Best Pick

Canon EF 16-35mm f/4L IS USM Lens

72.1 Macro Score
35mm f/4 Canon EF IS
Why we recommend this

Its constant f/4 aperture and built-in Optical Image Stabilizer provide reliable performance for handheld shooting in varied lighting. The lens features a robust L-series build with a fluorine coating for durability and easier cleaning. This lens is best for landscape photographers and videographers who need a sharp, stabilized wide-angle zoom for environmental shots and cinematic b-roll.

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Great Alternatives

These options also score highly and may better suit your specific needs

Samyang 100mm f/2.8 ED UMC Macro Lens for Canon EF

70 Macro Score
100mm f/2.8 Canon EF
Why we recommend this

With a true 1:1 magnification ratio and a versatile f/2.8 to f/32 aperture range, it delivers sharp, detailed close-up work. The inclusion of both a high refractive index and an extra-low dispersion element helps control aberrations for cleaner images. This lens is best for dedicated macro photographers and portrait shooters on a Canon EF system who prioritize optical performance over features like autofocus or stabilization.

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Tamron SP AF10-24mm F/3.5-4.5 Di-II LD Aspherical

58.3 Macro Score
10-24mm f/3.5 Canon EF-S IS
Why we recommend this

Its 10-24mm zoom range on an APS-C camera provides an exceptionally wide 16-37mm full-frame equivalent, making it a versatile tool for expansive scenes. The lens is notably compact for its focal length, weighing just 406g for easy portability on location. This lens is best for landscape and architectural photographers using Canon APS-C bodies who need a lightweight, ultra-wide zoom for capturing vast environments.

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7Artisans 7artisans 24mm T2.1 Infinte Series Professional

56.9 Macro Score
24mm Canon EF IS
Why we recommend this

Its T2.1 aperture and internal focus design provide strong low-light performance and controlled focus breathing for cinematic work. The lens is built with a robust 998g metal housing and multi-layer coatings to manage flare, optimized for 4K and higher resolutions. This lens is best for filmmakers and cinematographers needing a dedicated, manual cinema prime for controlled studio or location shoots.

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