Best Pick

Nikon 20055 20055 AF-S DX NIKKOR 16-80mm f/2.8-4E

87.2 Video/Cinema Score
16-80mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture across its 16-80mm zoom range, it offers consistent light-gathering ability for both wide and telephoto shots. The inclusion of optical stabilization makes it a reliable choice for handheld shooting, particularly in variable lighting conditions. This lens is best for videographers and documentary shooters who need a versatile, all-in-one zoom with dependable performance.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma 50-100mm f/1.8 DC HSM Art Lens for Nikon F

60.7 Video/Cinema Score
100mm f/1.8 Nikon F
Why we recommend this

Its exceptionally bright f/1.8 constant aperture across the 50-100mm zoom range provides outstanding low-light performance and background blur for APS-C cameras. The robust Art-series build quality and Hyper Sonic Motor ensure reliable, quiet autofocus suitable for demanding use. This lens is best for event and portrait photographers using Nikon APS-C bodies who need a versatile, fast telephoto zoom for low-light conditions.

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Tamron 100-400mm F/4.5-6.3 VC USD Telephoto Zoom

42.6 Video/Cinema Score
100-400mm f/4.5 Nikon F IS
Why we recommend this

Its 100-400mm focal range and built-in Vibration Compensation (VC) make it a versatile and steady option for handheld telephoto work, while its moisture-resistant construction and Fluorine coating offer practical durability for outdoor use. The lens is notably portable for its class, weighing just over 1.1kg, and incorporates specialized LD glass and eBAND coatings to manage aberrations and flare. This lens is best for budget-conscious wildlife photographers and outdoor sports shooters who need a reliable, extended reach without a massive, heavy system.

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