Best Lenses under $500 for video production

Best Pick

Nikon NIKKOR 2179 AF-S DX 18-105mm f/3.5-5.6G ED VR

77.5 Video/Cinema Score
18-105mm f/3.5 Nikon F IS
Why we recommend this

Its built-in stabilization enables handheld shooting slower than normal, while its ED glass elements help eliminate coma and other aberrations for improved image integrity. The lens offers superior color consistency and reduced flare, further enhancing its optical performance. This zoom is best for videographers and landscape photographers who need a versatile, stabilized range from 18-105mm.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR Z DX 12-28mm f/3.5-5.6 PZ VR

74.7 Video/Cinema Score
28mm f/3.5 Nikon Z IS
Why we recommend this

Its 18-42mm full-frame equivalent ultra-wide zoom range and built-in power zoom with 11-speed adjustment make it ideal for smooth video work. The compact 204g design and VR stabilization provide excellent handheld versatility for travel and run-and-gun shooting. This lens is best for content creators and vloggers on Nikon Z DX cameras who need a lightweight, versatile wide-angle with precise zoom control for video.

Read Full Review

Nikon Meike 35mm F1.8 Pro Wide Angle Auto Focus STM Full Frame High Resolution

72.2 Video/Cinema Score
35mm f/1.8 Nikon Z IS
Why we recommend this

Its f/1.8 aperture and STM motor provide fast, quiet autofocus for both stills and video, supported by a robust optical design with three ED elements. The lens offers a versatile 35mm focal length, ideal for street photography and environmental portraits, with a Type-C port for convenient firmware updates. This lens is best for Nikon Z-mount shooters needing a capable, affordable prime for everyday photography and run-and-gun video work.

Read Full Review

Best Lenses under $1,000 for video production

Best Pick

Nikon NIKKOR Z DX 16-50mm f/2.8 VR

93.1 Video/Cinema Score
16-50mm f/2.8 Nikon Z IS
Why we recommend this

Its constant f/2.8 aperture and 4.5-stop vibration reduction provide reliable performance in low light and for handheld video. The lens is notably compact and lightweight at 329g, making it a practical everyday zoom for Nikon Z DX cameras. This lens is best for hybrid shooters and vloggers on APS-C bodies who need a versatile, stabilized standard zoom without the bulk.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR

77.8 Video/Cinema Score
18-300mm f/3.5 Nikon F IS
Why we recommend this

Its 16.7x zoom range, from 27-450mm equivalent, provides exceptional versatility in a single lens for Nikon DX cameras. The inclusion of three aspherical and three ED elements helps control aberrations and maintain image quality across the focal range. This lens is best for photographers who need a comprehensive all-in-one solution for events or wildlife without changing lenses.

Read Full Review

Nikon Meike 24mm F1.4 AF Ultra Wide Angle Large Aperture Auto Focus STM Full Frame

69.8 Video/Cinema Score
24mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 maximum aperture and STM motor provide a bright, fast, and quiet focusing experience ideal for low-light and video work. The optical design, featuring three ED and three aspherical elements, promises high sharpness and controlled aberrations for its class. This lens is best for Nikon Z shooters prioritizing astrophotography or environmental portraits where a wide, bright prime is essential.

Read Full Review

Nikon Sigma Art Sigma 18-35mm f/1.8 DC HSM Art

46.9 Video/Cinema Score
18-35mm f/1.8
Why we recommend this

Its constant f/1.8 aperture across the entire 18-35mm zoom range provides exceptional low-light capability and background blur for an APS-C lens. The included bundle of high-capacity memory cards and extensive filter kits adds significant value beyond the core optics. This lens is best for portrait and event photographers using Nikon APS-C bodies who need versatile, fast glass without switching primes.

Read Full Review

Best Lenses under $1,500 for video production

Best Pick

Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR

82 Video/Cinema Score
16-80mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture across its 16-80mm zoom range, it offers consistent light-gathering ability for both wide and telephoto shots. The inclusion of optical stabilization makes it a reliable choice for handheld shooting, particularly in variable lighting conditions. This lens is best for videographers and documentary shooters who need a versatile, all-in-one zoom with dependable performance.

Read Full Review
Price $1,080
Nikon NIKKOR 20055 AF-S DX 16-80mm f/2.8-4E ED VR lens

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR Z 28-400mm f/4-8 VR

74.6 Video/Cinema Score
28-400mm f/4 Nikon Z IS
Why we recommend this

Its 28-400mm full-frame zoom range offers exceptional versatility in a single lens, covering wide-angle to super-telephoto focal lengths. The 5.5-stop VR image stabilization is a significant strength for handheld shooting, compensating for its variable f/4-8 aperture. This lens is best for photographers who need maximum focal length flexibility without changing lenses, particularly for landscapes, events, or wildlife where carrying multiple optics is impractical.

Read Full Review

Biotar 58mm f/1.5 II

37.4 Video/Cinema Score
58mm f/1.5 Nikon Z
Why we recommend this

Its standout f/1.5 aperture and 14-blade diaphragm produce exceptionally smooth, creamy bokeh for portraiture. The substantial 1361g all-metal build offers a premium, tactile manual focus experience. This lens is best for portrait photographers and cinematographers who prioritize unique, character-rich rendering over autofocus convenience.

Read Full Review

Best Lenses under $2,500 for video production

Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S Optical Zoom

85 Video/Cinema Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and multi-focusing system deliver sharp, aberration-free images across its 24-70mm zoom range. The lens is also built with robust weather sealing and specialized coatings that effectively suppress flare and ghosting. This lens is best for event and wedding photographers who need reliable, high-quality performance in varied lighting conditions.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

83.8 Video/Cinema Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

Read Full Review

Nikon 24-70MM F/2.8G ED AF-S

38.5 Video/Cinema Score
24-70mm f/2.8
Why we recommend this

Its constant f/2.8 aperture provides excellent low-light performance and background blur throughout the 24-70mm zoom range. The bundled deluxe cleaning kit adds practical value for lens maintenance. This lens is best for photographers on a budget who need a versatile, fast standard zoom for portraits and general-purpose shooting.

Read Full Review

Premium Lenses for video production

Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S II

98.1 Video/Cinema Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its internal zoom mechanism, a first for a 24-70mm f/2.8 lens, provides a robust and balanced build that is also 16% lighter than its predecessor. The constant f/2.8 aperture and upgraded weather-sealing make it a highly reliable and versatile standard zoom for demanding conditions. This lens is best for professional photographers and videographers who require a durable, high-performance workhorse lens for events, portraits, and commercial work.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR AF-S 400mm f/2.8E FL ED VR

56.5 Video/Cinema Score
400mm f/2.8 Nikon F IS
Why we recommend this

Its f/2.8 maximum aperture and two fluorite elements deliver exceptional sharpness and light-gathering for a 400mm prime. The inclusion of Nano Crystal coatings effectively controls flare and ghosting for high-contrast images. This lens is best for professional sports and wildlife photographers who require fast autofocus and superb optical performance in demanding conditions.

Read Full Review