Best Lenses under CA$700 for video production

Best Pick

Canon EF 18-135mm f/3.5-5.6 IS STM

76.8 Video/Cinema Score
18-135mm f/3.5 Canon EF-S IS
Why we recommend this

Its versatile 18-135mm zoom range and built-in Optical Image Stabilization make it a highly practical all-in-one lens for Canon APS-C cameras. The Stepping Motor (STM) ensures quiet, smooth autofocus, which is particularly beneficial for its strong performance in video recording. This lens is best for hybrid shooters and videographers who need a single, flexible lens for both travel vlogging and documentary-style filming.

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Price CA$525
Canon EF 18-135mm f/3.5-5.6 IS STM lens

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24mm f/1.4 DG HSM

76.3 Video/Cinema Score
24mm f/1.4 Canon EF IS
Why we recommend this

Its f/1.4 maximum aperture and robust HSM autofocus system enable excellent low-light performance and sharpness. The lens's 24mm wide-angle focal length is particularly well-suited for environmental portraits and cinematic video work. This lens is best for portrait photographers and videographers who need a fast, wide prime for creative shallow depth-of-field shots.

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Meike 85mm f1.8 SE II Full Frame STM Auto Focus Telephoto

74.4 Video/Cinema Score
85mm f/1.8 Canon EF IS
Why we recommend this

Its fast f/1.8 aperture and STM autofocus provide smooth, quiet operation ideal for video, while its optical design controls flare and distortion effectively. The lens offers full-frame coverage and features a USB-C port for firmware updates to maintain compatibility. This lens is best for Canon EF-mount photographers shooting portraits, short-range sports, or professional video work requiring minimal focus breathing.

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Tamron Di II SP AF10-24mm F/3.5-4.5 Di-II LD Aspherical

71 Video/Cinema Score
10-24mm f/3.5 Canon EF-S IS
Why we recommend this

Its 10-24mm zoom range on an APS-C camera provides an exceptionally wide 16-37mm full-frame equivalent, making it a versatile tool for expansive scenes. The lens is notably compact for its focal length, weighing just 406g for easy portability on location. This lens is best for landscape and architectural photographers using Canon APS-C bodies who need a lightweight, ultra-wide zoom for capturing vast environments.

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Canon EF 18-55mm f/3.5-5.6 is STM

76.8 Video/Cinema Score
18-55mm f/3.5 Canon EF-S IS
Why we recommend this

Its STM motor provides smooth and quiet continuous autofocus for video, while its Optical Image Stabilizer offers up to four stops of shake correction. This compact and lightweight lens is a versatile standard zoom for Canon's APS-C cameras, featuring a useful 0.25m minimum focusing distance across its entire zoom range. It's best for travel photographers and videographers who need a stabilized, all-purpose kit lens for run-and-gun shooting.

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Sigma Contemporary 16mm F/1.4 DC DN

72.3 Video/Cinema Score
16mm f/1.4 Canon EF-M
Why we recommend this

Its fast f/1.4 maximum aperture provides excellent low-light performance and shallow depth of field for a wide-angle lens. Designed for Micro Four Thirds cameras, it offers a versatile 24mm equivalent focal length in a compact form. This lens is best for portrait photographers and content creators who need a bright, wide prime for environmental shots and indoor work.

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Rokinon 85mm f/1.4 AF

67 Video/Cinema Score
85mm f/1.4 Canon EF
Why we recommend this

Its standout f/1.4 aperture enables exceptional low-light performance and beautiful background blur, ideal for portraiture. The inclusion of a hybrid aspherical element helps control optical aberrations for sharp images, while its relatively light 485g weight offers good handling. This lens is best for portrait photographers and budget-conscious shooters seeking professional-grade bokeh without the premium price tag of first-party optics.

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Rokinon Series II 85mm f/1.4

65.6 Video/Cinema Score
85mm f/1.4 Canon EF Weather Sealed
Why we recommend this

With an f/1.4 maximum aperture and a hybrid aspherical element, this lens excels at creating sharp images with a very shallow depth of field and minimal distortion. Its solid metal build and Ultra Multi-Coating contribute to a durable, flare-resistant design ideal for controlled lighting. This lens is best for portrait photographers seeking classic compression and beautiful bokeh on a Canon EF-mount system.

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Rokinon Series II 85mm f/1.4 lens
Price CA$410

Laowa Argus 33mm f/0.95 CF APO

65.4 Video/Cinema Score
33mm f/0.95 Canon EF-M
Why we recommend this

Its f/0.95 maximum aperture delivers exceptional low-light performance and a uniquely shallow depth of field for an APS-C lens, supported by ED and aspherical elements for sharpness. The lens is designed specifically for the Canon EF-M mount, offering a versatile 52.8mm full-frame equivalent focal length ideal for portrait work. This lens is best for portrait photographers and filmmakers using Canon APS-C cameras who prioritize artistic bokeh and low-light capability over autofocus and portability.

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Rokinon AS IF UMC 50mm f/1.4

63 Video/Cinema Score
50mm f/1.4 Canon EF
Why we recommend this

With its bright f/1.4 aperture and inclusion of hybrid and aspherical elements, this lens excels at creating sharp portraits with smooth background blur. Its robust all-metal build and Ultra Multi-Coating ensure durability and reduced flare for the price. This lens is best for portrait photographers and budget-conscious shooters seeking classic 50mm rendering on a Canon EF system.

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Rokinon AS IF UMC 50mm f/1.4 lens
Price CA$425

Brightin Star 7.5mm F2.8 III Ultra Wide Angle Fisheye

60.5 Video/Cinema Score
60mm f/2.8 Canon EF-M IS
Why we recommend this

Its standout 2x magnification and 60mm focal length make it a specialized tool for extreme close-up photography on APS-C Canon EOS-M cameras. The lens's large f/2.8 aperture and long 160-degree focus travel provide excellent low-light capability and precise manual control. This lens is best for dedicated macro photographers who need high reproduction ratios for subjects like insects or intricate product details.

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Samyang 50mm f/1.4 AS UMC

59.5 Video/Cinema Score
50mm f/1.4 Canon EF
Why we recommend this

Its f/1.4 maximum aperture and inclusion of hybrid and aspherical elements deliver sharp portraits with pleasing background blur. The robust build with Ultra Multi-Coating offers good value for a full-frame prime lens. This lens is best for portrait photographers on a budget who want classic 50mm focal length performance on a Canon EF system.

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Samyang 50mm f/1.4 AS UMC lens
Price CA$500

Yongnuo EF YN50mm F1.8C

56.9 Video/Cinema Score
50mm f/1.8 Canon EF IS
Why we recommend this

Its f/1.8 aperture provides excellent low-light performance and edge-to-edge sharpness, making it a notable first prime lens from Yongnuo. This lightweight 120g lens offers autofocus and image stabilization at a typically budget-friendly price point. It's best for Canon DSLR owners seeking an affordable, fast prime for portraits and indoor photography without the kit lens limitations.

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IRIX EF 15mm f/2.4 Firefly

56.9 Video/Cinema Score
15mm f/2.4 Canon EF
Why we recommend this

Its 15mm focal length and bright f/2.4 aperture provide an ultra-wide perspective with good low-light capability for a full-frame Canon EF system. The optical design incorporates two aspherical and five special glass elements to control distortion and aberrations. This lens is best for architectural and interior photographers needing a sharp, rectilinear wide-angle prime.

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IRIX EF 15mm f/2.4 Firefly lens
Price CA$452

Sony Lightdow 55MM 0.43x High-Definition Wide Angle + Macro

55.6 Video/Cinema Score
Canon EF-M, Sony E IS
Why we recommend this

Its 0.43x wide-angle conversion and built-in stabilization let you dramatically expand the field of view of your existing lens. The screw-on filter thread mount offers a uniquely versatile and affordable way to adapt multiple camera systems without needing a dedicated native lens. This accessory is best for wildlife and sports photographers needing a lightweight, adaptable solution to capture wider scenes from a fixed position.

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Mitakon Zhongyi Speedmaster 50mm f/0.95

55 Video/Cinema Score
50mm f/0.95 Canon EF
Why we recommend this

Its f/0.95 maximum aperture provides an exceptionally shallow depth of field and excellent low-light performance for a manual focus lens. The lens is built with 12 elements including one extra-low dispersion element, which helps control chromatic aberrations for cleaner images. This lens is best for portrait photographers and videographers who prioritize ultimate background separation and creative bokeh over autofocus convenience.

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Best Lenses under CA$1,500 for video production

Best Pick

Canon EF 17-55mm f/2.8 IS USM Standard

81.2 Video/Cinema Score
17-55mm f/2.8 Canon EF-S IS
Why we recommend this

Its constant f/2.8 aperture and built-in optical image stabilization provide excellent low-light performance and sharpness for its EF-S mount. The inclusion of UD and aspherical lens elements ensures high optical quality, rivaling many full-frame zooms. This lens is best for Canon APS-C shooters needing a versatile, bright standard zoom for event photography or run-and-gun video work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 18-35mm F1.8 DC HSM

80.4 Video/Cinema Score
18-35mm f/1.8 Canon EF Weather Sealed
Why we recommend this

Its constant f/1.8 aperture across the 18-35mm zoom range provides exceptional low-light performance and background blur for a zoom lens. The robust Art-series build quality and sharp optics make it a reliable tool for demanding shoots. This lens is best for Canon DSLR photographers and videographers who need a versatile, fast prime-like zoom for portraits, events, or cinematic work.

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Sigma Art 18-35mm F1.8 DC HSM lens
Price CA$1,042

Zeiss Planar Classic ZE T* 50mm f/1.4 Standard Camera

65.9 Video/Cinema Score
50mm f/1.4 Canon EF IS
Why we recommend this

Its f/1.4 aperture and nine-blade diaphragm produce exceptionally smooth, circular bokeh ideal for subject separation. The lens is distinguished by its precise manual focus ring and ZEISS T* coating for superior flare control and brilliance. This is a top choice for portrait photographers and cinematographers prioritizing beautiful out-of-focus rendering and tactile manual operation.

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Samyang AF 85mm f/1.4 EF

65.3 Video/Cinema Score
85mm f/1.4 Canon EF
Why we recommend this

Its f/1.4 maximum aperture and inclusion of a hybrid aspherical element enable excellent subject isolation and sharpness for portrait work. The lens offers a compelling value for a fast 85mm prime with full-frame coverage on the Canon EF mount. This lens is best for portrait photographers and videographers seeking a classic focal length with a very shallow depth of field.

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Samyang AF 85mm f/1.4 EF lens
Price CA$822

Sigma 210101 18-35mm F1.8 DC HSM

71.4 Video/Cinema Score
18-35mm f/1.8 Canon EF IS
Why we recommend this

Its standout feature is a constant f/1.8 aperture across its 18-35mm zoom range, offering exceptional low-light performance and shallow depth of field control. The internal focusing and zooming mechanism enhances usability by maintaining the lens length during operation. This lens is best for Canon APS-C DSLR shooters prioritizing fast, versatile zoom performance for events, portraits, and low-light video work.

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Tamron SP SP 35mm f/1.4 Di USD

61.7 Video/Cinema Score
35mm f/1.4 Canon EF
Why we recommend this

Its f/1.4 maximum aperture enables excellent low-light performance and a very shallow depth of field. The lens is particularly strong for portrait photography, as reflected in its high score for that category. This prime lens is best for portrait photographers seeking a classic focal length with professional-grade background separation.

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IRIX EF 45mm f/1.4

61.4 Video/Cinema Score
45mm f/1.4 Canon EF Weather Sealed
Why we recommend this

Its manual focus design with a focus lock and a bright f/1.4 aperture provides precise control for creative portraiture. The optical construction, featuring aspherical and extra-low dispersion elements, prioritizes sharpness and aberration correction. This lens is best for studio portrait photographers who value deliberate, manual operation over autofocus speed.

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Rokinon SP SP 35mm f/1.2

61.3 Video/Cinema Score
35mm f/1.2 Canon EF
Why we recommend this

Its f/1.2 maximum aperture enables exceptional low-light performance and extremely shallow depth of field, supported by advanced optics including aspherical and ED elements. The robust, all-metal build quality and 86mm filter thread contribute to a substantial, professional-grade feel. This lens is best for portrait photographers seeking a unique, character-rich 35mm perspective with a very fast aperture for creative control.

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Rokinon SP SP 35mm f/1.2 lens
Price CA$1,287

Rokinon SP 50mm f/1.2

58.4 Video/Cinema Score
50mm f/1.2 Canon EF
Why we recommend this

Its standout feature is the exceptionally bright f/1.2 maximum aperture, which excels in low light and offers extensive control over depth of field. The optical design, incorporating aspherical and high refractive index elements, prioritizes sharpness and clarity while minimizing aberrations. This heavy, manual-focus prime is best for portrait photographers on Canon EF-mount DSLRs who prioritize maximum aperture over autofocus convenience.

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Rokinon SP 50mm f/1.2 lens
Price CA$1,097

Tamron Di II AF 18-200mm f/3.5-6.3 XR LD Aspherical Macro Zoom

57.1 Video/Cinema Score
18-200mm f/18 Canon EF-S IS
Why we recommend this

Its standout feature is an 18-200mm zoom range paired with a macro capability, offering extensive versatility in a relatively lightweight 397g package. The inclusion of image stabilization is a key secondary strength for handheld shooting across its focal lengths. This lens is best for budget-conscious photographers who need a single, all-in-one lens for travel and close-up detail shots.

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Rokinon AF 14mm f/2.8

56.4 Video/Cinema Score
14mm f/2.8 Canon EF Weather Sealed
Why we recommend this

Its f/2 maximum aperture provides excellent low-light performance and shallow depth of field for a 14mm prime lens. The autofocus system is a key upgrade, offering convenience over the brand's traditional manual-focus offerings. This lens is best for landscape and astrophotography shooters who need a fast, ultra-wide angle on a budget.

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Rokinon AF 14mm f/2.8 lens
Price CA$753

Laowa 100mm f/2.8 2x Ultra Macro APO

50.7 Video/Cinema Score
100mm f/2.8 Canon EF Mount
Why we recommend this

Its standout 2:1 magnification ratio and 12-element APO optical design deliver exceptional detail and clarity for extreme close-up work. The 100mm focal length provides a versatile working distance, doubling as a capable medium telephoto lens for portraits. This lens is best for photographers specializing in scientific, product, or nature macro work where manual precision and maximum reproduction ratio are critical.

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Samyang XP 85mm f/1.2

50.2 Video/Cinema Score
85mm f/1.2 Canon EF
Why we recommend this

Its f/1.2 maximum aperture enables exceptional low-light performance and a very shallow depth of field for professional-looking portraits. The lens construction, featuring one aspherical and two high-refractive-index elements, is designed to control optical aberrations and deliver sharp images. This is an ideal choice for portrait photographers seeking the classic 85mm focal length with an extremely fast aperture for studio or controlled outdoor work.

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Samyang XP 85mm f/1.2 lens
Price CA$1,028

Lensbaby EF Velvet 85mm f/1.8

48.1 Video/Cinema Score
85mm f/1.8 Canon EF
Why we recommend this

Its 85mm f/1.8 design delivers a distinctive soft, glowing effect at wide apertures, inspired by classic portrait lenses. The 12-blade diaphragm contributes to smooth bokeh, enhancing its artistic rendering capabilities. This lens is best for portrait photographers seeking a creative, ethereal look that modern optics typically avoid.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC

45.9 Video/Cinema Score
24mm f/3.5 Canon EF
Why we recommend this

Its standout feature is the +/- 8.5º tilt-shift mechanism, which allows for perspective control and selective focus effects on a full-frame sensor. The lens is a specialized, manual-focus tool built around its unique optical movement rather than general versatility. It is best for architectural photographers needing to correct converging lines or product photographers creating miniature "tilt-shift" scenes.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC lens
Price CA$753

Best Lenses under CA$2,000 for video production

Best Pick

Sigma Art 24-70mm f/2.8 DG OS HSM

77.2 Video/Cinema Score
24-70mm f/2.8 Canon EF IS
Why we recommend this

Its constant f/2.8 aperture and robust build quality, featuring three SLD and four aspherical elements, deliver sharp, aberration-free images. The inclusion of optical stabilization makes it a versatile choice for handheld shooting in varied lighting. This lens is best for full-frame Canon photographers who need a reliable, high-performance standard zoom for professional portraits and event work.

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Price CA$1,600
Sigma Art 24-70mm f/2.8 DG OS HSM lens

Great Alternatives

These options also score highly and may better suit your specific needs

Canon L EF 16-35mm IS USM

75.4 Video/Cinema Score
16-35mm f/4 Canon EF IS Weather Sealed
Why we recommend this

Its constant f/4 aperture and built-in Optical Image Stabilizer provide reliable performance for handheld shooting in varied lighting. The lens features a robust L-series build with a fluorine coating for durability and easier cleaning. This lens is best for landscape photographers and videographers who need a sharp, stabilized wide-angle zoom for environmental shots and cinematic b-roll.

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Canon L EF 16-35mm IS USM lens
Price CA$1,130

Zeiss Milvus 25mm f/1.4 ZE

56.1 Video/Cinema Score
100mm f/2 Canon EF Weather Sealed
Why we recommend this

Its Distagon optical design with five low-dispersion elements and a floating element system delivers exceptional sharpness and minimal distortion. The robust 848g all-metal build and enhanced ZEISS T* coating provide durability and flare resistance in challenging light. This manual-focus prime is best for architectural and landscape photographers on Canon EF systems who prioritize optical precision over portability.

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Tamron SP 24-70mm f/2.8 Di VC USD G2

52.7 Video/Cinema Score
70mm f/2.8 Canon EF IS
Why we recommend this

Its constant f/2.8 aperture and 5-stop Vibration Compensation system make it a sharp, versatile standard zoom for full-frame Canon DSLRs. The sophisticated optical design, featuring multiple XR, LD, and aspherical elements, effectively controls aberrations and flare for high contrast. This lens is best for event and wedding photographers who need reliable stabilization and autofocus in a single, do-it-all zoom.

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Laowa Zero-D 20mm f/4 Shift

45.7 Video/Cinema Score
20mm f/4 Canon EF
Why we recommend this

Its +/- 11mm of shift movement on a 20mm prime lens provides exceptional perspective control for architectural photography. The lens features two aspherical elements in its 16-element design to manage distortion, and its 14-blade diaphragm contributes to smooth bokeh. This lens is best for architectural and real estate photographers needing to correct converging lines without digital correction.

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Sigma 15mm f/2.8 EX DG Diagonal Fisheye

39 Video/Cinema Score
15mm f/2.8 Canon EF
Why we recommend this

Its 15mm focal length and f/2.8 aperture provide a uniquely wide, bright perspective for creative fisheye effects. The lens is digitally optimized for modern sensors, ensuring sharpness and minimal distortion in its specific field of view. This lens is best for portrait and street photographers seeking to incorporate dramatic, curved perspectives into their work.

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Biotar 58mm f/1.5 II

36.9 Video/Cinema Score
58mm f/1.5 Canon EF
Why we recommend this

Its f/1.5 maximum aperture and 14-blade diaphragm enable exceptionally smooth bokeh and a classic three-dimensional rendering. The manual focus design and 1.3kg weight prioritize deliberate, tactile control over speed and portability. This lens is best for portrait photographers specifically seeking a distinct, vintage optical character for studio or controlled location work.

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Samyang XP 10mm f/3.5

34.4 Video/Cinema Score
10mm f/3.5 Canon EF
Why we recommend this

Its 10mm focal length and f/3.5 aperture provide an exceptionally wide field of view for full-frame Canon EF cameras, supported by specialized aspherical and ED elements to control distortion. The lens's robust 731g build and Ultra Multi-Coating ensure durable performance with reduced flare, though it lacks image stabilization. This lens is best for real estate and architectural photographers needing maximum width in a single shot on a budget.

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Rokinon Cine Xeen 14mm T/3.1 Pro

27.3 Video/Cinema Score
14mm Canon EF
Why we recommend this

Its durable aluminum body and long 200-degree focus throw provide precise manual control ideal for on-set adjustments. The unified focus and aperture gear positions, along with clear markings, streamline workflow for focus pullers. This lens is best for cinematographers and camera operators who require reliable, repeatable manual control for narrative filmmaking or commercial video work.

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AstrHori 28mm f/13 2x Macro Probe

24.9 Video/Cinema Score
28mm f/13 Canon EF
Why we recommend this

Its unique probe design with a 480mm minimum focus distance and 2:1 magnification allows for extreme close-up work in tight spaces. The built-in LED ring light and waterproof front barrel are practical features for specialized macro photography, and it includes both straight and 90-degree tubes for flexible shooting angles. This lens is best for macro photographers who need to capture intricate details of small, hard-to-reach subjects like insects or product internals.

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Best Lenses under CA$3,500 for video production

Best Pick

Canon EF EF 70-200mm IS III USM

85.2 Video/Cinema Score
70-200mm f/2.8 Canon EF IS
Why we recommend this

Its f/2.8 maximum aperture and advanced optics, including one fluorite and five UD elements, deliver exceptional sharpness and color fidelity. The lens is also built with a robust, professional-grade construction and features effective image stabilization for handheld shooting. This lens is best for professional event photographers and videographers who require reliable performance in controlled environments.

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Price CA$3,292
Canon EF EF 70-200mm IS III USM lens

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Sports 70-200mm f/2.8 DG OS HSM

73.4 Video/Cinema Score
200mm f/2.8 Canon EF IS
Why we recommend this

Its constant f/2.8 aperture and robust optical formula with nine FLD elements deliver sharp, high-contrast images with pleasing bokeh. The lens offers reliable autofocus and stabilization for a significant price advantage over first-party equivalents. This lens is best for portrait and event photographers who need a versatile telephoto zoom with professional-grade optics on a budget.

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Zeiss Otus 85mm f/1.4 ZE

48.5 Video/Cinema Score
85mm f/1.4 Canon EF
Why we recommend this

Its f/1.4 aperture and complex 11-element optical formula, featuring one aspherical and six low-dispersion elements, deliver exceptional sharpness and bokeh. The robust 1200g metal construction prioritizes optical performance over portability, making it a specialist tool. This lens is best for portrait photographers who demand ultimate image quality and can handle its substantial weight and manual focus nature.

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Laowa 200mm f/2 AF FF Telephoto

47.4 Video/Cinema Score
200mm f/2 Canon EF
Why we recommend this

Its f/2 maximum aperture provides exceptional low-light performance and powerful background compression for a 200mm prime lens. The highly accurate and responsive autofocus system ensures reliable subject tracking, while its optical design minimizes chromatic aberration. This lens is best for portrait photographers seeking a specific, compressed look and event shooters working in variable lighting conditions.

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Canon TS-E 50mm f/2.8L Macro Tilt-Shift

57.5 Video/Cinema Score
50mm f/2.8 Canon EF IS
Why we recommend this

Its 50mm f/2.8L tilt-shift design offers precise perspective control and a 1:2 macro capability, ideal for architectural detail shots and product photography. The inclusion of UD and aspherical elements with specialized coatings ensures high sharpness and reduced flare. This lens is best for architectural photographers and product shooters needing to correct perspective distortion while capturing fine details.

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Canon TS-E 50mm f/2.8L Macro Tilt-Shift lens
Price CA$3,430

Tamron A025C SP 70-200mm F/2.8 Di VC USD G2 for Canon Digital SLR

40.4 Video/Cinema Score
70-200mm f/2.8 Canon EF
Why we recommend this

Its constant f/2.8 aperture and enhanced Vibration Compensation system provide a 5-stop advantage for sharp handheld shots. The lens builds upon its acclaimed predecessor with faster autofocus and customizable firmware via an optional console. This telephoto zoom is best for portrait and event photographers seeking pro-level optical performance without the premium brand price tag.

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Laowa Probe 24mm f/14

37.7 Video/Cinema Score
24mm f/14 Canon EF
Why we recommend this

Its unique 470mm long probe design and 2:1 magnification allow for extreme close-up shots in tight spaces, despite its fixed f/14 aperture. The lens features integrated focus and aperture gears, making it ready for professional cinema rigs and precise control. This specialized tool is best for filmmakers and product videographers needing dramatic, intimate macro perspectives that standard lenses cannot achieve.

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Laowa Aurogon FF 10-50x Supermicro

4.8 Video/Cinema Score
f/10 Canon EF
Why we recommend this

Its 50:1 maximum magnification and interchangeable magnification tubes enable extreme macro photography far beyond standard lenses. The fixed 20mm focusing distance and full-frame coverage provide consistent, high-resolution close-up work directly on the camera. This lens is best for scientific photographers and product detail specialists requiring microscopic, repeatable imaging setups.

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Premium Lenses for video production

Best Pick

Sirui IronStar IronStar Series 35

45.5 Video/Cinema Score
35mm Interchangeable Mount with Included ARRI PL/Canon EF
Why we recommend this

Its standout feature is the T1.9 aperture across its 35, 45, and 60mm focal lengths, enabling a shallow depth of field and low-light performance for a cinematic look. The set's unique selling point is its interchangeable ARRI PL and Canon EF mount system, offering significant flexibility for different camera bodies without requiring separate lens purchases. This lens set is best for independent filmmakers and cinematographers seeking an affordable entry into anamorphic filmmaking with a consistent, neutral flare character.

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Great Alternatives

These options also score highly and may better suit your specific needs

Laowa Proteus 2x Anamorphic 20mm T2

38.9 Video/Cinema Score
20mm Interchangeable Mount with Included ARRI PL/Canon EF
Why we recommend this

Its compact 2500g design for S35 sensors, combined with a fast T2 aperture and classic 2x anamorphic squeeze, delivers a cinematic look. The lens offers interchangeable PL/EF mounts and is known for its signature blue anamorphic flares and 10-blade iris for soft, elliptical bokeh. This lens is best for independent filmmakers and cinematographers seeking a portable anamorphic option for Super35 cameras to achieve a widescreen aesthetic with distinctive character.

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ARRI Du

34.6 Video/Cinema Score
21mm Interchangeable Mount with Included Canon EF
Why we recommend this

This 6-lens set stands out for its consistent T2.4/T2.6 aperture across all focal lengths and an 11-blade diaphragm for smooth bokeh. Its interchangeable PL mounts and uniform 72mm filter threads across all lenses offer exceptional on-set flexibility for rigging. This kit is best for cinematographers building a compact, matched prime set for full-frame cinema cameras who prioritize a vintage aesthetic.

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Sigma Contemporary 150-600mm 5-6.3 DG OS HSM

19.9 Video/Cinema Score
Canon EF
Why we recommend this

Its 150-600mm reach and relatively lightweight 1928g build make it a practical super-telephoto option. The water and oil repellent coating on the front element simplifies maintenance in the field. This lens is best for hobbyist photographers needing long focal lengths for subjects like airshows or motorsports, where its portability is a key advantage.

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Sirui IronStar Series 35

45.5 Video/Cinema Score
35mm Interchangeable Mount with Included ARRI PL/Canon EF
Why we recommend this

Its standout feature is the consistent T1.9 aperture across a 35, 45, and 60mm anamorphic set, offering full-frame coverage and a signature blue flare. The interchangeable ARRI PL and Canon EF mount system provides significant flexibility for adapting to different cinema cameras. This lens set is best for independent filmmakers and cinematographers seeking a distinctive, cinematic look without the cost of premium anamorphic glass.

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ARRI Du

34.6 Video/Cinema Score
21mm Interchangeable Mount with Included Canon EF
Why we recommend this

This set stands out for its six APO-corrected prime lenses with a fast T2.4/T2.6 aperture and consistent 11-blade iris across all focal lengths. Its key differentiator is the uniform 80mm front diameter and gearing, which simplifies rigging and filter swaps on set. This kit is best for independent filmmakers and cinematographers who need a matched, full-frame lens set for narrative projects.

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