Best Lenses under $500 for landscape

Best Pick

Canon RF 10-18mm f/4.5-6.3 IS STM

86.1 Landscape Score
10-18mm f/4.5 Canon RF IS
Why we recommend this

Its standout feature is its remarkably compact 150g build and 16-29mm full-frame equivalent focal length, making it an ideal ultra-wide companion for travel. The inclusion of optical image stabilization and a quiet STM autofocus motor adds significant value for handheld video and photo use. This lens is best for APS-C mirrorless shooters, like vloggers and travel photographers, who need a lightweight, wide-angle option for dynamic environments.

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Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR AF-P DX 10-20mm f/4.5-5.6G VR

82.7 Landscape Score
10-20mm f/4.5 Nikon F IS
Why we recommend this

Its standout feature is a versatile 10-20mm focal range paired with built-in Vibration Reduction (VR) stabilization for handheld shooting. It offers a lightweight and compact design, making it a practical and portable wide-angle option for Nikon DX-format DSLRs. This lens is best for amateur photographers and hobbyists looking for an affordable, stabilized ultra-wide zoom for travel and general landscape photography.

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Viltrox Air AF 9mm f/2.8

75.7 Landscape Score
9mm f/2.8 Sony E, Nikon Z Weather Sealed
Why we recommend this

Its ultra-wide 9mm f/2.8 aperture and 113.8° field of view are ideal for expansive landscapes and dynamic vlogging. The lens is exceptionally portable at 176g and features a close 0.13m minimum focus distance for detailed near-macro shots. This lens is best for travel vloggers and landscape photographers who need a lightweight, wide-angle option for capturing immersive scenes and creative close-ups.

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Viltrox Air AF 9mm f/2.8 lens
Price $199

Tamron 10-24mm F/3.5-4.5 Di-II VC HLD Wide Angle Zoom

75.3 Landscape Score
10-24mm f/3.5 Canon EF IS
Why we recommend this

Its 10-24mm focal range paired with VC stabilization makes it a versatile tool for capturing expansive scenes in challenging light. The compact design and HLD autofocus system, which allows for full-time manual focus override, enhance its usability for dynamic shooting situations. This lens is best for APS-C DSLR shooters specializing in landscape, architectural, or travel photography where a wide, stabilized zoom is essential.

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Canon EF 10-18mm f/4.5-5.6 IS STM

82 Landscape Score
10-18mm f/4.5 Canon EF-S IS
Why we recommend this

This ultra-wide zoom lens is exceptionally lightweight at 240g and includes effective optical image stabilization for handheld shooting. Its optical design incorporates both a UD and an aspherical element to control distortion and chromatic aberration. This lens is best for Canon APS-C camera users seeking an affordable, compact option for landscape and architectural photography.

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Canon EF 10-18mm f/4.5-5.6 IS STM lens
Price $269

Panasonic LUMIX G VARIO 12-60mm F/3.5-5.6 G Power O.I.S. Micro Four Thirds

75.3 Landscape Score
12-60mm f/3.5 Micro Four Thirds IS
Why we recommend this

Its compact 227g Micro Four Thirds design and splashproof build make it a durable, lightweight travel companion. The 12-60mm range (24-120mm equivalent) provides versatile focal lengths for daily shooting, aided by integrated Power O.I.S. stabilization. This lens is best for travel photographers and videographers needing a reliable, all-weather zoom paired with a compatible Lumix camera body.

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Panasonic LUMIX G VARIO 12-60mm F/3.5-5.6 G Power O.I.S. Micro Four Thirds lens
Price $330

Rokinon AF 14mm f/2.8

75.2 Landscape Score
14mm f/2.8 Nikon F Weather Sealed
Why we recommend this

Its 14mm f/2.8 prime design offers a wide field of view and solid low-light capability for Nikon F-mount full-frame cameras. The optical construction, featuring one extra-low dispersion and two aspherical elements, helps control distortion and aberrations for a sharp image. This lens is best for landscape and architectural photographers needing a reliable, wide-angle prime on a budget.

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Yongnuo YN12-35mm F2.8-4M Standard

74.9 Landscape Score
12-35mm f/2.8 Four Thirds IS
Why we recommend this

Its constant f/2.8 aperture across a 24-70mm equivalent zoom range provides reliable low-light performance and a versatile field of view for Micro Four Thirds shooters. The lens features a metal mount with a dust-proof seal and uses an STM motor for quiet, smooth autofocus, making it a practical and well-built option. It's best for Micro Four Thirds videographers and documentary shooters who need a compact, all-purpose zoom with silent focusing.

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Meike 23mm F1.4 Ultra Wide Angle APS-C Frame Auto Focus Fixed Prime Portrait Lenses

74.7 Landscape Score
23mm f/1.4 Sony E IS
Why we recommend this

Its f/1.4 aperture and STM autofocus deliver sharp images with smooth bokeh, even in low light. The optical design with ED and aspherical elements effectively controls aberrations and flare. This lens is best for Sony APS-C shooters who need a fast, wide prime for street photography and detailed macro work.

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Panasonic G Vario

74.5 Landscape Score
45-200mm f/4.0 Micro Four Thirds IS
Why we recommend this

Its 45-200mm focal range and built-in optical image stabilization provide a versatile, compact telephoto option for Micro Four Thirds cameras. The lens is notably lightweight at 380g, making it a highly portable choice for extended handheld use. This lens is best for photographers needing a carry-friendly zoom for travel and macro subjects, given its 1.00m minimum focus distance.

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Viltrox AF 85mm F2 EVO FE

73.8 Landscape Score
85mm f/2 Sony FE IS Weather Sealed
Why we recommend this

Its f/2 aperture and STM autofocus deliver smooth bokeh and quiet, precise focusing for both photos and video. The compact 340g design with a 0.74m minimum focus distance makes it exceptionally portable for a portrait prime while enabling detailed close-ups. This lens is best for portrait and close-up photographers who need a lightweight, sharp option for Sony E-mount cameras.

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Fujifilm Fujinon XF 18-55mm f/2.8-4 OIS

73.8 Landscape Score
18-55mm f/4 Fujifilm X-Mount IS
Why we recommend this

Its versatile 18-55mm F2.8-4.0 zoom range and built-in optical image stabilization make it a practical all-rounder for Fujifilm X-mount cameras. The lens construction, featuring three aspherical and one extra-low dispersion element, helps control aberrations for sharper images. This lens is best for travel and everyday photographers who value a compact, stabilized zoom over a fast, constant aperture for portraits.

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Fujifilm Fujinon XF 18-55mm f/2.8-4 OIS lens
Price $499

Sony FE 35mm f/1.8

73.8 Landscape Score
35mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its f/1.8 aperture provides excellent low-light performance and shallow depth of field for a compact, lightweight prime lens. This lens is a strong, affordable option for Sony full-frame shooters prioritizing portability. It is best for street photographers and portrait shooters who value a natural 35mm perspective without a heavy kit.

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Sirui Sniper 33mm APS-C Autofocus

73.7 Landscape Score
33mm f/1.2 X Mount IS Weather Sealed
Why we recommend this

Its f/1.2 maximum aperture provides exceptional low-light performance and a very shallow depth of field for a wide-angle lens. The lens is also weather-sealed and includes optical stabilization, adding versatility for handheld shooting. This lens is best for Fujifilm X-mount photographers who need a fast, stabilized prime for environmental portraiture or close-up detail work.

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Nikon NIKKOR Z DX 12-28mm f/3.5-5.6 PZ VR

73.6 Landscape Score
28mm f/3.5 Nikon Z IS
Why we recommend this

Its 18-42mm full-frame equivalent ultra-wide zoom range and built-in power zoom with 11-speed adjustment make it ideal for smooth video work. The compact 204g design and VR stabilization provide excellent handheld versatility for travel and run-and-gun shooting. This lens is best for content creators and vloggers on Nikon Z DX cameras who need a lightweight, versatile wide-angle with precise zoom control for video.

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Sony E 55-210mm f/4.5-6.3 Telephoto Zoom

73.1 Landscape Score
55-210mm f/4.5 Sony E-Mount IS
Why we recommend this

Its Optical Steady Shot stabilization and internal focusing make it a quiet, stable choice for handheld video capture, especially in its 82-315mm equivalent range. The lens is also relatively lightweight at 346g, enhancing its portability for a telephoto zoom. This lens is best for APS-C camera users who need a budget-friendly, stabilized zoom for casual wildlife photography or capturing distant action in good light.

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Best Lenses under $1,000 for landscape

Best Pick

Panasonic 12-60mm f/2.8-4.0 G Leica DG Vario-Elmarit Power OIS

96.2 Landscape Score
12-60mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

With a constant f/2.8 aperture and built-in stabilization, it delivers reliable performance in a compact Micro Four Thirds zoom lens. Its versatile 12-60mm focal range and strong video score make it a practical all-rounder for travel and run-and-gun filmmaking. This lens is best for Micro Four Thirds shooters who need a lightweight, stabilized zoom for everyday photography and handheld video work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Tamron Di III 18-300mm f/3.5-6.3 -A VC VXD

90.5 Landscape Score
18-300mm f/3.5 FUJIFILM X IS Weather Sealed
Why we recommend this

Its standout 16.6x zoom range and VXD linear motor provide an extremely fast and precise autofocus system for an all-in-one lens. This design prioritizes high resolving power and portability, making it a highly versatile single-lens solution. It is best for travel photographers and hobbyists seeking maximum focal length flexibility without changing lenses on their APS-C mirrorless cameras.

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Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame

90.2 Landscape Score
24-240mm f/3.5 Sony E (Full-Frame) IS Weather Sealed
Why we recommend this

Its 10x zoom range from 24-240mm makes it a uniquely versatile all-in-one travel lens for full-frame Sony cameras, backed by Optical SteadyShot stabilization. The inclusion of one ED and five aspherical elements helps control aberrations across its ambitious focal range, and it maintains a weather-sealed build. This lens is best for landscape photographers and professionals who need a single, durable lens for varied shooting conditions without changing optics.

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Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

80.7 Landscape Score
16-300mm f/3.5 Sony E IS
Why we recommend this

This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.

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Panasonic LUMIX G X Leica DG Vario-Elmarit 12-35mm f/2.8 ASPH POWER O.I.S.

88.2 Landscape Score
35mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and built-in POWER O.I.S. stabilization make it a versatile, fast wide-angle zoom for Micro Four Thirds cameras. The lens offers a practical 24-70mm full-frame equivalent focal range in a compact, 306g package, balancing performance with portability. It is best for photographers needing a reliable, all-purpose zoom for everyday shooting and stabilized video work.

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Panasonic LUMIX G Vario HFSA100300

85.4 Landscape Score
100-300mm f/4 Micro Four Thirds IS Weather Sealed
Why we recommend this

This lens offers a significant 600mm equivalent reach in a compact 522g package, making it a highly portable telephoto option for Micro Four Thirds shooters. Its built-in optical image stabilization is a key feature for handheld shooting at long focal lengths, helping to mitigate camera shake. It is best for travel and wildlife photographers on a budget who need a lightweight, long-reach lens without the premium price tag.

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Rokinon AF 24-60mm f/2.8 Zoom

80.2 Landscape Score
24-60mm f/2.8 Sony E IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and built-in stabilization make it a versatile, weather-sealed zoom for low-light and action photography. The lens offers excellent integration with Sony FE cameras and delivers crisp image quality from its 14-element optical design. This lens is best for professional photographers and videographers who need a reliable, all-purpose zoom for events, sports, and run-and-gun filmmaking.

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Nikon NIKKOR AF-S 20mm f/1.8G ED

79.4 Landscape Score
20mm f/1.8 Nikon F Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and inclusion of two ED and two aspherical elements deliver sharp, low-light performance with minimal aberrations. The relatively lightweight 355g build and Nano Crystal Coatings enhance handling and reduce flare for a versatile prime. This lens is best for landscape and architectural photographers needing a wide, fast prime for Nikon F-mount full-frame cameras.

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Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR

79.4 Landscape Score
18-300mm f/3.5 Nikon F IS
Why we recommend this

Its 16.7x zoom range, from 27-450mm equivalent, provides exceptional versatility in a single lens for Nikon DX cameras. The inclusion of three aspherical and three ED elements helps control aberrations and maintain image quality across the focal range. This lens is best for photographers who need a comprehensive all-in-one solution for events or wildlife without changing lenses.

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Sigma Art 18-35mm F1.8 DC HSM

78.7 Landscape Score
18-35mm f/1.8 Canon EF Weather Sealed
Why we recommend this

Its constant f/1.8 aperture across the 18-35mm zoom range provides exceptional low-light performance and background blur for a zoom lens. The robust Art-series build quality and sharp optics make it a reliable tool for demanding shoots. This lens is best for Canon DSLR photographers and videographers who need a versatile, fast prime-like zoom for portraits, events, or cinematic work.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro

78 Landscape Score
105mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

This 105mm f/2.8 macro lens stands out with its true 1:1 life-size magnification and a fast f/2.8 aperture for excellent subject isolation. Its Dual-Motor STM autofocus system provides smooth, quiet operation, making it a strong choice for video work. This lens is best for photographers and videographers specializing in detailed product shots, insect photography, or anyone needing a versatile, high-quality macro prime.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro lens
Price $885

Sony E 11mm f/1.8

77.6 Landscape Score
11mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its 11mm focal length and large f/1.8 aperture enable dynamic, low-light shooting in an exceptionally compact and lightweight design. The lens also delivers fast, precise autofocus that is ideal for capturing spontaneous moments. This prime is best for travel and street photographers using APS-C cameras who prioritize portability and a unique, ultra-wide perspective.

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Fujifilm Fujinon XF XF70-300mmF4-5.6 R LM OIS WR

77.4 Landscape Score
107-457mm f/5.6 Fujifilm X-Mount IS
Why we recommend this

Its 70-300mm zoom range provides a versatile 107-457mm equivalent reach on Fujifilm's APS-C cameras, making it a compact telephoto option. The lens incorporates two ED and one aspherical element for controlled aberrations, paired with a linear autofocus motor for quiet, responsive focusing. This lens is best for travel and landscape photographers using the X-mount system who need a lightweight, extended zoom range.

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Sony G E PZ 18-105mm f/4.0 OSS Power Zoom

76.7 Landscape Score
18-105mm f/4 Sony E-Mount IS
Why we recommend this

Its constant f/4 aperture and built-in Optical SteadyShot provide reliable performance for both stills and video across its versatile 27-158mm equivalent zoom range. The lens is relatively compact for its focal range, making it a practical all-in-one option for Sony APS-C camera users. This lens is best for hybrid shooters and videographers who need a stabilized, power-zooming lens for documentary or travel content.

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Canon L EF 100mm Macro IS USM

75.3 Landscape Score
100mm f/2.8 Canon EF IS Weather Sealed
Why we recommend this

Its 1:1 magnification and built-in Hybrid Image Stabilization make it a top choice for capturing fine details. The inclusion of an Ultra-Low Dispersion element and Super Spectra Coating ensures sharp, color-accurate images with minimal aberrations. This lens is best for photographers specializing in close-up product shots or detailed nature macro work.

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Panasonic Lumix S 18mm f/1.8 Ultra-Wide-Angle

74.9 Landscape Score
18mm f/1.8 L-Mount Weather Sealed
Why we recommend this

Its 18mm focal length and f/1.8 maximum aperture provide a bright, expansive field of view for full-frame L-mount cameras. The optical design, featuring multiple ED and aspherical elements, is engineered to control distortion and chromatic aberration effectively. This lens is best for landscape and architectural photographers needing a sharp, wide-angle prime in various lighting conditions.

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Best Lenses under $1,500 for landscape

Best Pick

OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO

100 Landscape Score
12-100mm f/4 Micro Four Thirds IS Weather Sealed
Why we recommend this

This lens stands out with its versatile 24-200mm equivalent zoom range, constant f/4 aperture, and built-in image stabilization for sharp handheld shots. Its robust IP53-rated weather sealing makes it a reliable choice for outdoor photography in challenging conditions. This lens is best for travel and landscape photographers who need a single, durable all-in-one zoom without sacrificing optical quality.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF IS USM

96.6 Landscape Score
14-35mm f/4 Canon RF IS Weather Sealed
Why we recommend this

Its f/4 maximum aperture and inclusion of three UD and three aspherical elements deliver sharp, corrected images across its versatile 14-35mm zoom range. The lens is built for the Canon RF system, offering full-frame coverage with built-in image stabilization for handheld shooting. This lens is best for Canon photographers who need a compact, high-performance ultra-wide zoom for landscapes and architectural work where edge-to-edge sharpness is critical.

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Olympus M.Zuiko Digital ED 100-400mm f/5-6.3 IS

90.7 Landscape Score
100-400mm f/5 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its standout feature is its remarkably compact 120g build paired with an extensive 200-800mm equivalent zoom range, making it exceptionally portable for its reach. The lens is fully weather-sealed, allowing photographers to shoot confidently in adverse conditions without worrying about moisture or dust. This lens is best for travel and wildlife photographers who need a lightweight, all-weather telephoto option for handheld shooting on the go.

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Nikon NIKKOR Z 17-28mm f/2.8

87.6 Landscape Score
17-28mm f/2.8 Nikon Z Weather Sealed
Why we recommend this

Its f/2.8 aperture and internal zoom design provide a compact, 451g build that maintains consistent performance for Nikon Z-mount full-frame cameras. The stepping motor AF system ensures quiet and smooth autofocus, which is ideal for video work. This lens is best for hybrid shooters and vloggers who need a reliable, wide-angle zoom in a portable package.

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Canon L EF 16-35mm IS USM

94.4 Landscape Score
16-35mm f/4 Canon EF IS Weather Sealed
Why we recommend this

Its constant f/4 aperture and built-in Optical Image Stabilizer provide reliable performance for handheld shooting in varied lighting. The lens features a robust L-series build with a fluorine coating for durability and easier cleaning. This lens is best for landscape photographers and videographers who need a sharp, stabilized wide-angle zoom for environmental shots and cinematic b-roll.

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Sony G E 16-55mm f/2.8

80.1 Landscape Score
16-55mm f/2.8 Sony E (APS-C) Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and advanced aspherical elements deliver outstanding corner-to-corner sharpness and suppress aberrations. The lens is further defined by its XD linear motor, which provides fast, precise, and quiet autofocus for both photos and video. This is an ideal primary zoom for Sony APS-C shooters who prioritize optical performance and a bright aperture for everyday photography and controlled-depth-of-field work.

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Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR

78.4 Landscape Score
16-80mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture across its 16-80mm zoom range, it offers consistent light-gathering ability for both wide and telephoto shots. The inclusion of optical stabilization makes it a reliable choice for handheld shooting, particularly in variable lighting conditions. This lens is best for videographers and documentary shooters who need a versatile, all-in-one zoom with dependable performance.

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Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR lens
Price $1,080

Tamron Di III VC 150-500mm f/5-6.7 Di VXD

78 Landscape Score
150-500mm f/5 Sony E IS Weather Sealed
Why we recommend this

Its 150-500mm zoom range in a relatively compact 1880g package provides substantial reach for a full-frame Sony camera. The VXD linear autofocus motor and VC image stabilization are key features for maintaining sharp shots at long focal lengths. This lens is best for wildlife and sports photographers who need a portable telephoto option without the bulk of a super-telephoto prime.

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Sony G Master FE 35mm F1.4 GM Full-Frame Large-Aperture Wide Angle

76.4 Landscape Score
35mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 aperture and 11-blade design produce exceptionally smooth bokeh, while its compact 522g build enhances portability for handheld shooting. The lens features advanced coatings that minimize flare, ensuring high contrast and clarity even in challenging light. This prime is best for portrait photographers and hybrid shooters who prioritize both subject isolation and a lightweight kit for all-day use.

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Tamron Di III 35-150mm f/2-2.8 VXD

75.7 Landscape Score
35-150mm f/2 Nikon Z Weather Sealed
Why we recommend this

Its f/2-2.8 aperture range is the fastest available for a zoom, offering exceptional low-light capability and background blur. The VXD linear motor provides notably fast and quiet autofocus, which is ideal for capturing candid moments. This lens is best for event and portrait photographers who need a single, versatile lens with pro-level speed and rendering.

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Fujifilm Fujinon XF 10-24mm f/4 R OIS WR

75.5 Landscape Score
10-24mm f/4 Fujifilm X-Mount IS
Why we recommend this

Its constant f/4 aperture and 10-24mm focal range provide versatile wide-angle framing ideal for expansive scenes. The lens is particularly well-suited for Fujifilm X-series shooters who need a durable, all-weather option for outdoor photography. This makes it a top choice for landscape photographers and travel vloggers who frequently shoot in challenging environments.

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Rokinon AF 35-150mm f/2-2.8 AF

73.9 Landscape Score
35-150mm f/2 L-Mount Weather Sealed
Why we recommend this

Its standout feature is an exceptionally fast f/2.0-2.8 aperture across its 35-150mm zoom range, paired with robust weather sealing across 11 points for reliability in tough conditions. The lens offers extensive customization with programmable buttons and switches, making it highly adaptable for different shooting scenarios. This lens is best for hybrid creators and event photographers who need a single, versatile lens for both photo and video work in variable environments.

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Zeiss Batis 135mm f/2.8 Series

72.9 Landscape Score
135mm f/2.8 Sony E (Full Frame) IS Weather Sealed
Why we recommend this

Its standout feature is an innovative OLED display that clearly shows focus distance and depth-of-field, even in low light. The lens combines robust, weather-sealed metal construction with a smooth autofocus system for reliable outdoor use. This lens is best for portrait photographers who require precise manual focus control and excellent color rendition from their full-frame Sony cameras.

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Zeiss Batis 135mm f/2.8 Series lens
Price $1,299

Panasonic LUMIX G Leica DG Vario-Elmarit 8-18mm f/2.8-4.0 Professional MFT

71.6 Landscape Score
8-18mm f/2.8 Micro Four Thirds
Why we recommend this

With a constant f/2.8 aperture across its 8-18mm zoom range, this lens delivers consistent performance for wide-angle shooting. Its Micro Four Thirds mount and compact 2.25x zoom design make it a versatile and portable option for travel and landscape photographers. This lens is best for Micro Four Thirds users needing a reliable, wide-angle zoom for environmental portraits and travel vlogging.

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Best Lenses under $2,500 for landscape

Best Pick

Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

97.4 Landscape Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon L IS STM

95.5 Landscape Score
10-20mm f/4 Canon RF IS Weather Sealed
Why we recommend this

Its standout feature is its fast ultrawide zoom range and high-speed STM autofocus system, paired with optical image stabilization for handheld shooting. The lens offers a constant f/4 aperture and full-frame coverage, providing consistent performance across its focal range. This lens is best for landscape and architectural photographers who require a reliable, stabilized ultrawide zoom for dynamic compositions.

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Sony G Master FE 16-35mm f/2.8 GM Wide Angle Zoom

95.4 Landscape Score
16-35mm f/2.8 Sony E-Mount IS Weather Sealed
Why we recommend this

This lens stands out with its constant f/2.8 aperture and advanced optics, including three aspherical and two XA elements for exceptional sharpness. Its robust G Master build and nano AR coating ensure high contrast and durability for demanding use. It is best for Sony full-frame photographers needing a versatile, high-performance wide-angle zoom for landscapes, events, and environmental portraits.

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Panasonic Leica DG Vario-Summilux Leica DG Vario-Summilux 25-50mm f/1.7 ASPH.

79.6 Landscape Score
25-50mm f/1.7 Micro Four Thirds Weather Sealed
Why we recommend this

Its constant f/1.7 aperture across the 25-50mm zoom range provides exceptional low-light capability and background blur for a Micro Four Thirds lens. It meets strict Leica optical standards, ensuring professional-grade sharpness and rendering for photographers and videographers. This lens is best for Panasonic LUMIX shooters prioritizing portrait work and run-and-gun video where a fast, consistent aperture is critical.

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Nikon NIKKOR Z 24-70mm f/2.8 S Optical Zoom

87.8 Landscape Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and multi-focusing system deliver sharp, aberration-free images across its 24-70mm zoom range. The lens is also built with robust weather sealing and specialized coatings that effectively suppress flare and ghosting. This lens is best for event and wedding photographers who need reliable, high-quality performance in varied lighting conditions.

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Fujifilm Fujinon XF 8-16mm f/2.8 R LM WR

78.3 Landscape Score
8-16mm f/2.8 Fujifilm X IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 12-24mm full-frame equivalent focal length provide excellent low-light performance and an expansive field of view for dramatic wide-angle shots. The lens is designed with weather resistance, making it reliable for outdoor photography in various conditions. This lens is best for landscape and architectural photographers who need a sharp, ultra-wide zoom for capturing vast scenes or tight interior spaces.

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Tamron SP SP 150-600mm F/5-6.3 Di VC USD for Canon DSLR Cameras

71.6 Landscape Score
150-600mm f/5 Canon EF IS Weather Sealed
Why we recommend this

This lens offers a versatile 150-600mm zoom range with effective Vibration Compensation, making it a practical tool for capturing distant subjects. Its moisture-resistant construction and Ultrasonic Silent Drive motor provide reliable performance in outdoor conditions. It is best for wildlife and sports photographers who need significant reach without the cost of a prime super-telephoto lens.

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Canon EF EF 70-200mm IS III USM

69.4 Landscape Score
70-200mm f/2.8 Canon EF IS
Why we recommend this

Its f/2.8 maximum aperture and advanced optics, including one fluorite and five UD elements, deliver exceptional sharpness and color fidelity. The lens is also built with a robust, professional-grade construction and features effective image stabilization for handheld shooting. This lens is best for professional event photographers and videographers who require reliable performance in controlled environments.

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Sony FE 70-200mm f/4 Macro G OSS II

68.3 Landscape Score
70-200mm f/4 Sony E IS
Why we recommend this

This lens stands out with its constant 0.5x maximum magnification across the entire 70-200mm zoom range, offering true macro capability in a telephoto zoom. Its internal focus and floating elements design ensure sharp performance at all distances while maintaining a compact, 771g build. It is best for photographers who need a versatile telephoto for both portraiture and close-up product or nature macro work.

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Sigma Sports 70-200mm f/2.8 DG DN OS

66.1 Landscape Score
70-200mm f/2.8 Sony E IS
Why we recommend this

Its constant f/2.8 aperture and high-response linear AF motor deliver fast, precise performance for action and low-light shooting. The internal zoom and focus design provides excellent balance and handling, while the advanced OS2 stabilization ensures sharp handheld shots. This lens is best for sports and wildlife photographers who need reliable tracking and a robust, well-balanced telephoto zoom.

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Leica Vario-Elmarit-SL Vario-Elmarit-SL 28-70mm f/2.8 ASPH.

63.3 Landscape Score
28-70mm f/2.8 L-Mount
Why we recommend this

Its f/2.8 constant aperture and three aspherical elements deliver sharp, consistent performance across its versatile 28-70mm zoom range. The lens is notably compact for its class, featuring a quiet and fast autofocus system ideal for discreet shooting. This lens is best for photographers seeking a high-quality, everyday zoom for professional portraits and controlled macro work, given its 1:3 magnification ratio.

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Panasonic Panasonic LUMIX G Leica DG Vario-Summilux 10-25mm

63 Landscape Score
10-25mm f/1.7 Micro Four Thirds
Why we recommend this

Its constant f/1.7 aperture across the entire 10-25mm zoom range provides exceptional low-light performance and creative flexibility. The robust Leica-grade build quality and sharp optics deliver reliable, professional results for both photos and video. This lens is best for Micro Four Thirds hybrid shooters who need a versatile, bright zoom for run-and-gun videography or event photography in challenging light.

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Premium Lenses for landscape

Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S II

99.9 Landscape Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its internal zoom mechanism, a first for a 24-70mm f/2.8 lens, provides a robust and balanced build that is also 16% lighter than its predecessor. The constant f/2.8 aperture and upgraded weather-sealing make it a highly reliable and versatile standard zoom for demanding conditions. This lens is best for professional photographers and videographers who require a durable, high-performance workhorse lens for events, portraits, and commercial work.

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Great Alternatives

These options also score highly and may better suit your specific needs

OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO

81.8 Landscape Score
50-200mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 7-stop 5-axis Sync IS provide exceptional low-light performance and handheld stability for a super-telephoto zoom. The lens offers a full-frame equivalent 100-400mm reach in a relatively compact and portable package for its class. This lens is best for wildlife and sports photographers who need a long, fast zoom but prioritize a lighter kit for hiking or travel.

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OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO lens
Price $3,500

Sony G Master FE 50-150mm f/2

73.7 Landscape Score
50-150mm f/2 Sony E Weather Sealed
Why we recommend this

Its f/2 constant aperture and 150mm portrait-length reach provide exceptional subject isolation and background compression. The lens features four XD Linear AF motors for rapid, quiet focusing, along with professional switches for aperture control. This lens is best for portrait photographers and event shooters on Sony full-frame cameras who prioritize optical speed and precise handling over portability.

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Sigma Contemporary 150-600mm F5-6.3 DG OS HSM

70.5 Landscape Score
150-600mm f/5 Canon EF IS
Why we recommend this

This lens stands out with its 150-600mm zoom range and built-in optical stabilization, offering significant reach in a relatively lightweight and compact body. Its water and oil repellent coating on the front element makes for easier maintenance in the field. It is best for wildlife photographers and outdoor sports shooters who need a portable super-telephoto option.

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Sigma Contemporary 150-600mm F5-6.3 DG OS HSM lens
Price $2,800

Leica Vario-Elmarit-SL Vario-Elmarit-SL 70-200mm f/2.8 ASPH.

64.5 Landscape Score
70-200mm f/2.8 L-Mount IS
Why we recommend this

Its f/2.8 maximum aperture and 3.5-stop optical image stabilization enable sharp, low-light performance for a fast telephoto zoom. The lens incorporates three aspherical elements for high optical quality and is relatively compact for its class. This lens is best for professional photographers and videographers who need a versatile, high-performance telephoto for event, portrait, or documentary work.

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Sigma Sports 200mm f/2 DG OS

62.3 Landscape Score
200mm f/2 Sony E IS Weather Sealed
Why we recommend this

Its f/2 maximum aperture and 6.5-stop optical stabilization allow for exceptional low-light performance and handheld shooting with a 200mm focal length. The HLA-driven autofocus motor provides notably fast and quiet focusing, which is a significant advantage for video work. This lens is best for portrait photographers and videographers who require a fast, stabilized medium telephoto prime for controlled environments, given its substantial 1814g weight.

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Sony FE 400-800mm f/6.3-8 G OSS

62 Landscape Score
400-800mm f/6.3 Sony E IS
Why we recommend this

Its standout feature is an exceptionally long 400-800mm zoom range with a constant f/6.3 aperture, offering full-frame coverage in a relatively compact internal zoom design. The lens is built for professional use with dual linear motors for fast autofocus and a focus limiter switch for responsive tracking. It is best for wildlife and sports photographers who need extreme reach without the bulk of traditional super-telephoto primes.

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Leica Summicron-SL Summicron-SL 35mm f/2 ASPH.

60.2 Landscape Score
35mm f/2 L-Mount Weather Sealed
Why we recommend this

Its f/2 aperture and advanced aspherical design deliver exceptional sharpness and beautiful bokeh, housed in a robust, 369g weather-sealed body. The lens pairs this optical performance with fast, whisper-quiet autofocus, making it a versatile and portable choice for the L-mount system. It's best for professional photographers and videographers who need a reliable, high-performance 35mm prime for travel, street photography, and environmental portraits.

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Sony G

58.5 Landscape Score
18-110mm f/4 Sony E (APS-C) IS
Why we recommend this

Its constant f/4 aperture and internal power zoom mechanism provide reliable exposure and smooth focal length changes ideal for video work. The lens incorporates Sony's SMO technology and internal focus to minimize focus breathing and optical shift, which is critical for professional cinematography. This lens is best for filmmakers using Sony APS-C cameras who require a versatile, parfocal zoom for documentary or event videography.

Nikon NIKKOR AF-S 600mm f/4E FL ED VR

56.3 Landscape Score
600mm f/4 Nikon F IS Weather Sealed
Why we recommend this

Its 600mm f/4 aperture and Vibration Reduction system provide exceptional reach and light-gathering for fast-moving subjects in low light. The use of fluorite and ED glass elements, paired with Nano Crystal coatings, delivers sharp, high-contrast images with minimal chromatic aberration and flare. This lens is best for professional wildlife and sports photographers who need a reliable, high-performance telephoto for distant action.

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Canon RF 28-70mm F2 L USM Standard Zoom for EOS R-Series Cameras

56.2 Landscape Score
70mm f/2 Canon RF Weather Sealed
Why we recommend this

Its standout feature is a constant f/2 maximum aperture across its 28-70mm range, offering exceptional low-light performance and background blur uncommon for a standard zoom. The lens incorporates specialized elements like Super UD glass and an Air Sphere Coating to control chromatic aberration, flare, and ghosting for high image quality. This lens is best for Canon EOS R photographers who prioritize a versatile, fast-aperture zoom for portraits and events over portability, given its substantial 1429g weight.

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Leica Super-Vario-Elmar-SL 16-35mm f/3.5-4.5 ASPH.

55.9 Landscape Score
16-35mm f/3.5 Leica L
Why we recommend this

Its constant f/3.5 aperture across the 16-35mm zoom range provides reliable exposure control for wide-angle landscapes and architectural photography. The weather-sealed design and water-repellent lens coatings offer practical durability for outdoor shooting in challenging conditions. This lens is best for landscape and architectural photographers who need a robust, versatile wide-angle zoom for the Leica L mount system.

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Fujifilm Fujinon XF 500mm f/5.6 R LM OIS WR

52.3 Landscape Score
500mm f/5.6 FUJIFILM X IS
Why we recommend this

Its 500mm focal length and built-in image stabilization enable sharp handheld shots of distant subjects like birds in flight. The f/5.6 aperture provides pleasing background blur, while its weather-resistant construction ensures reliability outdoors. This lens is best for wildlife and sports photographers using Fujifilm X-mount cameras who need a portable super-telephoto option.

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Panasonic Panasonic Leica DG Elmarit 200mm f/2.8 Aspherical

48.2 Landscape Score
200mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its fast f/2.8 aperture and built-in optical image stabilization enable sharp, low-light telephoto shots, supported by a robust, weather-sealed construction. The inclusion of a 1.4x teleconverter extends its reach, while the Leica-branded optics with Ultra Extra-Low Dispersion elements ensure high resolution. This lens is best for professional wildlife and sports photographers using Micro Four Thirds systems who require a durable, long-reach prime.

Sirui Astra Astra T1.8 1.33x AF Anamorphic

45.5 Landscape Score
50mm Sony E
Why we recommend this

Its standout feature is the bundled 50mm, 75mm, and 100mm prime lenses, each with a fast T1.8 aperture and a 1.33x anamorphic squeeze for a true 2.4:1 cinematic aspect ratio without sensor cropping. The lenses offer selectable manual and autofocus for Sony E-mount cameras, along with signature blue streak flares and oval bokeh for a classic film look. This three-lens kit is best for independent filmmakers and content creators seeking an accessible, all-in-one anamorphic solution for narrative or commercial video work.

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Sirui Astra T1.8 1.33x AF Anamorphic

45.4 Landscape Score
50mm L-Mount
Why we recommend this

Its fast T1.8 aperture and 1.33x squeeze factor deliver a cinematic 2.4:1 aspect ratio without cropping, a rare feature for autofocus anamorphic lenses. The kit's selectable manual and autofocus, combined with signature blue streak flares, offers both creative control and classic anamorphic character. This lens set is best for independent filmmakers and videographers using L-mount cameras who want an accessible, all-in-one anamorphic solution.

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