Best Lenses under £400 for video production

Best Pick

Canon RF 35mm F1.8 Macro IS STM Macro

77.2 Video/Cinema Score
35mm f/1.8 Canon RF IS
Why we recommend this

Its standout 0.5x macro magnification and 5-stop optical image stabilization make it a versatile prime lens for a 35mm focal length. The inclusion of a control ring and compact 306g design adds direct manual control and excellent portability. This lens is best for photographers who need a lightweight, stabilized option for close-up product or nature photography, not for dedicated portrait work.

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Best Lenses under £800 for video production

Best Pick

Canon RF 18-150mm f/3.5-6.3 IS STM

94.6 Video/Cinema Score
18-150mm f/3.5 Canon RF IS
Why we recommend this

Its standout feature is the versatile 29-240mm full-frame equivalent zoom range, paired with optical elements like a UD element to control aberrations. Weighing just 309g, it's a lightweight and compact travel option with smooth STM autofocus well-suited for video. This lens is best for travel photographers and macro shooters needing a single, portable lens for varied subjects.

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Best Lenses under £1,000 for video production

Best Pick

Canon RF 24-240mm f/4-6.3 IS USM

55.8 Video/Cinema Score
24-240mm f/4 Canon RF IS
Why we recommend this

Its 24-240mm focal range provides exceptional versatility for travel and landscapes, eliminating the need for frequent lens swaps. The Nano USM autofocus system ensures smooth, quiet, and fast performance, which is ideal for both photos and video. This lens is best for EOS R-series photographers who want a single, all-in-one travel lens for everyday shooting without carrying multiple optics.

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Best Lenses under £2,000 for video production

Best Pick

Canon RF VCM

82.3 Video/Cinema Score
35mm f/1.4 Canon RF Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and VCM autofocus system provide exceptionally fast, quiet operation ideal for video capture. The lens also features a dedicated iris ring for manual control and an Air Sphere Coating to reduce flare. This lens is best for hybrid shooters and videographers who need a fast, versatile prime with professional-grade control and minimal focus breathing.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon L IS USM

79.6 Video/Cinema Score
35mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 15-35mm focal range make it a versatile, bright wide-angle zoom for RF-mount cameras. The lens is further enhanced by Nano USM technology for fast, quiet autofocus and up to 5 stops of optical image stabilization. This lens is best for travel and landscape photographers who need a reliable, high-quality wide-angle zoom in a variety of lighting conditions.

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Premium Lenses for video production

Best Pick

Canon L IS USM Z

80.3 Video/Cinema Score
70-200mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and internal zooming design provide robust performance for professional event and sports photographers who require consistent exposure and a sealed lens barrel. The inclusion of an iris ring offers direct manual control over aperture, a feature prized by cinematographers and hybrid shooters. This lens is best suited for working photographers needing a fast, durable telephoto zoom for weddings, sports, or documentary work in varied conditions.

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