Best Pick

Sigma Meike 85mm f1.8 Pro Full Frame STM Medium

86.4 Portrait Score
85mm f/1.8 Panasonic Lumix IS
Why we recommend this

Its 85mm f/1.8 aperture and STM autofocus deliver sharp portraits with smooth bokeh, even in low light, while its 349g weight and optical stabilization aid handheld shooting. The lens offers excellent value with zero distortion and 8K video support, including reliable eye autofocus at a distance. It's best for portrait photographers and videographers on L-mount systems who need a lightweight, high-performance prime for both stills and cinema work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Meike 25mm f0.95 Manual Focus APS-C Lens for

84.9 Portrait Score
25mm f/0.95 Panasonic Lumix M43 IS
Why we recommend this

Its ultra-fast f/0.95 maximum aperture provides exceptional low-light performance and the ability to create a very shallow depth of field. The lens offers broad compatibility with Micro Four Thirds camera bodies from Panasonic and Olympus, making it a versatile manual option for that ecosystem. This lens is best for portrait and low-light photographers using MFT cameras who prioritize maximum light gathering and artistic bokeh over autofocus convenience.

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TTArtisan 17mm f/1.4 Lens for Leica L (Black)

81.8 Portrait Score
17mm f/1.4 L-Mount
Why we recommend this

Its f/1.4 maximum aperture and 10-blade diaphragm provide excellent low-light capability and smooth bokeh for a compact 247g lens. The 25.5mm full-frame equivalent focal length makes it a versatile wide-angle prime for everyday use. This lens is best for street photographers and portrait shooters using APS-C L-mount cameras who prioritize a bright, lightweight optic.

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Sirui SIRUI 50mm F1.8 1.33X S35 Anamorphic Lens for L

57 Portrait Score
50mm f/1.8 Leica L
Why we recommend this

Its 50mm focal length paired with a 1.33x anamorphic squeeze delivers a 37.5mm-equivalent field of view and signature oval bokeh for a cinematic look. The lens is constructed with high-quality Schott glass elements, offering a robust yet relatively lightweight build for an anamorphic optic. This lens is best for independent filmmakers and videographers using L-mount cameras who want to achieve a classic, widescreen film aesthetic without a massive cinema lens budget.

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