Best Video/Cinema Lenses Premium in 2026
Sirui IronStar IronStar Series 35
Great Alternatives
These options also score highly and may better suit your specific needs
Laowa Proteus 2x Anamorphic 20mm T2
Why we recommend this ▼
Its compact 2500g design for S35 sensors, combined with a fast T2 aperture and classic 2x anamorphic squeeze, delivers a cinematic look. The lens offers interchangeable PL/EF mounts and is known for its signature blue anamorphic flares and 10-blade iris for soft, elliptical bokeh. This lens is best for independent filmmakers and cinematographers seeking a portable anamorphic option for Super35 cameras to achieve a widescreen aesthetic with distinctive character.
ARRI Du
Why we recommend this ▼
This 6-lens set stands out for its consistent T2.4/T2.6 aperture across all focal lengths and an 11-blade diaphragm for smooth bokeh. Its interchangeable PL mounts and uniform 72mm filter threads across all lenses offer exceptional on-set flexibility for rigging. This kit is best for cinematographers building a compact, matched prime set for full-frame cinema cameras who prioritize a vintage aesthetic.
Sigma Contemporary 150-600mm 5-6.3 DG OS HSM
Why we recommend this ▼
Its 150-600mm reach and relatively lightweight 1928g build make it a practical super-telephoto option. The water and oil repellent coating on the front element simplifies maintenance in the field. This lens is best for hobbyist photographers needing long focal lengths for subjects like airshows or motorsports, where its portability is a key advantage.
Sirui IronStar Series 35
Why we recommend this ▼
Its standout feature is the consistent T1.9 aperture across a 35, 45, and 60mm anamorphic set, offering full-frame coverage and a signature blue flare. The interchangeable ARRI PL and Canon EF mount system provides significant flexibility for adapting to different cinema cameras. This lens set is best for independent filmmakers and cinematographers seeking a distinctive, cinematic look without the cost of premium anamorphic glass.
ARRI Du
Why we recommend this ▼
This set stands out for its six APO-corrected prime lenses with a fast T2.4/T2.6 aperture and consistent 11-blade iris across all focal lengths. Its key differentiator is the uniform 80mm front diameter and gearing, which simplifies rigging and filter swaps on set. This kit is best for independent filmmakers and cinematographers who need a matched, full-frame lens set for narrative projects.