Best Lenses under £400 for everyday use

Best Pick

Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM

100 Score
55mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 aperture and STM autofocus provide excellent low-light performance and smooth, quiet focusing for video. The lens offers a classic 55mm portrait focal length on APS-C cameras and features a direct USB-C port for firmware updates. This lens is best for videographers and street photographers using Nikon Z-mount APS-C bodies who need reliable autofocus and shallow depth of field.

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Great Alternatives

These options also score highly and may better suit your specific needs

Viltrox Air 35mm F1.7 f/1.7 AF

96.2 Score
35mm f/1.7 Fujifilm X IS
Why we recommend this

Its f/1.7 maximum aperture and 9-blade design provide excellent low-light performance and smooth, dreamy bokeh for subject separation. The lens is also notably lightweight and compact for its class, featuring a silent STM motor for reliable autofocus with face and eye detection. This lens is best for portrait and street photographers using Fujifilm X-mount cameras who prioritize a classic focal length and shallow depth of field.

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Sirui Sniper 56mm f/1.2 Autofocus

92.4 Score
56mm f/1.2 Sony E IS
Why we recommend this

Its f/1.2 maximum aperture and 11-blade diaphragm deliver exceptional background blur and smooth bokeh for portrait work. The lens provides a fast 85mm full-frame equivalent focal length with reliable autofocus, including eye and object tracking. This lens is best for portrait photographers and videographers on Sony APS-C cameras seeking a dedicated, fast telephoto prime for subject isolation.

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Yongnuo Upgraded YN50MM F1.8S DA DSM II

91.6 Score
50mm f/1.8 Sony A, Sony E IS
Why we recommend this

Its large f/1.8 aperture and 7-blade circular design produce smooth, pleasing bokeh for subject isolation. The compact, lightweight build and built-in stepping motor make it a highly portable and responsive option for Sony E-mount systems. This lens is best for hybrid shooters and vloggers using APS-C cameras who need a fast, affordable prime for portraits and run-and-gun video.

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Meike 55mm F1.8 Full Frame AF STM Stepping Motor

99.8 Score
55mm f/1.8 Nikon Z IS
Why we recommend this

With a bright f/1.8 aperture and STM autofocus motor, this 55mm prime lens excels at isolating subjects with smooth bokeh, even in low light. Its compact 201g build and optical design with extra-low dispersion elements effectively suppress chromatic aberration and flaring. This lens is best for street photographers and videographers who need a lightweight, fast-focusing portrait lens for Nikon Z mount cameras.

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Viltrox 25mm F1.7 f/1.7 AF

95.3 Score
25mm f/1.7 Fujifilm X IS
Why we recommend this

Its f/1.7 aperture and STM motor excel in low light and provide quiet, reliable autofocus for portraits. The optical design, featuring ED and aspherical elements, ensures sharp images with pleasing bokeh from its nine-blade diaphragm. This lens is best for portrait photographers on Fujifilm X-mount who prioritize a fast, quiet prime for eye and face detection.

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Viltrox Fujinon XF 56mm F1.7 Fuji

92.2 Score
56mm f/1.7 Fujifilm X IS
Why we recommend this

Its 56mm f/1.7 design and 171g weight deliver a classic portrait perspective with excellent subject isolation in a very portable package. The optical design with 4 ED elements ensures high-resolution images, while the quiet STM autofocus makes it suitable for both photos and video. This lens is best for Fujifilm X-mount shooters seeking an affordable, lightweight prime for street photography and environmental portraits.

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Yongnuo Art 35MM F1.8 Art Auto Focus

90.7 Score
35mm f/1.8 Sony E IS
Why we recommend this

With its f/1.8 aperture and 10-element optical design, this lens delivers sharp images with pleasing background blur, while its STM autofocus and built-in stabilization ensure quiet, steady operation. The metal construction and gold-plated contacts provide a durable, premium feel for its class, making it a robust value option. It is best for Sony APS-C shooters prioritizing portrait and low-light photography who need reliable eye-autofocus performance.

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Fujifilm VILTROX 85mm f1.8 Mark II

90.4 Score
85mm f/1.8 Fujifilm X IS
Why we recommend this

Its 85mm f/1.8 aperture and STM motor deliver fast, quiet autofocus and excellent edge-to-edge sharpness for a 492g all-metal lens. The textured focus ring offers a smooth, precise manual experience with a 145.9° throw, and firmware can be updated via USB. This lens is best for Fujifilm X-mount photographers seeking a well-built, affordable portrait prime for outdoor sessions and black-and-white work.

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Sigma Contemporary 16mm f/1.4 DC DN

89.6 Score
16mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its large f/1.4 aperture delivers superb low-light performance and a shallow depth of field, while its compact 404g build makes it highly portable for a lens of this speed. It fully accommodates Sony's Fast Hybrid AF system, ensuring reliable autofocus for both stills and video. This lens is best for Sony E-mount shooters needing a fast, wide prime for environmental portraits or handheld vlogging in challenging light.

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Canon RF 35mm F1.8 Macro IS STM Macro

88.6 Score
35mm f/1.8 Canon RF IS
Why we recommend this

Its standout 0.5x macro magnification and 5-stop optical image stabilization make it a versatile prime lens for a 35mm focal length. The inclusion of a control ring and compact 306g design adds direct manual control and excellent portability. This lens is best for photographers who need a lightweight, stabilized option for close-up product or nature photography, not for dedicated portrait work.

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Viltrox AF 85mm F2 EVO FE

87.4 Score
85mm f/2 Sony FE IS Weather Sealed
Why we recommend this

Its f/2 aperture and STM autofocus deliver smooth bokeh and quiet, precise focusing for both photos and video. The compact 340g design with a 0.74m minimum focus distance makes it exceptionally portable for a portrait prime while enabling detailed close-ups. This lens is best for portrait and close-up photographers who need a lightweight, sharp option for Sony E-mount cameras.

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7Artisans 35mm f0.95 Large Aperture APS-C Mirrorless Cameras

85 Score
35mm f/0.95 Fujifilm X IS Weather Sealed
Why we recommend this

Its standout f/0.95 maximum aperture enables exceptional low-light performance and extremely shallow depth of field for portraits. The lens is also weather-sealed and includes image stabilization, offering durability and versatility for a manual-focus prime. It is best for portrait photographers and low-light shooters on Fujifilm X-mount cameras who prioritize bokeh and light gathering over autofocus speed.

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Sigma Art 35mm f/1.4 DG DN

84.1 Score
35mm f/1.4 Sony E
Why we recommend this

Its f/1.4 aperture and complex optical formula with SLD, FLD, and aspherical elements deliver exceptional sharpness and bokeh. The robust build and premium coatings provide reliable performance for demanding use. This lens is best for portrait photographers and videographers who prioritize optical quality over portability for their Sony full-frame cameras.

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Sony E 50mm f/1.8 OSS

83.4 Score
50mm f/1.8 Sony (E mount for NEX) IS
Why we recommend this

Its f/1.8 aperture and built-in Optical SteadyShot stabilization enable sharp, low-light shooting and smooth handheld video. The lens is remarkably compact at 206g and features a Linear Autofocus motor for quiet, precise focusing. This lens is best for Sony APS-C shooters prioritizing portability for street photography and run-and-gun video work.

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Sony SEL35F18 35mm f/1.8 Prime

82.8 Score
35mm f/1.8 Sony E-Mount IS
Why we recommend this

Its 35mm f/1.8 aperture excels in low light and creates a pleasing background blur, while its internal focus and linear motor ensure quiet, smooth operation for video. Weighing only 155g, it offers exceptional portability and a compact build for a fast prime lens. This lens is best for Sony APS-C shooters prioritizing run-and-gun video work or discreet street photography where silent autofocus is critical.

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Best Lenses under £800 for everyday use

Best Pick

Tamron Di III 17-70mm f/2.8 -A VC RXD

96.7 Score
17-70mm f/2.8 FUJIFILM X IS
Why we recommend this

Its constant f/2.8 aperture across a versatile 17-70mm zoom range provides excellent low-light performance and creative flexibility for APS-C cameras. As the first lens of its kind with a 4.1x zoom ratio, it offers a practical all-in-one solution without sacrificing aperture. This lens is best for travel and street photographers who need a single, fast zoom to cover wide-angle to short-telephoto focal lengths.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF 24mm f/1.8 Macro IS STM

94.4 Score
24mm f/1.8 Canon RF IS
Why we recommend this

Its standout feature is a fast f/1.8 aperture, providing excellent low-light performance and shallow depth of field for a wide-angle prime lens. As an affordable entry into the RF system, it offers great value for expanding a mirrorless kit without sacrificing key optical performance. This lens is best for budget-conscious photographers and videographers who need a versatile wide-angle for landscapes, street photography, and low-light scenarios.

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Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

91.4 Score
16-300mm f/3.5 Sony E IS
Why we recommend this

This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.

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Fujifilm Fujinon XF 16463670 16mm f/1.4 R WR

88.1 Score
16mm f/1.4 Fujifilm X mount IS
Why we recommend this

Its fast f/1.4 aperture and robust weather-resistant build enable sharp, low-light shooting in demanding conditions. The optical design, featuring two aspherical and two ED elements, delivers exceptional corner-to-corner sharpness with minimal distortion. This lens is best for documentary filmmakers and street photographers who need a reliable, wide-angle prime for environmental portraits and handheld video work.

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Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame

87 Score
24-240mm f/3.5 Sony E (Full-Frame) IS Weather Sealed
Why we recommend this

Its 10x zoom range from 24-240mm makes it a uniquely versatile all-in-one travel lens for full-frame Sony cameras, backed by Optical SteadyShot stabilization. The inclusion of one ED and five aspherical elements helps control aberrations across its ambitious focal range, and it maintains a weather-sealed build. This lens is best for landscape photographers and professionals who need a single, durable lens for varied shooting conditions without changing optics.

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Panasonic LUMIX G X Leica DG Vario-Elmarit 12-35mm f/2.8 ASPH POWER O.I.S.

86.6 Score
35mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and built-in POWER O.I.S. stabilization make it a versatile, fast wide-angle zoom for Micro Four Thirds cameras. The lens offers a practical 24-70mm full-frame equivalent focal range in a compact, 306g package, balancing performance with portability. It is best for photographers needing a reliable, all-purpose zoom for everyday shooting and stabilized video work.

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Sony E 11mm f/1.8

84.9 Score
11mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its 11mm focal length and large f/1.8 aperture enable dynamic, low-light shooting in an exceptionally compact and lightweight design. The lens also delivers fast, precise autofocus that is ideal for capturing spontaneous moments. This prime is best for travel and street photographers using APS-C cameras who prioritize portability and a unique, ultra-wide perspective.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro

84.6 Score
105mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

This 105mm f/2.8 macro lens stands out with its true 1:1 life-size magnification and a fast f/2.8 aperture for excellent subject isolation. Its Dual-Motor STM autofocus system provides smooth, quiet operation, making it a strong choice for video work. This lens is best for photographers and videographers specializing in detailed product shots, insect photography, or anyone needing a versatile, high-quality macro prime.

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Panasonic Lumix S 35mm f/1.8

84.2 Score
35mm f/1.8 L-Mount Weather Sealed
Why we recommend this

Its F1.8 aperture delivers high resolution and pleasing bokeh across the full-frame L-mount sensor, making it a compact and versatile prime. This lens is particularly well-suited for portrait work, as indicated by its high score in that category. It's an excellent choice for photographers seeking a lightweight, fast prime for everyday shooting and environmental portraiture.

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Canon EF 18-135mm f/3.5-5.6 IS USM

83.6 Score
18-135mm f/3.5 Canon EF-S IS
Why we recommend this

This lens offers a versatile 18-135mm zoom range, equivalent to 28.8-216mm on APS-C cameras, making it a practical all-in-one option for travel and general photography. Its inclusion of a UD and an aspherical element helps control aberrations for improved image quality across its focal range. It is best for Canon APS-C camera owners seeking a single, lightweight walk-around lens for everyday shooting and travel.

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Nikon NIKKOR AF-S 20mm f/1.8G ED

83.6 Score
20mm f/1.8 Nikon F Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and inclusion of two ED and two aspherical elements deliver sharp, low-light performance with minimal aberrations. The relatively lightweight 355g build and Nano Crystal Coatings enhance handling and reduce flare for a versatile prime. This lens is best for landscape and architectural photographers needing a wide, fast prime for Nikon F-mount full-frame cameras.

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Viltrox 16mm F1.8 FE

83.2 Score
16mm f/1.8 Sony E IS Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and built-in optical stabilization provide exceptional low-light capability for a wide-angle prime, while its integrated LCD screen offers convenient on-lens parameter readouts. The lens delivers sharp results with its advanced optical design, though its 1107g weight limits portability. This lens is best for astrophotographers and architectural photographers who prioritize aperture and manual control over a lightweight kit.

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Viltrox 27mm f/1.2 E

82.9 Score
27mm f/1.2 Sony E IS
Why we recommend this

Its standout f/1.2 maximum aperture excels in low light and provides exceptional background separation for portraits. The lens is also distinguished by its robust optical construction, featuring 15 elements including ED and aspherical glass for high sharpness. This lens is best for portrait photographers and content creators on Sony cameras who prioritize a bright, fast-focusing prime over portability.

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Canon L EF 16-35mm IS USM

82.7 Score
16-35mm f/4 Canon EF IS Weather Sealed
Why we recommend this

Its constant f/4 aperture and built-in Optical Image Stabilizer provide reliable performance for handheld shooting in varied lighting. The lens features a robust L-series build with a fluorine coating for durability and easier cleaning. This lens is best for landscape photographers and videographers who need a sharp, stabilized wide-angle zoom for environmental shots and cinematic b-roll.

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Nikon Meike 24mm F1.4 AF Ultra Wide Angle Large Aperture Auto Focus STM Full Frame

82.5 Score
24mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 maximum aperture and STM motor provide a bright, fast, and quiet focusing experience ideal for low-light and video work. The optical design, featuring three ED and three aspherical elements, promises high sharpness and controlled aberrations for its class. This lens is best for Nikon Z shooters prioritizing astrophotography or environmental portraits where a wide, bright prime is essential.

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Sigma Art 35mm f/1.4 DG DN

80.4 Score
35mm f/1.4 L-Mount
Why we recommend this

Its standout f/1.4 aperture and premium optical construction deliver exceptional sharpness and bokeh for a classic 35mm focal length. Designed exclusively for mirrorless systems, it offers a notably lightweight and compact form factor compared to its DSLR-era predecessors. This lens is best for portrait photographers and filmmakers seeking a versatile, high-performance prime with beautiful rendering.

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Best Lenses under £1,000 for everyday use

Best Pick

Sony FE 24-50mm f/2.8 G

90.1 Score
24-50mm f/2.8 Sony E
Why we recommend this

Its constant f/2.8 aperture and compact 2.9-inch length deliver high-resolution G Lens quality in a remarkably portable package for everyday shooting. The lens pairs this versatility with fast, quiet autofocus powered by dual linear motors, ensuring reliable performance for both photos and video. This lens is best for travel and street photographers who prioritize a lightweight, high-performance standard zoom over extreme wide-angle or macro capabilities.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 17-40mm f/1.8 DC

85.2 Score
17-40mm f/1.8 Canon RF
Why we recommend this

Its constant f/1.8 aperture across a 17-40mm zoom range provides exceptional low-light performance and consistent depth-of-field control for APS-C Canon RF cameras. The lens offers a versatile full-frame equivalent field of view from 25.5mm to 60mm, making it a superfast wide-to-normal zoom option. This lens is best for portrait photographers and content creators on APS-C bodies who need a bright, flexible prime-like zoom for both environmental shots and standard focal lengths.

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Nikon NIKKOR Z 28-400mm f/4-8 VR

83.6 Score
28-400mm f/4 Nikon Z IS
Why we recommend this

Its 28-400mm full-frame zoom range offers exceptional versatility in a single lens, covering wide-angle to super-telephoto focal lengths. The 5.5-stop VR image stabilization is a significant strength for handheld shooting, compensating for its variable f/4-8 aperture. This lens is best for photographers who need maximum focal length flexibility without changing lenses, particularly for landscapes, events, or wildlife where carrying multiple optics is impractical.

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Canon L EF 100mm Macro IS USM

82.8 Score
100mm f/2.8 Canon EF IS Weather Sealed
Why we recommend this

Its 1:1 magnification and built-in Hybrid Image Stabilization make it a top choice for capturing fine details. The inclusion of an Ultra-Low Dispersion element and Super Spectra Coating ensures sharp, color-accurate images with minimal aberrations. This lens is best for photographers specializing in close-up product shots or detailed nature macro work.

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Sony G E 15mm f/1.4

84 Score
15mm f/1.4 Sony E
Why we recommend this

Its f/1.4 maximum aperture and 22.5mm full-frame equivalent focal length make it exceptionally fast and wide for an APS-C prime. The lens is remarkably compact at 218g, and its optical design uses Super ED and aspherical elements for high sharpness. This lens is best for street photographers who need a fast, lightweight prime for low-light and environmental shooting.

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Tamron Di III VC 70-180mm f/2.8 VXD G2

82.8 Score
70-180mm f/2.8 Sony E IS
Why we recommend this

Its f/2.8 aperture and VXD autofocus system deliver fast, precise focusing and subject tracking, while its VC image stabilization helps ensure sharp handheld shots. The lens offers a versatile 70-180mm zoom range with a remarkably close 0.3m minimum focus distance at the wide end, and it features a durable, moisture-resistant build with a convenient zoom lock switch. This telephoto zoom is best for Sony shooters who need a lightweight, stabilized lens for portrait work, event photography, or occasional close-up subjects.

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Canon EF 17-55mm f/2.8 IS USM Standard

81.9 Score
17-55mm f/2.8 Canon EF-S IS
Why we recommend this

Its constant f/2.8 aperture and built-in optical image stabilization provide excellent low-light performance and sharpness for its EF-S mount. The inclusion of UD and aspherical lens elements ensures high optical quality, rivaling many full-frame zooms. This lens is best for Canon APS-C shooters needing a versatile, bright standard zoom for event photography or run-and-gun video work.

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Tamron 28-75mm F/2.8 for Sony Mirrorless Full Frame

80.2 Score
28-75mm f/2.8 Sony E IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture delivers superb optical performance and beautiful bokeh, while its RXD stepping motor provides extremely quiet autofocus ideal for video work. The lens is also comfortably lightweight at 549g and features moisture-resistant construction for added durability. This lens is best for Sony mirrorless shooters who need a versatile, fast-aperture zoom for both stills and video without the bulk of first-party options.

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Tamron SP SP 35mm f/1.4 Di USD

77.2 Score
35mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and inclusion of four LD and three aspherical elements deliver exceptional sharpness and bokeh, making it a standout for its optical performance. The lens is built with a robust construction and features Tamron's USD motor for fast, quiet autofocus, though it lacks weather sealing. This prime is best for portrait photographers and Nikon shooters prioritizing optical quality over portability in a standard focal length.

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Sirui Sniper Autofocus

76.9 Score
23mm f/1.2 E Mount IS
Why we recommend this

This set offers a uniquely affordable trio of f/1.2 autofocus primes, providing exceptional low-light capability and shallow depth of field for Sony E-mount cameras. Its swift STM autofocus with eye-tracking and a lightweight yet sturdy aluminum body make it highly practical for handheld shooting. These lenses are best for portrait photographers and indie filmmakers who need cinematic bokeh and consistent color rendering across focal lengths without a high-end budget.

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Zeiss Batis 135mm f/2.8 Series

76.6 Score
135mm f/2.8 Sony E (Full Frame) IS Weather Sealed
Why we recommend this

Its standout feature is an innovative OLED display that clearly shows focus distance and depth-of-field, even in low light. The lens combines robust, weather-sealed metal construction with a smooth autofocus system for reliable outdoor use. This lens is best for portrait photographers who require precise manual focus control and excellent color rendition from their full-frame Sony cameras.

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Sony G Master SEL85F14GM FE 85 mm f/1.4

75.6 Score
85mm f/1.4 Sony Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and XA element deliver exceptional sharpness and smooth bokeh for professional portraits. The linear SSM focus system provides fast, quiet, and precise autofocus, making it suitable for both stills and video work. This lens is best for portrait photographers and videographers who prioritize ultimate subject isolation and rendering quality on full-frame Sony cameras.

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Viltrox LAB AF 35mm f/1.2 Z

70.8 Score
35mm f/1.2 Nikon Z
Why we recommend this

Its f/1.2 maximum aperture offers exceptional low-light performance and a very shallow depth of field for a full-frame lens. The quiet VCM focusing motor and an integrated LCD screen for settings are practical features for on-location work. This lens is best for portrait photographers and videographers who prioritize a bright, fast aperture and manual control in a native Z-mount design.

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Pentax FA Limited HD -FA 31mm f/1.8 Limited

70 Score
31mm f/1.8 Pentax K
Why we recommend this

Its fast f/1.8 aperture and HD Multi-Layer Coating deliver exceptional sharpness and contrast for a classic 31mm field of view. The lens is also distinguished by its compact 340g metal build, offering a premium, tactile experience. This prime is best for Pentax full-frame photographers seeking a high-quality, normal prime for environmental portraits and everyday professional use.

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Pentax Star Series HD FA 50mm f/1.4 SDM AW

69.6 Score
50mm f/1.4 Pentax K
Why we recommend this

With a bright f/1.4 maximum aperture and a 50mm focal length, this full-frame lens excels in low-light conditions and delivers classic portrait framing. Its optical design incorporates both an aspherical and an anomalous dispersion aspherical element to control aberrations for sharp results. This lens is best for portrait photographers on the Pentax K-mount system seeking a fast, standard prime lens with a traditional optical character.

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Sigma Contemporary 100-400mm f/5-6.3 DG DN OS

68.5 Score
100-400mm f/5 FUJIFILM X IS
Why we recommend this

With a maximum focal length of 400mm and an f/5 maximum aperture, this telephoto zoom offers significant reach for its class, supported by OS image stabilization and a stepping motor AF system. Its optical design incorporates one FLD and four SLD elements to control aberrations, making it a capable and portable option for a full-frame system. This lens is best for wildlife photographers or sports shooters on a budget who need a lightweight, long-reach lens for their Fujifilm X-mount camera.

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Best Lenses under £2,000 for everyday use

Best Pick

Sony FE 16-25mm f/2.8 G

88.3 Score
16-25mm f/2.8 Sony E Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 408g weight make it a remarkably compact and portable standard zoom lens for travel. The lens delivers outstanding G Lens image quality with high resolution across its 16-25mm range, supported by a fast and quiet dual Linear Motor AF system. This lens is best for travel and street photographers who prioritize a lightweight, high-performance zoom in their camera bag.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF VCM

88.2 Score
35mm f/1.4 Canon RF Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and VCM autofocus system provide exceptionally fast, quiet operation ideal for video capture. The lens also features a dedicated iris ring for manual control and an Air Sphere Coating to reduce flare. This lens is best for hybrid shooters and videographers who need a fast, versatile prime with professional-grade control and minimal focus breathing.

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Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

88.1 Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

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Panasonic Leica DG Vario-Summilux Leica DG Vario-Summilux 25-50mm f/1.7 ASPH.

87.9 Score
25-50mm f/1.7 Micro Four Thirds Weather Sealed
Why we recommend this

Its constant f/1.7 aperture across the 25-50mm zoom range provides exceptional low-light capability and background blur for a Micro Four Thirds lens. It meets strict Leica optical standards, ensuring professional-grade sharpness and rendering for photographers and videographers. This lens is best for Panasonic LUMIX shooters prioritizing portrait work and run-and-gun video where a fast, consistent aperture is critical.

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Sony G Master FE 24-70mm f/2.8 II

87.6 Score
24-70mm f/2.8 Sony E Weather Sealed
Why we recommend this

Its f/2.8 aperture and four XD linear motors deliver exceptionally fast and quiet autofocus for a standard zoom lens. It is also 22% lighter and more compact than its predecessor, improving handling without sacrificing full-frame coverage. This lens is best for hybrid shooters and event photographers who need reliable, high-speed performance in a more portable package.

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Nikon NIKKOR Z 24-70mm f/2.8 S Optical Zoom

86.9 Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and multi-focusing system deliver sharp, aberration-free images across its 24-70mm zoom range. The lens is also built with robust weather sealing and specialized coatings that effectively suppress flare and ghosting. This lens is best for event and wedding photographers who need reliable, high-quality performance in varied lighting conditions.

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Rokinon AF 24-60mm f/2.8 Zoom

86.7 Score
24-60mm f/2.8 Sony E IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and built-in stabilization make it a versatile, weather-sealed zoom for low-light and action photography. The lens offers excellent integration with Sony FE cameras and delivers crisp image quality from its 14-element optical design. This lens is best for professional photographers and videographers who need a reliable, all-purpose zoom for events, sports, and run-and-gun filmmaking.

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OM System M.Zuiko Digital ED 25mm f/1.2 PRO

83.8 Score
25mm f/1.2 Micro Four Thirds Weather Sealed
Why we recommend this

Its f/1.2 maximum aperture provides exceptional low-light performance and shallow depth of field for a Micro Four Thirds lens. The internal focusing design and manual focus clutch offer precise control for professional workflows. This lens is best for portrait and street photographers who prioritize a fast, classic 50mm-equivalent focal length.

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Canon L VCM

83.6 Score
24mm f/1.4 Canon RF Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and advanced optics, including a Voice Coil Motor (VCM) and Nano USM system, enable exceptionally fast and quiet autofocus performance. The lens's bright aperture and 24mm focal length make it a versatile prime for both environmental portraits and low-light work. This lens is best for portrait photographers and event shooters who require reliable, high-speed focusing in challenging lighting conditions.

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Sigma Art 24-70mm f/2.8 DG OS HSM

81.9 Score
24-70mm f/2.8 Canon EF IS
Why we recommend this

Its constant f/2.8 aperture and robust build quality, featuring three SLD and four aspherical elements, deliver sharp, aberration-free images. The inclusion of optical stabilization makes it a versatile choice for handheld shooting in varied lighting. This lens is best for full-frame Canon photographers who need a reliable, high-performance standard zoom for professional portraits and event work.

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Sigma Sports 70-200mm f/2.8 DG DN OS

81.4 Score
70-200mm f/2.8 Sony E IS
Why we recommend this

Its constant f/2.8 aperture and high-response linear AF motor deliver fast, precise performance for action and low-light shooting. The internal zoom and focus design provides excellent balance and handling, while the advanced OS2 stabilization ensures sharp handheld shots. This lens is best for sports and wildlife photographers who need reliable tracking and a robust, well-balanced telephoto zoom.

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Tamron Di III 35-150mm f/2-2.8 VXD

80.2 Score
35-150mm f/2 Nikon Z Weather Sealed
Why we recommend this

Its f/2-2.8 aperture range is the fastest available for a zoom, offering exceptional low-light capability and background blur. The VXD linear motor provides notably fast and quiet autofocus, which is ideal for capturing candid moments. This lens is best for event and portrait photographers who need a single, versatile lens with pro-level speed and rendering.

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Fujifilm Fujinon XF XF50-140mm f/2.8 R LM OIS WR

77.6 Score
50-150mm f/2.8 Fujifilm X-Mount IS
Why we recommend this

Its constant f/2.8 aperture and built-in optical image stabilization provide excellent low-light performance for a telephoto zoom. The robust, weather-sealed construction and inclusion of five ED elements ensure reliable image quality in demanding conditions. This lens is best for videographers and event photographers on the Fujifilm X system who need a versatile, fast telephoto for run-and-gun shooting.

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Olympus M.Zuiko Digital ED 100-400mm f/5-6.3 IS

77.6 Score
100-400mm f/5 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its standout feature is its remarkably compact 120g build paired with an extensive 200-800mm equivalent zoom range, making it exceptionally portable for its reach. The lens is fully weather-sealed, allowing photographers to shoot confidently in adverse conditions without worrying about moisture or dust. This lens is best for travel and wildlife photographers who need a lightweight, all-weather telephoto option for handheld shooting on the go.

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Sony G E 16-55mm f/2.8

77.6 Score
16-55mm f/2.8 Sony E (APS-C) Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and advanced aspherical elements deliver outstanding corner-to-corner sharpness and suppress aberrations. The lens is further defined by its XD linear motor, which provides fast, precise, and quiet autofocus for both photos and video. This is an ideal primary zoom for Sony APS-C shooters who prioritize optical performance and a bright aperture for everyday photography and controlled-depth-of-field work.

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Pentax DA* HD DA* 11-18mm f/2.8 ED DC AW

73.5 Score
18mm f/2.8 Pentax K
Why we recommend this

Its fast f/2.8 aperture and inclusion of two aspherical and two ED elements deliver sharp, corrected images for a wide-angle prime. The robust 703g build and Pentax K-mount compatibility make it a dedicated tool for that system. This lens is best for Pentax APS-C shooters needing a bright, wide-angle option for landscapes or architectural interiors.

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Premium Lenses for everyday use

Best Pick

Sony G Master FE 28-70mm F2

89.8 Score
28-70mm f/2 Sony E
Why we recommend this

This lens stands out with its constant f/2 aperture, providing exceptional low-light performance and background blur across its 28-70mm zoom range. Its optical design delivers sharpness and contrast that challenge many prime lenses, offering versatility without sacrificing image quality. It is best for portrait and event photographers who need a single, high-performance zoom for varied shooting conditions.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon L IS USM Z

83.2 Score
70-200mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and internal zooming design provide robust performance for professional event and sports photographers who require consistent exposure and a sealed lens barrel. The inclusion of an iris ring offers direct manual control over aperture, a feature prized by cinematographers and hybrid shooters. This lens is best suited for working photographers needing a fast, durable telephoto zoom for weddings, sports, or documentary work in varied conditions.

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Brightin Star AF Oculilumen 7.5mm f/2.8 Fisheye

80.9 Score
35mm f/2.8 Sony E Weather Sealed
Why we recommend this

Its 90-degree probe design and 2:1 maximum magnification enable unique, close-up perspectives that are difficult to achieve with standard macro lenses. The manual focus design and 11.8-inch minimum focus distance provide precise control for detailed, creative shots. This lens is best for specialized macro photographers and videographers capturing intricate subjects like insects, product details, or scientific specimens.

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OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO

80.2 Score
50-200mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 7-stop 5-axis Sync IS provide exceptional low-light performance and handheld stability for a super-telephoto zoom. The lens offers a full-frame equivalent 100-400mm reach in a relatively compact and portable package for its class. This lens is best for wildlife and sports photographers who need a long, fast zoom but prioritize a lighter kit for hiking or travel.

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Nikon NIKKOR Z 70-200mm f/2.8 VR S

79.1 Score
70-200mm f/2.8 Nikon Z IS
Why we recommend this

Its constant f/2.8 aperture provides excellent low-light performance and subject isolation throughout the 70-200mm zoom range. The included lens hood and cap add practical value for on-the-go photographers. This lens is best for budget-conscious shooters needing a versatile telephoto for portraits and general use, though it lacks stabilization for video work.

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Nikon NIKKOR AF-S 70-200mm f/2.8E FL ED VR

77.6 Score
70-200mm f/2.8 Nikon F IS
Why we recommend this

Its constant f/2.8 aperture and Silent Wave Motor AF system provide reliable, fast performance for professional video and event work. The robust build and 70-200mm focal length make it a versatile tool for controlled shooting environments. This lens is best for videographers and event photographers who need consistent, high-quality optics in a standard telephoto zoom.

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Sigma Sports 200mm f/2 DG OS

76.4 Score
200mm f/2 Sony E IS Weather Sealed
Why we recommend this

Its f/2 maximum aperture and 6.5-stop optical stabilization allow for exceptional low-light performance and handheld shooting with a 200mm focal length. The HLA-driven autofocus motor provides notably fast and quiet focusing, which is a significant advantage for video work. This lens is best for portrait photographers and videographers who require a fast, stabilized medium telephoto prime for controlled environments, given its substantial 1814g weight.

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Sony FE 400-800mm f/6.3-8 G OSS

54.1 Score
400-800mm f/6.3 Sony E IS
Why we recommend this

Its standout feature is an exceptionally long 400-800mm zoom range with a constant f/6.3 aperture, offering full-frame coverage in a relatively compact internal zoom design. The lens is built for professional use with dual linear motors for fast autofocus and a focus limiter switch for responsive tracking. It is best for wildlife and sports photographers who need extreme reach without the bulk of traditional super-telephoto primes.

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Thypoch DZOFilm Simera-C 5

39.8 Score
135mm Interchangeable Mount with Included Sony E
Why we recommend this

This kit stands out by pairing five ultracompact, lightweight Simera-C T1.5 prime lenses with a Catta 70-135mm T2.9 zoom, offering a fast aperture range from T1.5 to T22 for full-frame cine-style capture. The 16-blade diaphragm in the primes contributes to smooth, rounded bokeh, a key qualitative feature for cinematic image quality. This bundle is best for independent filmmakers and video creators seeking a versatile, cost-saving entry into a full-frame cine lens ecosystem without sacrificing shallow depth-of-field capabilities.

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