Best Video/Cinema Lenses Under £800 in 2026
Canon RF 18-150mm f/3.5-6.3 IS STM
Great Alternatives
These options also score highly and may better suit your specific needs
Sigma Contemporary 12mm f/1.4 DC
Why we recommend this ▼
Its 12mm f/1.4 aperture provides an exceptionally wide and bright field of view, ideal for low-light shooting on APS-C cameras. The lens is notably fast and lightweight for its class, aided by a stepping motor for quiet autofocus. This prime is best for street photographers and portraitists seeking dramatic, close-up perspectives with strong subject isolation.
Tamron Di III 18-300mm f/3.5-6.3 -A VC VXD
Why we recommend this ▼
Its standout 18-300mm focal length provides a massive 16.6x zoom range, making it exceptionally versatile for everything from landscapes to distant subjects. The lens is also relatively compact and lightweight at 635g, suiting it well for travel and everyday use on APS-C cameras. This lens is best for photographers who want a single, all-in-one travel lens and value versatility over specialized macro or low-light performance.
Sirui Saturn 50mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic
Why we recommend this ▼
Its carbon fiber construction makes it the lightest full-frame anamorphic lens on the market at just 465g, ideal for gimbal or drone use. The premium 1.6x squeeze factor delivers a cinematic 2.4:1 aspect ratio with distinctive oval bokeh and optional blue flares. This lens is best for independent filmmakers and cinematographers needing a lightweight, manual-focus anamorphic for stabilized rigs and unique overhead shots.
Laowa Zero-D 15mm f/2 FE
Why we recommend this ▼
Its 15mm f/2 aperture makes it the widest rectilinear f/2 lens available, offering exceptional low-light capability for astrophotography with minimal distortion due to its Zero-D optical design. The weather-sealed, 500g metal build is compact for travel while the 5-blade diaphragm creates distinct sunstars. This lens is best for landscape and architecture photographers who prioritize edge-to-edge sharpness and manual focus control in extreme wide-angle shots.
Sirui 50mm T2.9 1.6X Full-Frame Anamorphic
Why we recommend this ▼
Its 1.6x squeeze factor creates a distinctive 2.8:1 widescreen aspect ratio from a 16:9 sensor, producing cinematic oval bokeh and horizontal lens flares. The lens offers a solid T2.9 to T16 aperture range with a 10-blade iris for smooth out-of-focus effects. This lens is best for filmmakers and cinematographers specifically seeking an affordable, full-frame anamorphic look with classic widescreen characteristics.
Laowa 90mm f/2.8 2x Ultra Macro APO
Why we recommend this ▼
Its standout 2:1 maximum magnification and apochromatic APO design deliver exceptional detail and color accuracy for extreme close-up work. The 90mm focal length and f/2.8 aperture also make it a capable portrait lens, offering a versatile dual-purpose design. This lens is best for dedicated macro photographers and scientific imagers who require life-size or greater reproduction ratios without using extension tubes.
