Dulens Dulens APO Close-Focus Triassic Prime 5-Lens Kit Review
The Dulens APO Triassic 5-Lens Kit offers filmmakers a set of sharp, matched PL-mount primes, but its slow T2.8 aperture and manual-only operation make it a niche choice.
The 30-Second Version
The Dulens APO Triassic Kit delivers sharp, matched optics in a compact cine prime set, but it's held back by a slow T2.8 aperture and no autofocus. Its optical performance scores in the 87th percentile. Worth buying only if you need a manual PL-mount set and don't require fast glass.
Overview
The Dulens APO Triassic 5-Lens Kit is a set of manual cinema primes built for a specific job. It gives you five full-frame PL-mount primes (25, 35, 50, 90, and 120mm) in a compact, consistent package, all with close-focus ability and cine-style gearing.
This isn't a general-purpose lens set. It's a tool for filmmakers who need a lightweight, matched set of primes for controlled environments. The optical performance is its main draw, landing in the 87th percentile in our database, while features like autofocus and stabilization are non-starters.
Performance
The optics are sharp. Really sharp. That 87th percentile ranking means these lenses resolve detail beautifully, and the apochromatic design keeps color fringing in check. The close-focus ability is solid, scoring in the 69th percentile, which is great for getting tight shots without a dedicated macro lens. The trade-off is in the light gathering; a T2.8 max aperture puts it in the bottom third for low-light performance and shallow depth of field, so don't expect creamy, cinematic bokeh here.
Pros & Cons
Pros
- Excellent optical sharpness and color correction. 86th
- Useful close-focus capability on all five lenses. 72th
- Compact, lightweight design for a full cine set.
- Consistent front diameter and gearing across the kit.
Cons
- Slow T2.8 max aperture limits low-light use. 26th
- No autofocus or image stabilization. 30th
- Build quality is just average for the price.
- Very specialized; not versatile for run-and-gun.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
| Elements | 14 |
| Groups | 11 |
Build
| Mount | ARRI PL |
| Format | Full-Frame (46.5 mm Image Circle) |
| Weight | 0.7 kg / 1.6 lbs |
| Filter Thread | 72 |
AF & Stabilization
| Stabilization | No |
Focus
| Min Focus Distance | 200 |
Value & Pricing
At $2559 for five full-frame PL-mount primes, the price per lens is tempting. You're paying for optical performance and a matched set, not for features. If you need a set of sharp, compact cine primes and you're okay with manual everything and a slower aperture, it's a decent deal. If you need speed or automation, your money goes further elsewhere.
vs Competition
This kit exists in a different world than the listed competitors like the Meike 55mm F1.8 or Viltrox primes. Those are autofocus stills lenses for mirrorless cameras. A fairer comparison would be against other entry-level cine prime sets, like the DZOFilm Pictor zooms or used vintage sets. The Dulens kit's advantage is its matched, compact design and close-focus. Its disadvantage is the T2.8 aperture, which is slower than many alternatives in this price bracket that offer T2.0 or faster.
| Spec | Dulens Dulens APO Close-Focus Triassic Prime 5-Lens Kit | Meike Meike 50mm F1.8 Full Frame AF STM Lens Standard | Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto | Canon Canon - RF28-70mm F2.8 IS STM Standard Zoom Lens | Panasonic Panasonic LUMIX G Vario 14-140mm f/3.5-5.6 II | Fujifilm VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount, |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 50mm | 35mm | 28-70mm | 14-140mm | 25mm |
| Max Aperture | — | f/1.8 | f/1.7 | f/2.8 | f/3.5 | f/1.7 |
| Mount | ARRI PL | Nikon Z | Fujifilm X | Canon RF | Micro Four Thirds | Fujifilm X |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | false | false | false | false | false |
| Weight (g) | 730 | 301 | 301 | 499 | 27 | 400 |
| AF Type | — | STM | STM | Autofocus | — | STM |
| Lens Type | Prime | — | — | Standard Zoom | Telephoto | — |
Common Questions
Q: Can these lenses be used on mirrorless cameras?
Yes, but you'll need a PL-to-mirrorless adapter (like PL to RF, L, or E mount). They're manual focus only, so you lose any electronic communication.
Q: How is the close-focus performance?
It's good, scoring in the 69th percentile. You can get much closer than with a standard prime, but it's not true 1:1 macro magnification.
Q: Is the T2.8 aperture fast enough for low light?
Not really. T2.8 is about two stops slower than a T1.5 lens, so you'll need more light or a higher ISO. It's a trade-off for the compact design.
Who Should Skip This
Skip this kit if you shoot in low light or love shallow depth of field. The T2.8 aperture is a major limitation there. Also, if you need autofocus for gimbal work or solo shooting, look at modern mirrorless cine lenses from brands like Sirui or Meike instead. This is a manual-only, controlled-environment tool.
Verdict
Buy this kit if you're a filmmaker building out a PL-mount camera package for narrative or commercial work where you control the lighting and pull focus manually. The image quality is there, and the set is convenient. It's a focused tool for a focused shooter.