Best Pick

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

90.9 Video/Cinema Score
16-300mm f/3.5 Sony E IS
Why we recommend this

This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.

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Great Alternatives

These options also score highly and may better suit your specific needs

Tamron Di III 17-70mm f/2.8 -A VC RXD

83.7 Video/Cinema Score
17-70mm f/2.8 Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M IS
Why we recommend this

Its constant f/2.8 aperture and built-in Vibration Compensation provide excellent low-light performance and sharp handheld shots. The versatile 17-70mm zoom range and robust build quality make it a highly practical single-lens solution for APS-C cameras. This lens is best for Sony APS-C shooters and videographers, like those using an FX30, who need a reliable, all-in-one zoom for everyday and run-and-gun scenarios.

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Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame

77 Video/Cinema Score
24-240mm f/3.5 Sony E (Full-Frame) IS Weather Sealed
Why we recommend this

Its 10x zoom range from 24-240mm makes it a uniquely versatile all-in-one travel lens for full-frame Sony cameras, backed by Optical SteadyShot stabilization. The inclusion of one ED and five aspherical elements helps control aberrations across its ambitious focal range, and it maintains a weather-sealed build. This lens is best for landscape photographers and professionals who need a single, durable lens for varied shooting conditions without changing optics.

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Viltrox 27mm f/1.2

71.3 Video/Cinema Score
27mm f/1.2 Sony E IS Weather Sealed
Why we recommend this

Its exceptionally fast f/1.2 aperture and built-in image stabilization enable excellent low-light performance and sharp handheld shots. The robust, weather-sealed construction and STM autofocus make it a durable and capable option for APS-C Sony shooters. This lens is best for portrait and event photographers seeking a bright, stabilized prime for their Sony E-mount cameras.

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Sony E 11mm f/1.8

75 Video/Cinema Score
11mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its 11mm focal length and large f/1.8 aperture enable dynamic, low-light shooting in an exceptionally compact and lightweight design. The lens also delivers fast, precise autofocus that is ideal for capturing spontaneous moments. This prime is best for travel and street photographers using APS-C cameras who prioritize portability and a unique, ultra-wide perspective.

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Sigma Art 28mm f/1.4 DG HSM

71.1 Video/Cinema Score
28mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 aperture and advanced optical design deliver exceptional sharpness with minimal distortion and chromatic aberration. The lens is particularly strong for portrait work, scoring highly for its rendering and image quality. This prime is best for photographers prioritizing optical perfection in a wide-angle lens for environmental portraits and low-light scenarios.

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Viltrox 16mm F1.8 FE

70.8 Video/Cinema Score
16mm f/1.8 Sony E IS Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and built-in optical stabilization provide exceptional low-light capability for a wide-angle prime, while its integrated LCD screen offers convenient on-lens parameter readouts. The lens delivers sharp results with its advanced optical design, though its 1107g weight limits portability. This lens is best for astrophotographers and architectural photographers who prioritize aperture and manual control over a lightweight kit.

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Viltrox AF 13mm f/1.4 XF

69.5 Video/Cinema Score
13mm f/1.4 Sony E
Why we recommend this

Its ultra-wide 13mm focal length combined with a bright f/1.4 maximum aperture makes it a strong choice for low-light and astrophotography. The inclusion of two aspherical elements helps control distortion, enhancing image quality for its class. This lens is best for Sony APS-C shooters, particularly portrait and street photographers who value a fast, wide-angle perspective.

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Samyang AF 85mm f/1.4 FE II

68.1 Video/Cinema Score
85mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and 85mm focal length make it a classic tool for achieving sharp subjects with beautifully blurred backgrounds. The inclusion of a linear STM motor provides notably quiet and smooth autofocus performance, a key upgrade for its second-generation design. This lens is best for portrait photographers and videographers on the Sony platform who prioritize reliable autofocus and a traditional fast-aperture focal length.

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Sony SEL2860 Full Frame E-Mount

63.7 Video/Cinema Score
28-60mm Sony E IS
Why we recommend this

Its standout feature is its remarkably compact 167g build paired with a full-frame E-mount, delivering high-resolution image quality across its 28-60mm zoom range. The lens achieves sharp results and smooth bokeh using three aspherical elements, while its linear motor provides fast, quiet autofocus ideal for video. This lens is best for travel and everyday photographers who prioritize a lightweight kit without sacrificing full-frame sensor coverage.

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Rokinon 35mm f/1.4 AF II

63.6 Video/Cinema Score
35mm f/1.4 Sony E
Why we recommend this

Its fast f/1.4 aperture and full-frame coverage provide excellent low-light performance and a versatile 35mm focal length for street or portrait work. The lens includes a built-in customizable function switch for quick settings changes, a feature often reserved for more expensive models. It's best for Sony shooters who need a bright, general-purpose prime lens for stills and video, but its 658g weight makes it less ideal for travel.

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Samyang 85mm f/1.4 Auto Focus

61.2 Video/Cinema Score
85mm f/1.4 Sony E (Full Frame)
Why we recommend this

Its f/1.4 maximum aperture and 9-blade diaphragm deliver excellent background blur and smooth bokeh for portraits. The lens construction, featuring three aspherical elements and UMC coatings, helps control optical aberrations for sharp results. This lens is best for portrait photographers seeking a classic focal length with a very wide aperture at a competitive price.

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Tokina atx-m atx-m 11-18mm f/2.8

60.3 Video/Cinema Score
11-18mm f/2.8 Sony E Mount
Why we recommend this

Its constant f/2.8 aperture across the 11-18mm zoom range provides excellent low-light performance for a wide-angle lens. The compact 335g design and reliable autofocus make it highly portable for active shooters. This lens is best for travel vloggers and hybrid shooters who need a versatile, lightweight wide-angle for both video and environmental portraits.

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Laowa 90mm f/2.8 2x Ultra Macro APO

54.8 Video/Cinema Score
90mm f/2.8 Sony E
Why we recommend this

Its standout 2:1 maximum magnification and 205mm minimum focus distance allow for extreme close-up detail capture without extension tubes. The 90mm focal length and f/2.8 aperture also make it a capable portrait lens with pleasing background separation. This lens is best for dedicated macro photographers and scientists needing high reproduction ratios for subjects like insects or textures.

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