Best Lenses under $500 for video production

Best Pick

Nikon NIKKOR 2179 AF-S DX 18-105mm f/3.5-5.6G ED VR

77.5 Video/Cinema Score
18-105mm f/3.5 Nikon F IS
Why we recommend this

Its built-in stabilization enables handheld shooting slower than normal, while its ED glass elements help eliminate coma and other aberrations for improved image integrity. The lens offers superior color consistency and reduced flare, further enhancing its optical performance. This zoom is best for videographers and landscape photographers who need a versatile, stabilized range from 18-105mm.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24-70mm f/2.8 DG OS HSM

76.2 Video/Cinema Score
24-70mm f/2.8 Nikon F IS
Why we recommend this

Its constant f/2 aperture across the 24-70mm zoom range provides exceptional low-light performance and shallow depth of field control. The lens offers professional-grade optics and autofocus at a notably high value score, making it a compelling alternative to first-party options. This lens is best for professional photographers and videographers who prioritize low-light versatility and a fast zoom over extreme macro capabilities.

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Rokinon 85mm f/1.4

66 Video/Cinema Score
85mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 aperture and hybrid aspherical element deliver sharp portraits with beautiful background blur. The lens is also relatively lightweight at 481g for its class and features a 9-blade diaphragm for smooth bokeh. This lens is best for portrait photographers seeking a classic focal length with modern autofocus on Nikon F-mount cameras.

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Samyang AF 85mm f/1.4 F

64.5 Video/Cinema Score
85mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture and 85mm focal length provide excellent subject isolation and low-light performance for portraits. The lens offers a compelling combination of a bright aperture and relatively lightweight build at 481g, making it a more portable option than many competitors. This lens is best for portrait photographers seeking a classic focal length with a very shallow depth of field on a budget.

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Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom

70.4 Video/Cinema Score
17-50mm f/2.8 Nikon F (DX) IS
Why we recommend this

Its constant f/2.8 aperture and optical stabilization provide excellent low-light performance for a standard zoom lens. The inclusion of FLD glass elements ensures high sharpness and color correction comparable to fluorite. This lens is best for professional photographers and videographers working with Nikon DX cameras who need a versatile, fast zoom for events or controlled shoots.

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Rokinon Series II 85mm f/1.4

65.5 Video/Cinema Score
85mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and 9-blade diaphragm enable exceptional subject isolation and smooth bokeh for portraits. The lens is further distinguished by its inclusion of a hybrid aspherical element to control aberrations, paired with an ultra multi-coating to reduce flare. This lens is best for portrait photographers seeking a classic, fast prime with a manual focus experience on Nikon F-mount cameras.

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Rokinon AS IF UMC 85mm f/1.4

63 Video/Cinema Score
85mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture enables exceptional background separation and low-light performance for a manual focus lens. The inclusion of a hybrid aspherical element and Ultra Multi-Coating helps control optical aberrations and flare for a clean image. This lens is best for portrait photographers and videographers who prioritize precise manual control and a classic rendering style over autofocus convenience.

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Rokinon AS IF UMC 85mm f/1.4 lens
Price $249

IRIX 45mm f/1.4

62.4 Video/Cinema Score
45mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and inclusion of one aspherical and four HR elements deliver sharp, controlled images with beautiful bokeh. The robust, manual-focus design with a focus lock mechanism provides precise tactile control for deliberate shooting. This lens is best for portrait photographers and cinematographers who prioritize optical quality and manual operation over autofocus convenience.

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Yongnuo YN35mm F2N

59.9 Video/Cinema Score
35mm f/2 Nikon F IS
Why we recommend this

Its standout feature is a bright f/2 maximum aperture paired with autofocus, which is uncommon for a budget-friendly 35mm prime lens. The metal barrel construction offers a more premium feel than its price point typically allows, and it supports useful functions like live-view focusing and firmware updates via USB. This lens is best for Nikon APS-C DSLR users seeking an affordable, fast prime for everyday photography and controlled portraits.

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Yongnuo YN50mm F1.8

59.9 Video/Cinema Score
f/1.8 Nikon F IS
Why we recommend this

Its standout f/1.8 aperture enables excellent low-light performance and creates a pleasing background blur for portraits. The lens offers autofocus compatibility and a focus distance indicator, adding practical functionality for on-the-fly adjustments. This lens is best for Nikon shooters seeking an affordable, fast prime for portrait photography and general-purpose street shooting.

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Nikon Meike 85mm F1.8 Auto Focus Full Frame Large Aperture Portrait

59.1 Video/Cinema Score
85mm f/1.8 Nikon F IS
Why we recommend this

Its f/1.8 aperture with nine diaphragm blades is engineered for smooth bokeh, making it a strong portrait lens for Nikon shooters. The lens features a micro USB port for firmware updates, adding a layer of future-proofing uncommon at this price point. It's best for portrait photographers on a budget who want classic 85mm compression and soft background blur without a premium price tag.

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Tamron Di II Auto Focus 10-24mm f/3.5-4.5 SP LD Aspherical

57.7 Video/Cinema Score
10-24mm f/3.5 Nikon F IS
Why we recommend this

Its versatile 10-24mm focal range provides an ultra-wide 15-36mm equivalent on APS-C cameras, paired with built-in image stabilization for handheld shooting. The lens accepts standard 77mm filters and uses a micromotor autofocus system, though it lacks full-time manual override. This lens is best for APS-C Nikon and Canon photographers needing a stabilized, wide-angle zoom for landscapes or interior photography on a budget.

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Rokinon AF 14mm f/2.8

57.5 Video/Cinema Score
14mm f/2.8 Nikon F Weather Sealed
Why we recommend this

Its 14mm f/2.8 prime design offers a wide field of view and solid low-light capability for Nikon F-mount full-frame cameras. The optical construction, featuring one extra-low dispersion and two aspherical elements, helps control distortion and aberrations for a sharp image. This lens is best for landscape and architectural photographers needing a reliable, wide-angle prime on a budget.

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Samyang 50mm f/1.4 AS UMC

57.4 Video/Cinema Score
50mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture provides excellent low-light performance and a very shallow depth of field for portraits. The lens incorporates one hybrid and one aspherical element alongside an Ultra Multi-Coating to effectively control aberrations and flare. This is a strong, affordable choice for Nikon full-frame photographers prioritizing classic portrait rendering over autofocus speed or weather sealing.

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Samyang 50mm f/1.4 AS UMC lens
Price $250

Tokina atx-i atx-i 11-20mm f/2.8 CF

54.5 Video/Cinema Score
20mm f/2.8 Nikon F
Why we recommend this

Its constant f/2.8 aperture and three aspherical elements deliver sharp, controlled images for a DX-format lens. The 16.6-30mm equivalent focal length provides a versatile ultra-wide to standard zoom range for Nikon F-mount cameras. This lens is best for Nikon APS-C shooters needing a bright, wide-angle zoom for landscapes or indoor event photography.

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Tokina atx-i atx-i 11-20mm f/2.8 CF lens
Price $399

Tamron Auto Focus 70-300mm f/4.0-5.6 Di LD Macro

53.3 Video/Cinema Score
70-300mm f/4.0 Nikon F IS
Why we recommend this

Its built-in autofocus motor provides fast and accurate focusing, and its 1:2 macro mode is a standout feature for close-up photography. The included flower-shaped lens hood offers practical glare protection, and it comes with a substantial six-year warranty. This lens is best for budget-conscious photographers and travelers who need a versatile telephoto zoom with macro capability.

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Best Lenses under $1,000 for video production

Best Pick

Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR

77.8 Video/Cinema Score
18-300mm f/3.5 Nikon F IS
Why we recommend this

Its 16.7x zoom range, from 27-450mm equivalent, provides exceptional versatility in a single lens for Nikon DX cameras. The inclusion of three aspherical and three ED elements helps control aberrations and maintain image quality across the focal range. This lens is best for photographers who need a comprehensive all-in-one solution for events or wildlife without changing lenses.

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Great Alternatives

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Sigma Art 24mm f/1.4 DG HSM

74.5 Video/Cinema Score
24mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 maximum aperture and robust HSM autofocus system deliver exceptional low-light performance and sharpness for a wide-angle prime. The lens's 15-element optical design effectively controls distortion and chromatic aberration, making it highly reliable for critical work. This lens is best for portrait and documentary photographers who require a fast, wide-angle optic with consistent rendering and precise focus.

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Sigma Art 24mm f/1.4 DG HSM lens
Price $865

Tamron SP SP 35mm f/1.4 Di USD

67.6 Video/Cinema Score
35mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and inclusion of four LD and three aspherical elements deliver exceptional sharpness and bokeh, making it a standout for its optical performance. The lens is built with a robust construction and features Tamron's USD motor for fast, quiet autofocus, though it lacks weather sealing. This prime is best for portrait photographers and Nikon shooters prioritizing optical quality over portability in a standard focal length.

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Zeiss Planar Classic ZF.2 T* 50mm f/1.4 Standard Camera

67.3 Video/Cinema Score
50mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 aperture and ZEISS T* coating deliver superior contrast and low-light performance with minimal flare. The precise manual focus ring and nine-blade aperture create exceptionally smooth, harmonious bokeh. This lens is best for portrait photographers and cinematographers who prioritize manual control and rendering quality over autofocus speed.

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Voigtländer Nokton 58mm f/1.4 SL II S AI-S

62.8 Video/Cinema Score
58mm f/1.4 Nikon FX IS
Why we recommend this

Its manual-focus f/1.4 aperture and CPU-integrated Ai-S mount deliver outstanding performance and beautiful bokeh for both modern DSLRs and classic film SLRs. The lens offers a nostalgic barrel design reminiscent of vintage Nikkor optics while providing chipped metering compatibility. This lens is best for portrait photographers and Nikon enthusiasts seeking a high-quality, character-rich normal prime for both digital and film systems.

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Sigma 105 mm f/2.8 Macro

56.6 Video/Cinema Score
105mm f/2 Nikon F IS
Why we recommend this

Its 105mm f/2.8 design and 1:1 magnification ratio make it a dedicated tool for capturing extreme close-up detail. The lens is a specialized, full-frame optic that can also adapt to APS-C cameras for a longer effective focal length. This lens is best for photographers dedicated to macro work who need true 1:1 reproduction and can manage its fixed focal length and lack of stabilization.

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Sigma 105 mm f/2.8 Macro lens
Price $567

IRIX IRIX 21mm f/1.4 Dragonfly Lens for Nikon F

56.5 Video/Cinema Score
f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and robust, weather-sealed Dragonfly build make it a standout for ultra-wide-angle work. The 11-blade aperture contributes to a smooth, artistic bokeh rarely found in such a wide lens. It's best for landscape and astrophotographers who need a fast, durable prime for challenging outdoor conditions.

Tamron 17-35mm F/2.8-4 Di OSD for Nikon Digital SLR Cameras

56.2 Video/Cinema Score
17-35mm f/2.8 Nikon F IS
Why we recommend this

Its f/2.8 constant aperture across the 17-35mm zoom range provides excellent low-light performance and creative flexibility for wide-angle shots. The lens features an optimized silent drive (OSD) for quiet autofocus, making it particularly suitable for video recording. This Tamron lens is best for budget-conscious videographers and content creators who need a versatile, silent-focusing wide-angle zoom for run-and-gun filming.

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Laowa Zero-D 12mm f/2.8

51.1 Video/Cinema Score
12mm f/2.8 Nikon F Weather Sealed
Why we recommend this

This 12mm f/2.8 prime lens stands out with its ultra-wide field of view and a bright maximum aperture, supported by three extra-low dispersion and two aspherical elements for sharp, low-distortion images. Its robust, all-metal build quality is a notable highlight that ensures durability for demanding use. This lens is best for landscape and architectural photographers who require extreme wide-angle perspectives with minimal optical distortion.

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Laowa Zero-D 12mm f/2.8 lens
Price $749

Tokina Tokina atx-i 100mm f/2.8 Macro Lens for Nikon F

45.7 Video/Cinema Score
f/2.8 Nikon F
Why we recommend this

Its standout feature is a true 1:1 macro reproduction ratio paired with a bright f/2.8 aperture, enabling detailed close-ups with pleasing background blur. The multi-coated optics and One-Touch Focus Clutch Mechanism ensure sharp, flare-resistant images and a tactile manual focus experience. This lens is best for Nikon F-mount photographers specializing in detailed product shots, insect photography, or portraits requiring a medium telephoto perspective.

Tamron Di-II AF 18-200mm F/3.5-6.3 Di-II VC All-in-One Zoom for Nikon APS-C Digital SLR

45.5 Video/Cinema Score
18-200mm f/18 Nikon F (DX) IS
Why we recommend this

Its 18-200mm zoom range and built-in VC stabilization make it a versatile all-in-one lens for APS-C DSLR cameras. The lens offers a faster and quieter autofocus system, which is a significant improvement for general photography. This Tamron lens is best for travel photographers seeking a single, lightweight solution for landscapes and distant subjects without changing lenses.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC

44.2 Video/Cinema Score
24mm f/3.5 Nikon F
Why we recommend this

Its +/- 8.5º tilt and shift capabilities provide extensive perspective and focus control for architectural and product photography. The 24mm focal length and full-frame coverage offer a versatile wide-angle perspective for creative compositions. This lens is best for photographers specializing in architectural, real estate, or tabletop product photography requiring precise perspective correction.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC lens
Price $569

Samyang 24mm f/3.5 ED AS UMC Tilt-Shift

42.2 Video/Cinema Score
24mm f/3.5 Nikon F
Why we recommend this

Its 24mm focal length and +/- 8.5º tilt mechanism offer precise perspective control and selective focus for architectural photography. The 82mm filter thread and full-frame coverage make it a versatile tool for landscape and interior work. This lens is best for architectural photographers needing to correct converging lines and for product photographers creating miniature effect shots.

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Samyang 24mm f/3.5 ED AS UMC Tilt-Shift lens
Price $649

Trioplan 100mm f/2.8 II

34.8 Video/Cinema Score
100mm f/2.8 Nikon F
Why we recommend this

Its revised triplet optical design with coated Schott glass produces distinct, swirly bokeh, a signature look from its three-element construction. The 15-blade diaphragm ensures exceptionally smooth and circular out-of-focus highlights at various apertures. This lens is best for portrait photographers and creative artists specifically seeking that unique, vintage-inspired optical character for subject isolation.

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Best Lenses under $1,500 for video production

Best Pick

Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR

82 Video/Cinema Score
16-80mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture across its 16-80mm zoom range, it offers consistent light-gathering ability for both wide and telephoto shots. The inclusion of optical stabilization makes it a reliable choice for handheld shooting, particularly in variable lighting conditions. This lens is best for videographers and documentary shooters who need a versatile, all-in-one zoom with dependable performance.

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Price $1,080
Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR lens

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2

74.3 Video/Cinema Score
24-70mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture and built-in Vibration Compensation (VC), this lens excels in low-light photography and handheld shooting. Its robust G2 build quality and versatile 24-70mm zoom range make it a reliable workhorse for everyday professional use. This lens is best for event photographers and videographers who need a sharp, all-purpose zoom in challenging lighting conditions.

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Zeiss Milvus 50mm f/1.4 ZF.2

50.9 Video/Cinema Score
50mm f/1.4 Nikon F
Why we recommend this

Its fast f/1.4 aperture and inclusion of four low-dispersion elements provide excellent sharpness and control over chromatic aberration. The robust, all-metal build quality ensures long-term durability for demanding use. This lens is best for portrait photographers seeking a classic 50mm focal length with exceptional optical performance.

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Laowa Zero-D 15mm f/4.5R Shift

46.9 Video/Cinema Score
15mm f/4.5 Nikon F IS
Why we recommend this

Its standout feature is the +/- 11mm of shift with 360° rotation, allowing for precise perspective correction on its 15mm ultra-wide prime. The lens also offers a 14-blade diaphragm for smooth bokeh and is part of the Zero-D series for minimal distortion. This lens is best for architectural and interior photographers who need to correct converging lines without digital post-processing.

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Tamron 70-210mm F/4 Di VC USD for Nikon FX Digital SLR

53.8 Video/Cinema Score
70-210mm f/4 Nikon F IS
Why we recommend this

Its constant f/4 aperture and internal zooming mechanism provide stable performance and prevent lens sagging during use. The moisture-resistant construction and optical design with three LD glass elements offer durability and high image quality. This lens is best for landscape photographers and videographers needing a reliable, compact telephoto zoom.

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Sigma Contemporary 150-600mm f/5-6.3 DG OS HSM

40.6 Video/Cinema Score
150-600mm f/5 Nikon F IS
Why we recommend this

It offers a versatile 150-600mm zoom range with built-in optical stabilization, making it a practical tool for long-distance shooting. The lens provides solid autofocus performance at a price point typically more accessible than first-party options. This lens is best for budget-conscious wildlife or sports photographers who need significant reach without the premium cost of professional-grade telephotos.

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Sigma 120-400mm f/4.5-5.6 AF APO DG OS HSM Telephoto Zoom

37.9 Video/Cinema Score
120-400mm f/4.5 Nikon F (FX) IS
Why we recommend this

Its 120-400mm zoom range with a constant f/4.5 aperture and built-in Optical Stabilizer provides versatile reach for distant subjects. The lens incorporates three SLD glass elements and a super multi-layer coating to maintain sharpness and reduce flare throughout its zoom range. This lens is best for budget-conscious photographers needing a stabilized telephoto for wildlife or sports, where its 150cm minimum focus distance also allows for occasional close-up work.

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Biotar 58mm f/1.5 II

37.3 Video/Cinema Score
58mm f/1.5 Nikon F
Why we recommend this

Its standout f/1.5 maximum aperture and 14-blade diaphragm produce exceptionally smooth, swirly bokeh that is highly prized for characterful imagery. The robust, all-metal manual-focus construction prioritizes tactile control and durability over modern conveniences like autofocus. This lens is best for portrait photographers and cinematographers specifically seeking a unique, vintage-inspired look with modern full-frame coverage on Nikon F-mount cameras.

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Laowa Probe 24mm f/14

37.2 Video/Cinema Score
24mm f/14 Nikon F
Why we recommend this

Its 24mm focal length and f/14 to f/40 aperture range provide an exceptionally high depth of field, making it ideal for detailed macro work. The long, slender barrel and small front diameter allow it to probe into tight spaces for unique perspectives. This lens is best for macro photographers specializing in product or scientific imaging who need extreme close-up capability with a wide field of view.

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Best Lenses under $2,500 for video production

Best Pick

Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

83.8 Video/Cinema Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Sports 70-200mm F2.8 DG OS HSM Nikon

65.3 Video/Cinema Score
70-200mm f/2 Nikon F IS
Why we recommend this

Its constant f/2 aperture provides exceptional light-gathering capability and shallow depth of field for a 70-200mm zoom lens. The inclusion of optical stabilization and autofocus makes it a versatile tool for handheld shooting in various lighting conditions. This lens is best for videographers and event photographers who require superior low-light performance and consistent exposure throughout the zoom range.

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Sigma Sports 70-200mm F2.8 DG OS HSM Nikon lens
Price $1,550

Premium Lenses for video production

Best Pick

Nikon NIKKOR AF-S 400mm f/2.8E FL ED VR

56.5 Video/Cinema Score
400mm f/2.8 Nikon F IS
Why we recommend this

Its f/2.8 maximum aperture and two fluorite elements deliver exceptional sharpness and light-gathering for a 400mm prime. The inclusion of Nano Crystal coatings effectively controls flare and ghosting for high-contrast images. This lens is best for professional sports and wildlife photographers who require fast autofocus and superb optical performance in demanding conditions.

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These options also score highly and may better suit your specific needs

Zeiss Otus 100mm f/1.4 ZF.2

51.8 Video/Cinema Score
100mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture and complex 14-element optical formula, including nine low-dispersion elements, deliver exceptional sharpness and bokeh. The robust, all-metal construction and manual-focus design prioritize precise tactile control over automation. This lens is best for studio portrait photographers and cinematographers who require ultimate optical quality and can work with manual focus.

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Sigma Sports

41.1 Video/Cinema Score
500mm f/4 Nikon F IS
Why we recommend this

Its f/4 maximum aperture provides excellent low-light performance for a 500mm prime lens, supported by a durable magnesium alloy build and optical stabilization. The lens delivers fast, silent autofocus via its HSM motor and is constructed with specialized FLD glass elements for high clarity and contrast. This lens is best for professional wildlife and sports photographers who need a reliable, bright super-telephoto for capturing distant, fast-moving subjects.