f/1.2 Lens for Canon EF
Why we recommend this ▼
Its standout feature is the exceptionally bright f/1.2 maximum aperture, which excels in low light and offers extensive control over depth of field. The optical design, incorporating aspherical and high refractive index elements, prioritizes sharpness and clarity while minimizing aberrations. This heavy, manual-focus prime is best for portrait photographers on Canon EF-mount DSLRs who prioritize maximum aperture over autofocus convenience.
7Artisans 7artisans 24mm T2.1 Infinte Series Professional
Why we recommend this ▼
Its T2.1 aperture and internal focus design provide strong low-light performance and controlled focus breathing for cinematic work. The lens is built with a robust 998g metal housing and multi-layer coatings to manage flare, optimized for 4K and higher resolutions. This lens is best for filmmakers and cinematographers needing a dedicated, manual cinema prime for controlled studio or location shoots.
Best Lenses under £1,500 for video production
Canon EF 24mm f/1.4L II USM Lens
Best Lenses under £2,500 for video production
Canon EF 24-70mm f/2.8L II USM Lens
