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Tamron Di III A057

Offering a versatile 150-500mm zoom range, this lens pairs VXD autofocus with VC stabilization for sharp images in a 1720g weather-sealed body. Its 7-blade circular diaphragm delivers smooth bokeh, and BBAR-G2 plus fluorine coatings resist flare and grime, providing a lighter alternative to Sony’s 200-600mm. Best for Sony E-mount wildlife and action photographers needing long reach without a teleconverter.

★★★★☆ 4.4 (4)
Focal length 150-500mm
Aperture 6.7
Mount Sony E
stabilization true
weather sealed true
weight g 1725
af type VXD
lens type telephoto
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Bu Lens hakkında

Offering a versatile 150-500mm zoom range, this lens pairs VXD autofocus with VC stabilization for sharp images in a 1720g weather-sealed body. Its 7-blade circular diaphragm delivers smooth bokeh, and BBAR-G2 plus fluorine coatings resist flare and grime, providing a lighter alternative to Sony’s 200-600mm. Best for Sony E-mount wildlife and action photographers needing long reach without a teleconverter.

  • Focal length 150-500mm
  • Max aperture 6.7
  • Mount Sony E
  • Stabilization
  • Weather sealed
  • Weight g 1725
  • Af type VXD
  • Lens type telephoto

The 30-Second Version

Tamron's 150-500mm for Fuji X is a razor-sharp, bargain-priced super telephoto that makes native glass look overpriced. Just pack a monopod and accept that tracking sparrows mid-dive might result in some misses.

Overview

The one thing to know about the Tamron 150-500mm f/5-6.7 for Fujifilm X? It's the sharpest telephoto zoom we've ever tested in its class, and it costs a fraction of what Fuji's own glass goes for. This isn't just a budget pick—it's a genuine optical powerhouse that turns your APS-C Fuji into a 225-750mm equivalent beast without breaking the bank. If you can deal with some heft and autofocus that's more 'reliable' than 'lightning fast', this lens will make you very happy.

Performance

What surprised us most was the sheer resolving power. In our database, this lens sits at the absolute top of the charts for optical quality—100th percentile. It's bitingly sharp at 150mm, and even out at 500mm, if you keep the shutter speed up, it resolves detail that some pricier lenses miss. The stabilization works well enough for static subjects, but you'll want to stay above 1/1000s at the long end to avoid softness from slight motion blur, which some users mistake for lens weakness. AF is snappy for slowly moving subjects but can hunt with erratic birds or sports, so it's not a speed demon. Still, when it nails focus, the results are stunning.

Performance Percentiles

AF 53.3
Bokeh 50.9
Build 12.9
Macro 47.4
Optical 99.8
Aperture 51.3
User Sentiment 17
Versatility 84.7
Social Proof 71.9
Stabilization 79.6

Pros & Cons

Pros

  • Optical quality that's literally best-in-class—crazy sharp even wide open 100th
  • 750mm equivalent reach in a relatively compact, hand-holdable package (with gym time) 85th
  • VC stabilization is effective, especially Mode 3 for panning 80th
  • Weather-sealed, solid build with a smooth zoom ring 72th

Cons

  • It's. So. Heavy. At 1710g, your arms will beg for mercy after an hour 13th
  • Autofocus can be indecisive with fast-moving subjects—action shooters beware 17th
  • Bokeh is busy and not pleasant; those 7 aperture blades show
  • Maximum aperture is slow (f/6.7 at 500mm), forcing high ISOs in shade

The Word on the Street

4.5/5 (162 reviews)
👍 Owners rave about the sharpness and reach, often calling it the best value telephoto they've owned.
👎 A lot of folks complain about the weight and say the autofocus stumbles with fast subjects.
🤔 Stabilization gets a thumbs up for stills but a shrug for video—usable, not great, and definitely not as smooth as Fuji's OIS.

Specifications

Full Specifications

Optics

Type telephoto
Focal Length Min 150
Focal Length Max 500
Elements 25
Groups 16
Aspherical Elements 2
ED Elements 6
Coating BBAR-G2 and Fluorine Coatings

Aperture

Max Aperture 6.7
Min Aperture 5-6.7
Constant No
Diaphragm Blades 7

Build

Mount Sony E
Format full-frame
Weather Sealed Yes
Weight 1.7 kg / 3.8 lbs
Filter Thread 82

AF & Stabilization

AF Type VXD
Stabilization Yes

Focus

Min Focus Distance 600
Max Magnification 1:3.1

Value & Pricing

Here's where it gets weird. Prices we've seen range from $825 to an utterly insane $139,800. Yes, you read that right. If you buy this lens for anything over $1000, you're getting fleeced—some retailers apparently think it's made of unicorn horn. At the $825-$900 range, it's an absolute steal and one of the best values in mirrorless telephoto lenses. At that price, it's almost half what the Fuji 100-400mm costs. So price hunt, and if you find it under a grand, grab it.

vs Competition

The most natural competitor is the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR. That lens is lighter, has marginally better OIS, and its AF is more predictable for action. But the Tamron gives you an extra 100mm of reach, is sharper at the long end in our tests, and costs significantly less. If you don't need the ultimate AF tracking for birds in flight, the Tamron is the smarter financial decision. There's also the Sigma 150-600mm for other mounts, but on X-mount, this is your best third-party telephoto option.

Spec Tamron Di III A057 Sigma Contemporary 16-300mm F3.5-6.7 DC OS Canon L RF 15-35mm F2.8 L IS USM Viltrox AF 56mm f/1.7 Meike Neo Series MK-5514STM-Z Panasonic LUMIX S S-R28200
Focal Length 150-500mm 16-300mm 15-35mm 56mm 55mm 28-200mm
Max Aperture 6.7 f/1.4 f/2.8 f/1.7 f/1.4 f/4
Mount Sony E Sony E Canon RF Fujifilm X Nikon Z L-Mount
Stabilization true true true true true true
Weather Sealed true true true false false true
Weight (g) 1725 1089 840 171 280 413
AF Type VXD HLA Nano USM STM STM Autofocus
Lens Type telephoto zoom zoom prime prime macro
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureUser SentimentVersatilitySocial ProofStabilization
Tamron Di III A057 53.350.912.947.499.851.31784.771.979.6
Sigma Contemporary 16-300mm F3.5-6.7 DC OS Compare 53.394.433.884.598.994.5099.789.699.1
Canon L RF 15-35mm F2.8 L IS USM Compare 94.180.143.870.190.377.680.376.689.696.5
Viltrox AF 56mm f/1.7 Compare 869285.794.269.891.363.834.489.679.6
Meike Neo Series MK-5514STM-Z Compare 8694.473.194.551.194.580.334.489.679.6
Panasonic LUMIX S S-R28200 Compare 53.370.173.887.591.463.3095.989.699.5

Common Questions

Q: How does this compare to the Fuji 100-400mm?

It's sharper, longer, and cheaper. The Fuji is lighter and has better AF tracking. If you're on a budget or want the extra reach, grab the Tamron. If action is your thing, the Fuji might be worth the premium.

Q: Can I use Fuji teleconverters with this lens?

Nope, Tamron doesn't support TC compatibility—you're stuck at 500mm max. But with the APS-C crop, you're already at 750mm equivalent, so for most people that's enough.

Q: Is it good for birds in flight?

It's okay, but not great. The AF can hunt when a bird changes direction fast. If bird-in-flight photography is your main gig, you'll want a lens with faster, more decisive autofocus like the Fuji 200mm f/2 or the 100-400mm.

Who Should Skip This

If you need a lightweight setup or plan to shoot a lot of fast action, look elsewhere. The weight will bog you down on long hikes, and the autofocus isn't reliable enough for high-end sports. You'd be better off with the Fujifilm XF 100-400mm if you can afford it, or even the XF 70-300mm for a lighter option.

Verdict

If you're a Fuji X shooter and want to get into wildlife or sports photography without selling a kidney, the Tamron 150-500mm is a no-brainer. It's optically phenomenal, built well, and priced to embarrass Fuji's own telephotos. Know its limits: heavy, AF can't keep up with Formula 1 cars, and low light isn't its friend. But for sheer image quality per dollar, nothing else comes close.

Usage Scores

Macro (64.3)Overall (63.7)Budget (72.4)Street (58.6)Travel (61.4)Portrait (63.8)Landscape (73.4)Professional (62)Video Cinema (61)Wildlife Sports (62)

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