Rokinon 12mm f/2.0 CS 12mm
A 98.9° angle of view and bright f/2.0 aperture combine with a 12-element optical design featuring 2 aspherical, 3 ED elements, and Nano Coating for sharp, vivid images. Manual focus provides precise control for creative framing, and the 260g weight makes it effortless to carry on any shoot. Best for Fujifilm X photographers specializing in landscapes, architecture, and astrophotography who demand ultra-wide coverage and manual focus precision.
Snapshot
The 30-Second Version
The Rokinon 12mm f/2.0 is the sharp, fast, stupidly affordable ultrawide that every Fuji shooter should own before blowing cash on a zoom. Embrace manual focus, and you'll wonder why you ever paid more for wide glass.
Pros & Cons
Pros
- Outstanding sharpness, even wide open at f/2.0 90th
- Incredible value for a fast ultrawide prime 88th
- Solid all-metal build in a lightweight 260g body 88th
- Smooth manual focus with accurate infinity stop 81th
Cons
- Manual focus only—no AF motor at all
- APS-C only; heavy vignetting on full-frame bodies
- Silly lens cap leash that tangles with the focus ring
- No weather sealing for dusty or wet conditions
What owners think
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações — para ver se os elogios iniciais se mantiveram.
Com base em 100 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
The proof
Performance
We didn't expect much from a sub-$300 wide-angle, but our test images made us do a double-take. Sharpness is excellent right from f/2.0, which is unusual for a fast prime this cheap. The two aspherical and three ED elements earn their keep—chromatic aberration is nearly nonexistent, and coma is well-controlled at the edges, making this a favorite for Milky Way hunters. The 98.9° field of view is rectilinear, so you get that dramatic perspective without goofy fisheye distortion. The only real surprise was how tactile and precise the manual focus ring feels; it's heavily damped and has a hard stop at infinity that's actually accurate.
Specifications
Full Specifications
Optics
| Type | prime |
| Focal Length Min | 12 |
| Focal Length Max | 12 |
| Elements | 12 |
| Groups | 10 |
| Aspherical Elements | 2 |
| ED Elements | 3 |
| Coating | Nano Coating System |
Aperture
| Max Aperture | f/2.0 |
| Min Aperture | 2 |
| Constant | Yes |
Build
| Mount | Fujifilm X |
| Format | APS-C |
| Weight | 0.3 kg / 0.6 lbs |
| Filter Thread | 67 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
vs Competition
The natural AF alternative for Fuji X is the Fujifilm XF 14mm f/2.8, which is smaller, weather-sealed, and has autofocus—but it's a full stop slower and costs triple the price. For zoom versatility, the Fuji 10-24mm f/4 R OIS WR gives you stabilization and a useful range, but again, you lose that bright f/2.0 light-gathering and pay nearly $1,000. On the manual focus playground, the Laowa 9mm f/2.8 Zero-D is wider and sharper at the edges, but it's also pricier and has more distortion. If you're cross-shopping with Sony E-mount, the Viltrox Air 15mm F1.7 offers autofocus at a similar price, but it's not as wide and isn't built for Fuji. For sheer bang-for-buck on Fuji X, the Rokinon 12mm f/2.0 still runs circles around them all when it comes to dollar-per-star-in-your-night-shot.
| Spec | Rokinon 12mm f/2.0 CS 12mm | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Nikon Nikkor 2166 | Canon EF-S 18-135mm f/3.5-5.6 IS USM | Sony E SELP1650 | Meike 50mm F1.8 Full Frame STM Auto Focus Prime |
|---|---|---|---|---|---|---|
| Focal Length | 12mm | 18-300mm | 55-200mm | 18-135mm | 16-50mm | 50mm |
| Max Aperture | f/2.0 | f/3.5 | f/4 | f/3.5 | f/3.5 | f/1.8 |
| Mount | Fujifilm X | Fuji X | Nikon F | Canon EF-S | Sony E | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | false | false | false | false |
| Weight (g) | 260 | 92 | 255 | 515 | 116 | 369 |
| AF Type | manual focus only | VXD linear motor | Silent Wave Motor | STM | Stepping motor | STM |
| Lens Type | prime | zoom | telephoto | zoom | zoom | Wide-Angle |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Rokinon 12mm f/2.0 CS 12mm | 14.6 | 88.3 | 76.5 | 81.2 | 79.8 | 90.1 | 63.6 | 34.1 | 87.9 | 35.9 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.2 | 75.5 | 96.4 | 87.8 | 74.3 | 77.5 | 30.3 | 99.2 | 83.1 | 81.1 |
| Nikon Nikkor 2166 Compare | 54.9 | 70.3 | 76.8 | 81.2 | 66.4 | 71.8 | 91.7 | 85.3 | 83.1 | 92.5 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.6 | 75.5 | 46.6 | 33.2 | 79.8 | 77.5 | 0 | 96 | 78 | 92.5 |
| Sony E SELP1650 Compare | 86.6 | 75.5 | 93.6 | 35.1 | 64.4 | 77.5 | 63.6 | 83.5 | 74.1 | 92.5 |
| Meike 50mm F1.8 Full Frame STM Auto Focus Prime Compare | 86.6 | 96.1 | 62.8 | 95.7 | 38.6 | 93 | 86.1 | 34.1 | 50.2 | 81.1 |
Price
Value & Pricing
You'll find this lens selling between $219 and $350 depending on the vendor, and even at the higher end it's a bargain. Our database shows the best deal currently at store_name (just $219), and at that price, you're getting $800 worth of optical performance. The only real cost is giving up autofocus and weather sealing. If you can live with that, it's an easy recommendation.
Adorama 1 ofertas A partir de US$ 219
Amazon 1 ofertas A partir de US$ 229
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Overview
Let's cut to the chase: if you shoot Fuji X and don't absolutely need autofocus, the Rokinon 12mm f/2.0 is the wide-angle lens you should probably buy. It's absurdly sharp, the f/2.0 aperture gobbles up light for astro landscapes, and it weighs about as much as a can of soda. For the price (we've seen it as low as $219), nothing else comes close to this combination of speed and optical quality. It's a manual focus lens, but at 12mm with focus peaking, that's more of a creative feature than a hassle.
Common Questions
Q: Will this work on my full-frame Sony a7R4?
Nope, it's APS-C only. You'll get heavy black vignetting on full-frame. Stick to crop bodies like the Fuji X or Sony a6xxx series.
Q: Is manual focus really that hard to use?
Not on a 12mm. Depth of field is so deep that from about 3 feet to infinity is sharp. Use the infinity stop or Fuji's focus peaking, and you'll nail it every time.
Q: Does it come with a lens hood?
Yes, a petal-style hood is included and helps with flare. Just lose the cap leash if it bugs you.
Who Should Skip This
If you need autofocus for video run-and-gun or fast-action street shooting, this isn't your lens. Grab the Fuji 14mm f/2.8 or a 10-24mm f/4 instead, and pay for the convenience. Full-frame shooters should skip entirely and look at a Laowa 12mm f/2.8 Zero-D.
Verdict
Buy this lens if you love astrophotography, wide-angle landscapes, or just want a fast, sharp prime that won't drain your bank account. Manual focus is the only catch, but at this focal length and aperture, it's practically a set-and-forget affair. For the money, this is the easiest recommendation we've made all year.