Best Pick

Canon EF 17-55mm f/2.8 IS USM Standard

81.2 Video/Cinema Score
17-55mm f/2.8 Canon EF-S IS
Why we recommend this

Its constant f/2.8 aperture and built-in optical image stabilization provide excellent low-light performance and sharpness for its EF-S mount. The inclusion of UD and aspherical lens elements ensures high optical quality, rivaling many full-frame zooms. This lens is best for Canon APS-C shooters needing a versatile, bright standard zoom for event photography or run-and-gun video work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 18-35mm F1.8 DC HSM

80.4 Video/Cinema Score
18-35mm f/1.8 Canon EF Weather Sealed
Why we recommend this

Its constant f/1.8 aperture across the 18-35mm zoom range provides exceptional low-light performance and background blur for a zoom lens. The robust Art-series build quality and sharp optics make it a reliable tool for demanding shoots. This lens is best for Canon DSLR photographers and videographers who need a versatile, fast prime-like zoom for portraits, events, or cinematic work.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2 Zoom

68 Video/Cinema Score
24-70mm f/2.8 Canon EF IS
Why we recommend this

With a constant f/2.8 aperture and a high-performance MPU delivering class-leading 5-stop image stabilization, this lens excels in low-light versatility. Its Fluorine coating and moisture-resistant construction enhance durability, while the eBand coating effectively controls flare and ghosting. This lens is best for event photographers and videographers who need reliable, sharp performance in variable lighting without the premium cost of first-party glass.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2 Zoom lens
Price $759

Zeiss Planar Classic ZE T* 50mm f/1.4 Standard Camera

65.9 Video/Cinema Score
50mm f/1.4 Canon EF IS
Why we recommend this

Its f/1.4 aperture and nine-blade diaphragm produce exceptionally smooth, circular bokeh ideal for subject separation. The lens is distinguished by its precise manual focus ring and ZEISS T* coating for superior flare control and brilliance. This is a top choice for portrait photographers and cinematographers prioritizing beautiful out-of-focus rendering and tactile manual operation.

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Sigma Contemporary 16mm F/1.4 DC DN

72.3 Video/Cinema Score
16mm f/1.4 Canon EF-M
Why we recommend this

Its fast f/1.4 maximum aperture provides excellent low-light performance and shallow depth of field for a wide-angle lens. Designed for Micro Four Thirds cameras, it offers a versatile 24mm equivalent focal length in a compact form. This lens is best for portrait photographers and content creators who need a bright, wide prime for environmental shots and indoor work.

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Canon L EF 100mm Macro IS USM

70.7 Video/Cinema Score
100mm f/2.8 Canon EF IS Weather Sealed
Why we recommend this

Its 1:1 magnification and built-in Hybrid Image Stabilization make it a top choice for capturing fine details. The inclusion of an Ultra-Low Dispersion element and Super Spectra Coating ensures sharp, color-accurate images with minimal aberrations. This lens is best for photographers specializing in close-up product shots or detailed nature macro work.

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Samyang AF 85mm f/1.4 EF

65.3 Video/Cinema Score
85mm f/1.4 Canon EF
Why we recommend this

Its f/1.4 maximum aperture and inclusion of a hybrid aspherical element enable excellent subject isolation and sharpness for portrait work. The lens offers a compelling value for a fast 85mm prime with full-frame coverage on the Canon EF mount. This lens is best for portrait photographers and videographers seeking a classic focal length with a very shallow depth of field.

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Rokinon SP SP 35mm f/1.2

61.3 Video/Cinema Score
35mm f/1.2 Canon EF
Why we recommend this

Its f/1.2 maximum aperture enables exceptional low-light performance and extremely shallow depth of field, supported by advanced optics including aspherical and ED elements. The robust, all-metal build quality and 86mm filter thread contribute to a substantial, professional-grade feel. This lens is best for portrait photographers seeking a unique, character-rich 35mm perspective with a very fast aperture for creative control.

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Rokinon AF 14mm f/2.8

56.4 Video/Cinema Score
14mm f/2.8 Canon EF Weather Sealed
Why we recommend this

Its f/2 maximum aperture provides excellent low-light performance and shallow depth of field for a 14mm prime lens. The autofocus system is a key upgrade, offering convenience over the brand's traditional manual-focus offerings. This lens is best for landscape and astrophotography shooters who need a fast, ultra-wide angle on a budget.

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Sigma 258101 105 mm f/2.8 Macro

55.2 Video/Cinema Score
105mm f/2 Canon EF IS
Why we recommend this

Its 1:1 macro capability at a 12.3-inch working distance makes it a dedicated tool for extreme close-up photography, supported by a bright f/2.8 aperture. The lens includes essential accessories like a hood and caps, adding value for photographers building their kit. This 105mm prime is best for Canon DSLR shooters specializing in detailed macro work, such as photographing insects or product details, where its magnification is critical.

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Sigma 258101 105 mm f/2.8 Macro lens
Price $654

Tokina atx-i 100mm f/2.8 Macro

53.6 Video/Cinema Score
100mm f/2.8 Canon EF
Why we recommend this

Its 100mm f/2.8 design and built-in stabilization make it a versatile medium telephoto, while Tokina's unique "One-Touch Focus Clutch" mechanism provides tactile control. The lens is optically tuned to produce a straightforward, pleasing bokeh character during defocus. This lens is best for portrait photographers and generalists who also want a capable tool for landscapes, prioritizing handling and rendering over ultimate macro magnification.

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Tokina atx-i 100mm f/2.8 Macro lens
Price $549

Samyang XP 85mm f/1.2

50.2 Video/Cinema Score
85mm f/1.2 Canon EF
Why we recommend this

Its f/1.2 maximum aperture enables exceptional low-light performance and a very shallow depth of field for professional-looking portraits. The lens construction, featuring one aspherical and two high-refractive-index elements, is designed to control optical aberrations and deliver sharp images. This is an ideal choice for portrait photographers seeking the classic 85mm focal length with an extremely fast aperture for studio or controlled outdoor work.

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Samyang XP 85mm f/1.2 lens
Price $749

Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC

45.9 Video/Cinema Score
24mm f/3.5 Canon EF
Why we recommend this

Its standout feature is the +/- 8.5º tilt-shift mechanism, which allows for perspective control and selective focus effects on a full-frame sensor. The lens is a specialized, manual-focus tool built around its unique optical movement rather than general versatility. It is best for architectural photographers needing to correct converging lines or product photographers creating miniature "tilt-shift" scenes.

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Sirui IronStar 35mm T1.9 Anamorphic 1.5x

45.5 Video/Cinema Score
35mm Interchangeable Mount with Included ARRI PL/Canon EF
Why we recommend this

Its fast T1.9 aperture and 1.5x anamorphic squeeze deliver a cinematic widescreen look with signature blue flares and oval bokeh. The build includes professional 0.8 MOD gearing for focus accessories and an interchangeable ARRI PL/Canon EF mount system. This lens is best for independent filmmakers and cinematographers seeking an affordable entry into full-frame anamorphic character.

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