Best Pick

Yongnuo YN12-35mm F2.8-4M Standard

88 Video/Cinema Score
12-35mm f/2.8 Four Thirds IS
Why we recommend this

Its constant f/2.8 aperture across a 24-70mm equivalent zoom range provides reliable low-light performance and a versatile field of view for Micro Four Thirds shooters. The lens features a metal mount with a dust-proof seal and uses an STM motor for quiet, smooth autofocus, making it a practical and well-built option. It's best for Micro Four Thirds videographers and documentary shooters who need a compact, all-purpose zoom with silent focusing.

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Great Alternatives

These options also score highly and may better suit your specific needs

OM System M.Zuiko Digital ED 40-150mm f/4-5.6 R

69.6 Video/Cinema Score
40-150mm f/4 Micro Four Thirds
Why we recommend this

Its 80-300mm full-frame equivalent reach in a 190g body makes it exceptionally portable for its focal range. The inclusion of an extra-low dispersion element helps control chromatic aberration for clearer images. This lens is best for Micro Four Thirds shooters who need a lightweight, versatile telephoto option for street and travel photography.

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Laowa Argus 25mm F/0.95 APO

67.5 Video/Cinema Score
25mm f/0.95 Micro Four Thirds
Why we recommend this

Its exceptionally fast f/0.95 aperture enables stunning subject isolation and low-light performance for Micro Four Thirds cameras. The lens is an internal-focusing design, keeping its length constant and minimizing dust intrusion during operation. This prime is best for portrait photographers and videographers seeking a cinematic look with a classic 50mm equivalent field of view.

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Meike 35mm f0.95 Large Aperture Manual Focus Prime Fixed

66.7 Video/Cinema Score
35mm f/0.95 Micro Four Thirds IS
Why we recommend this

Its f/0.95 maximum aperture delivers exceptional low-light performance and a very shallow depth of field for a Micro Four Thirds lens. The all-metal construction provides a notably solid and premium feel uncommon at this price point. This lens is best for portrait photographers and videographers seeking a cinematic look from their Olympus or Panasonic bodies, though its manual focus and weight make it less ideal for casual travel.

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TTArtisan 17mm f/1.4

65.2 Video/Cinema Score
17mm f/1.4 Micro Four Thirds
Why we recommend this

Its fast f/1.4 aperture and compact 247g metal build make it a standout for its price, offering excellent low-light capability and a solid feel. The lens provides a versatile 34mm equivalent focal length and a smooth 10-blade diaphragm for pleasing bokeh, though it lacks autofocus and weather sealing. This lens is best for Micro Four Thirds shooters seeking a manual, affordable prime for environmental portraits and street photography where its character and speed are assets.

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Panasonic Meike 35mm f0.95 Large Aperture Manual Focus APS-C

63 Video/Cinema Score
35mm f/0.95 Micro Four Thirds
Why we recommend this

Its exceptionally fast f/0.95 aperture enables extreme background blur and low-light shooting on Micro Four Thirds cameras. The lens is also broadly compatible with a wide range of Panasonic and Olympus bodies, offering a manual alternative to native autofocus options. This lens is best for portrait photographers and videographers on a budget who prioritize shallow depth of field and don't mind manual focusing.

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Olympus M.Zuiko Digital 45mm f/1.8

62.6 Video/Cinema Score
45mm f/1.8 Micro Four Thirds
Why we recommend this

Its bright f/1.8 aperture provides excellent low-light performance and a pleasing bokeh effect ideal for portraits. The lens is remarkably compact and lightweight at just 116g, making it a perfect everyday carry for Micro Four Thirds shooters. This lens is best for portrait and street photographers seeking a high-quality, 90mm-equivalent prime that prioritizes portability without sacrificing sharpness.

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7Artisans 50mm F1.4 APS-C Frame Tilt-Shift

58.5 Video/Cinema Score
50mm f/1.4 Micro 4/3 IS
Why we recommend this

This lens stands out with its unique combination of a fast f/1.4 aperture and a manual tilt-shift mechanism, all housed in a durable, full-metal construction. Its ability to manipulate the focal plane and create a pronounced blur effect offers creative control typically found in much more expensive optics. It is best for portrait photographers and creative shooters looking to experiment with selective focus and miniature "tilt-shift" effects on APS-C mirrorless cameras.

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Laowa 50mm f/2.8 2X Ultra Macro APO

53.8 Video/Cinema Score
50mm f/2.8 Micro Four Thirds
Why we recommend this

Its standout feature is a 2:1 magnification ratio, doubling the standard macro capability to capture extreme detail. The apochromatic (APO) design ensures exceptional clarity by minimizing chromatic aberration for crisp images. This manual focus lens is best for Micro Four Thirds photographers specializing in scientific imaging or intricate product photography requiring extreme close-ups.

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Sigma Contemporary 30mm f/1.4 DC DN

51.1 Video/Cinema Score
30mm f/1.4 micro_four_thirds
Why we recommend this

Its f/1.4 aperture provides a 60mm equivalent focal length, delivering superb sharpness and beautiful background blur for Micro Four Thirds cameras. This lens is a strong value proposition for its optical performance, offering a versatile, natural perspective ideal for everyday use. It is best for photographers seeking a fast prime for portraits, street scenes, and general photography where subject isolation is key.

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7Artisans Fujinon GF 6mm F2.0 APS-C Fisheye Ultra Wide Angle 220° Manual Focus Prime

48.5 Video/Cinema Score
6mm f/2.0 Olympus/Panasonic 4/3 IS
Why we recommend this

Its standout feature is an exceptionally wide 220° field of view, paired with a bright f/2.0 aperture for low-light and astrophotography. The lens is built from durable full-metal construction and offers a very close 0.1m minimum focus distance for exaggerated, creative close-ups. This lens is best for Micro Four Thirds shooters specializing in experimental astrophotography, immersive vlogging, or capturing dramatic, distorted perspectives in tight spaces.

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Tokina SZ 500mm f/8 Reflex MF

33.1 Video/Cinema Score
500mm f/8 Micro Four Thirds
Why we recommend this

Its 500mm focal length and catadioptric design deliver a compact 309g package, unusual for such reach. The fixed f/8 aperture and manual focus make it a specialized, budget-conscious tool for capturing distant subjects. This lens is best for Micro Four Thirds shooters prioritizing extreme portability for casual wildlife or sports observation over versatility.

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Blackmagic Design Rokinon Cine DS 100mm T3.1 ED UMC Full Frame Telephoto Macro Cine

25.9 Video/Cinema Score
100mm Micro Four Thirds
Why we recommend this

Its 100mm focal length and T3.1 maximum aperture provide a classic macro perspective for Micro Four Thirds cameras, with a notably close 1.0 ft minimum focusing distance. The lens is built as part of the Cine DS line, featuring unified gearing and dual focus scales ideal for manual video use. This lens is best for filmmakers and videographers on the Micro Four Thirds platform who need a dedicated, manually-operated macro lens for controlled close-up shooting.

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