Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S II

93.5 Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its internal zoom mechanism, a first for a 24-70mm f/2.8 lens, provides a robust and balanced build that is also 16% lighter than its predecessor. The constant f/2.8 aperture and upgraded weather-sealing make it a highly reliable and versatile standard zoom for demanding conditions. This lens is best for professional photographers and videographers who require a durable, high-performance workhorse lens for events, portraits, and commercial work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sony G Master FE 28-70mm F2

89.8 Score
28-70mm f/2 Sony E
Why we recommend this

This lens stands out with its constant f/2 aperture, providing exceptional low-light performance and background blur across its 28-70mm zoom range. Its optical design delivers sharpness and contrast that challenge many prime lenses, offering versatility without sacrificing image quality. It is best for portrait and event photographers who need a single, high-performance zoom for varied shooting conditions.

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OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO

80.2 Score
50-200mm f/2.8 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and 7-stop 5-axis Sync IS provide exceptional low-light performance and handheld stability for a super-telephoto zoom. The lens offers a full-frame equivalent 100-400mm reach in a relatively compact and portable package for its class. This lens is best for wildlife and sports photographers who need a long, fast zoom but prioritize a lighter kit for hiking or travel.

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OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO lens
Price $3,500

Sigma Sports 200mm f/2 DG OS

76.4 Score
200mm f/2 Sony E IS Weather Sealed
Why we recommend this

Its f/2 maximum aperture and 6.5-stop optical stabilization allow for exceptional low-light performance and handheld shooting with a 200mm focal length. The HLA-driven autofocus motor provides notably fast and quiet focusing, which is a significant advantage for video work. This lens is best for portrait photographers and videographers who require a fast, stabilized medium telephoto prime for controlled environments, given its substantial 1814g weight.

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Nikon NIKKOR AF-S 300mm f/2.8G ED VR II

67.5 Score
300mm f/2.8 Nikon F IS
Why we recommend this

Its f/2.8 maximum aperture and Vibration Reduction system enable sharp, low-light shooting, while its three ED elements and Nano Crystal Coatings deliver exceptional color fidelity and contrast. The robust, professional-grade build is designed for demanding use, though its substantial 2.9kg weight is a consideration. This lens is best for portrait and event photographers who require fast, reliable autofocus and superb optical quality in a fixed telephoto focal length.

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Leica Vario-Elmarit-SL Vario-Elmarit-SL 70-200mm f/2.8 ASPH.

66.8 Score
70-200mm f/2.8 L-Mount IS
Why we recommend this

Its f/2.8 maximum aperture and 3.5-stop optical image stabilization enable sharp, low-light performance for a fast telephoto zoom. The lens incorporates three aspherical elements for high optical quality and is relatively compact for its class. This lens is best for professional photographers and videographers who need a versatile, high-performance telephoto for event, portrait, or documentary work.

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Leica Summicron-SL Summicron-SL 35mm f/2 ASPH.

65.2 Score
35mm f/2 L-Mount Weather Sealed
Why we recommend this

Its f/2 aperture and advanced aspherical design deliver exceptional sharpness and beautiful bokeh, housed in a robust, 369g weather-sealed body. The lens pairs this optical performance with fast, whisper-quiet autofocus, making it a versatile and portable choice for the L-mount system. It's best for professional photographers and videographers who need a reliable, high-performance 35mm prime for travel, street photography, and environmental portraits.

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Canon RF 85mm F1.2 L USM Mid-Telephoto Prime

63.3 Score
85mm f/1.2 Canon RF Weather Sealed
Why we recommend this

Its f/1.2 maximum aperture provides exceptional low-light performance and profound background blur, aided by specialized BR optics for minimal chromatic aberration. The lens offers a versatile 85mm focal length ideal for subject isolation and includes a control ring for direct camera setting adjustments. This lens is best for portrait photographers seeking ultimate sharpness and creamy bokeh in a dedicated mid-telephoto prime.

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Leica Summilux-M 21mm f/1.4 Summilux-M Aspherical

59.7 Score
21mm f/1.4 Leica M IS
Why we recommend this

Its f/1.4 aperture is exceptionally fast for a 21mm rangefinder lens, enabling shallow depth-of-field effects and excellent low-light performance in a wide-angle format. The lens combines this speed with a robust metal build and a sophisticated 10-element optical design that minimizes distortion. This makes it a specialized tool for architectural or landscape photographers who require both extreme sharpness and creative control over focus with a Leica M camera.

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Leica 28mm f/2 Summicron-M Aspherical

56.5 Score
28mm f/2 Leica M
Why we recommend this

Its 28mm f/2 aspherical design delivers exceptional edge-to-edge sharpness and a compact 275g build. The robust, all-metal construction and 0.4m minimum focus distance offer unique versatility for a rangefinder lens. It's best for street photographers and reportage shooters who require a discreet, high-performance wide-angle for their Leica M system.

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Sigma Contemporary 150-600mm F5-6.3 DG OS HSM

55.4 Score
150-600mm f/5 Canon EF IS
Why we recommend this

This lens stands out with its 150-600mm zoom range and built-in optical stabilization, offering significant reach in a relatively lightweight and compact body. Its water and oil repellent coating on the front element makes for easier maintenance in the field. It is best for wildlife photographers and outdoor sports shooters who need a portable super-telephoto option.

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Sigma Contemporary 150-600mm F5-6.3 DG OS HSM lens
Price $2,800

Sony FE 400-800mm f/6.3-8 G OSS

54 Score
400-800mm f/6.3 Sony E IS
Why we recommend this

Its standout feature is an exceptionally long 400-800mm zoom range with a constant f/6.3 aperture, offering full-frame coverage in a relatively compact internal zoom design. The lens is built for professional use with dual linear motors for fast autofocus and a focus limiter switch for responsive tracking. It is best for wildlife and sports photographers who need extreme reach without the bulk of traditional super-telephoto primes.

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Fujifilm Fujinon XF 500mm f/5.6 R LM OIS WR

52.5 Score
500mm f/5.6 FUJIFILM X IS
Why we recommend this

Its 500mm focal length and built-in image stabilization enable sharp handheld shots of distant subjects like birds in flight. The f/5.6 aperture provides pleasing background blur, while its weather-resistant construction ensures reliability outdoors. This lens is best for wildlife and sports photographers using Fujifilm X-mount cameras who need a portable super-telephoto option.

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Zeiss Otus 100mm f/1.4 ZF.2

52.1 Score
100mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture and complex 14-element optical formula, including nine low-dispersion elements, deliver exceptional sharpness and bokeh. The robust, all-metal construction and manual-focus design prioritize precise tactile control over automation. This lens is best for studio portrait photographers and cinematographers who require ultimate optical quality and can work with manual focus.

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Fujifilm GF80mmF1.7 R WR

51.9 Score
35-63mm f/1.7 Fujifilm G-Mount
Why we recommend this

Its f/1.7 maximum aperture on a medium format GFX mount provides exceptional light gathering and shallow depth of field for a system of this size. The lens delivers spectacular sharpness and bokeh even wide open, making it a uniquely fast tool for large-format mirrorless cameras. This lens is best for portrait and wedding photographers seeking ultimate image quality and background separation from a portable, weather-resistant medium format prime.

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Fujifilm GF80mmF1.7 R WR lens
Price $2,599