Best Lenses under ₹45,000 for video production

No lenses found Under ₹45,000 for this category.

Best Lenses under ₹85,000 for video production

Best Pick

Canon RF 24mm f/1.8 Macro IS STM

81.7 Video/Cinema Score
24mm f/1.8 Canon RF IS
Why we recommend this

Its standout feature is a fast f/1.8 aperture, providing excellent low-light performance and shallow depth of field for a wide-angle prime lens. As an affordable entry into the RF system, it offers great value for expanding a mirrorless kit without sacrificing key optical performance. This lens is best for budget-conscious photographers and videographers who need a versatile wide-angle for landscapes, street photography, and low-light scenarios.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Canon EF 18-55mm f/3.5-5.6 is STM

76.8 Video/Cinema Score
18-55mm f/3.5 Canon EF-S IS
Why we recommend this

Its STM motor provides smooth and quiet continuous autofocus for video, while its Optical Image Stabilizer offers up to four stops of shake correction. This compact and lightweight lens is a versatile standard zoom for Canon's APS-C cameras, featuring a useful 0.25m minimum focusing distance across its entire zoom range. It's best for travel photographers and videographers who need a stabilized, all-purpose kit lens for run-and-gun shooting.

Read Full Review

Best Lenses under ₹130,000 for video production

No lenses found Under ₹130,000 for this category.

Best Lenses under ₹210,000 for video production

Best Pick

Canon RF VCM

82.3 Video/Cinema Score
35mm f/1.4 Canon RF Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and VCM autofocus system provide exceptionally fast, quiet operation ideal for video capture. The lens also features a dedicated iris ring for manual control and an Air Sphere Coating to reduce flare. This lens is best for hybrid shooters and videographers who need a fast, versatile prime with professional-grade control and minimal focus breathing.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Canon L IS USM

79.6 Video/Cinema Score
35mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 15-35mm focal range make it a versatile, bright wide-angle zoom for RF-mount cameras. The lens is further enhanced by Nano USM technology for fast, quiet autofocus and up to 5 stops of optical image stabilization. This lens is best for travel and landscape photographers who need a reliable, high-quality wide-angle zoom in a variety of lighting conditions.

Read Full Review

Premium Lenses for video production

Best Pick

Canon L IS USM

75.9 Video/Cinema Score
70-200mm f/2.8 Canon RF IS
Why we recommend this

Its standout feature is the bright, constant f/2.8 aperture combined with a compact and lightweight design for a 70-200mm telephoto zoom. The lens also offers high-speed, quiet autofocus and effective optical image stabilization for up to 5 stops of shake correction. This lens is best for event and sports photographers who need a portable, fast telephoto with reliable stabilization for handheld shooting in variable light.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF 85mm F1.2 L USM Mid-Telephoto Prime

52.2 Video/Cinema Score
85mm f/1.2 Canon RF Weather Sealed
Why we recommend this

Its f/1.2 maximum aperture provides exceptional low-light performance and profound background blur, aided by specialized BR optics for minimal chromatic aberration. The lens offers a versatile 85mm focal length ideal for subject isolation and includes a control ring for direct camera setting adjustments. This lens is best for portrait photographers seeking ultimate sharpness and creamy bokeh in a dedicated mid-telephoto prime.

Read Full Review