Best Pick

Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR

77.8 Video/Cinema Score
18-300mm f/3.5 Nikon F IS
Why we recommend this

Its 16.7x zoom range, from 27-450mm equivalent, provides exceptional versatility in a single lens for Nikon DX cameras. The inclusion of three aspherical and three ED elements helps control aberrations and maintain image quality across the focal range. This lens is best for photographers who need a comprehensive all-in-one solution for events or wildlife without changing lenses.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24mm f/1.4 DG HSM

74.5 Video/Cinema Score
24mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 maximum aperture and robust HSM autofocus system deliver exceptional low-light performance and sharpness for a wide-angle prime. The lens's 15-element optical design effectively controls distortion and chromatic aberration, making it highly reliable for critical work. This lens is best for portrait and documentary photographers who require a fast, wide-angle optic with consistent rendering and precise focus.

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Sigma Art 24mm f/1.4 DG HSM lens
Price $865

Tamron SP SP 35mm f/1.4 Di USD

67.6 Video/Cinema Score
35mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and inclusion of four LD and three aspherical elements deliver exceptional sharpness and bokeh, making it a standout for its optical performance. The lens is built with a robust construction and features Tamron's USD motor for fast, quiet autofocus, though it lacks weather sealing. This prime is best for portrait photographers and Nikon shooters prioritizing optical quality over portability in a standard focal length.

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Zeiss Planar Classic ZF.2 T* 50mm f/1.4 Standard Camera

67.3 Video/Cinema Score
50mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 aperture and ZEISS T* coating deliver superior contrast and low-light performance with minimal flare. The precise manual focus ring and nine-blade aperture create exceptionally smooth, harmonious bokeh. This lens is best for portrait photographers and cinematographers who prioritize manual control and rendering quality over autofocus speed.

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Voigtländer Nokton 58mm f/1.4 SL II S AI-S

62.8 Video/Cinema Score
58mm f/1.4 Nikon FX IS
Why we recommend this

Its manual-focus f/1.4 aperture and CPU-integrated Ai-S mount deliver outstanding performance and beautiful bokeh for both modern DSLRs and classic film SLRs. The lens offers a nostalgic barrel design reminiscent of vintage Nikkor optics while providing chipped metering compatibility. This lens is best for portrait photographers and Nikon enthusiasts seeking a high-quality, character-rich normal prime for both digital and film systems.

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Sigma 105 mm f/2.8 Macro

56.6 Video/Cinema Score
105mm f/2 Nikon F IS
Why we recommend this

Its 105mm f/2.8 design and 1:1 magnification ratio make it a dedicated tool for capturing extreme close-up detail. The lens is a specialized, full-frame optic that can also adapt to APS-C cameras for a longer effective focal length. This lens is best for photographers dedicated to macro work who need true 1:1 reproduction and can manage its fixed focal length and lack of stabilization.

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Sigma 105 mm f/2.8 Macro lens
Price $567

IRIX IRIX 21mm f/1.4 Dragonfly Lens for Nikon F

56.5 Video/Cinema Score
f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and robust, weather-sealed Dragonfly build make it a standout for ultra-wide-angle work. The 11-blade aperture contributes to a smooth, artistic bokeh rarely found in such a wide lens. It's best for landscape and astrophotographers who need a fast, durable prime for challenging outdoor conditions.

Tamron 17-35mm F/2.8-4 Di OSD for Nikon Digital SLR Cameras

56.2 Video/Cinema Score
17-35mm f/2.8 Nikon F IS
Why we recommend this

Its f/2.8 constant aperture across the 17-35mm zoom range provides excellent low-light performance and creative flexibility for wide-angle shots. The lens features an optimized silent drive (OSD) for quiet autofocus, making it particularly suitable for video recording. This Tamron lens is best for budget-conscious videographers and content creators who need a versatile, silent-focusing wide-angle zoom for run-and-gun filming.

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Laowa Zero-D 12mm f/2.8

51.1 Video/Cinema Score
12mm f/2.8 Nikon F Weather Sealed
Why we recommend this

This 12mm f/2.8 prime lens stands out with its ultra-wide field of view and a bright maximum aperture, supported by three extra-low dispersion and two aspherical elements for sharp, low-distortion images. Its robust, all-metal build quality is a notable highlight that ensures durability for demanding use. This lens is best for landscape and architectural photographers who require extreme wide-angle perspectives with minimal optical distortion.

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Laowa Zero-D 12mm f/2.8 lens
Price $749

Tokina Tokina atx-i 100mm f/2.8 Macro Lens for Nikon F

45.7 Video/Cinema Score
f/2.8 Nikon F
Why we recommend this

Its standout feature is a true 1:1 macro reproduction ratio paired with a bright f/2.8 aperture, enabling detailed close-ups with pleasing background blur. The multi-coated optics and One-Touch Focus Clutch Mechanism ensure sharp, flare-resistant images and a tactile manual focus experience. This lens is best for Nikon F-mount photographers specializing in detailed product shots, insect photography, or portraits requiring a medium telephoto perspective.

Tamron Di-II AF 18-200mm F/3.5-6.3 Di-II VC All-in-One Zoom for Nikon APS-C Digital SLR

45.5 Video/Cinema Score
18-200mm f/18 Nikon F (DX) IS
Why we recommend this

Its 18-200mm zoom range and built-in VC stabilization make it a versatile all-in-one lens for APS-C DSLR cameras. The lens offers a faster and quieter autofocus system, which is a significant improvement for general photography. This Tamron lens is best for travel photographers seeking a single, lightweight solution for landscapes and distant subjects without changing lenses.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC

44.2 Video/Cinema Score
24mm f/3.5 Nikon F
Why we recommend this

Its +/- 8.5º tilt and shift capabilities provide extensive perspective and focus control for architectural and product photography. The 24mm focal length and full-frame coverage offer a versatile wide-angle perspective for creative compositions. This lens is best for photographers specializing in architectural, real estate, or tabletop product photography requiring precise perspective correction.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC lens
Price $569

Samyang 24mm f/3.5 ED AS UMC Tilt-Shift

42.2 Video/Cinema Score
24mm f/3.5 Nikon F
Why we recommend this

Its 24mm focal length and +/- 8.5º tilt mechanism offer precise perspective control and selective focus for architectural photography. The 82mm filter thread and full-frame coverage make it a versatile tool for landscape and interior work. This lens is best for architectural photographers needing to correct converging lines and for product photographers creating miniature effect shots.

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Samyang 24mm f/3.5 ED AS UMC Tilt-Shift lens
Price $649

Trioplan 100mm f/2.8 II

34.8 Video/Cinema Score
100mm f/2.8 Nikon F
Why we recommend this

Its revised triplet optical design with coated Schott glass produces distinct, swirly bokeh, a signature look from its three-element construction. The 15-blade diaphragm ensures exceptionally smooth and circular out-of-focus highlights at various apertures. This lens is best for portrait photographers and creative artists specifically seeking that unique, vintage-inspired optical character for subject isolation.

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