Dulens Dulens APO Close-Focus Triassic Prime 5-Lens Kit Review

The Dulens APO Triassic 5-Lens Kit offers filmmakers a set of sharp, matched PL-mount primes, but its slow T2.8 aperture and manual-only operation make it a niche choice.

Focal Length 25mm
Mount ARRI PL
Stabilization No
Weather Sealed No
Weight 730 g
Lens Type Prime
Dulens Dulens APO Close-Focus Triassic Prime 5-Lens Kit lens
42.4 Overall Score

The 30-Second Version

The Dulens APO Triassic Kit delivers sharp, matched optics in a compact cine prime set, but it's held back by a slow T2.8 aperture and no autofocus. Its optical performance scores in the 87th percentile. Worth buying only if you need a manual PL-mount set and don't require fast glass.

Overview

The Dulens APO Triassic 5-Lens Kit is a set of manual cinema primes built for a specific job. It gives you five full-frame PL-mount primes (25, 35, 50, 90, and 120mm) in a compact, consistent package, all with close-focus ability and cine-style gearing.

This isn't a general-purpose lens set. It's a tool for filmmakers who need a lightweight, matched set of primes for controlled environments. The optical performance is its main draw, landing in the 87th percentile in our database, while features like autofocus and stabilization are non-starters.

Performance

The optics are sharp. Really sharp. That 87th percentile ranking means these lenses resolve detail beautifully, and the apochromatic design keeps color fringing in check. The close-focus ability is solid, scoring in the 69th percentile, which is great for getting tight shots without a dedicated macro lens. The trade-off is in the light gathering; a T2.8 max aperture puts it in the bottom third for low-light performance and shallow depth of field, so don't expect creamy, cinematic bokeh here.

Performance Percentiles

AF 45.7
Bokeh 25.8
Build 51.3
Macro 72.2
Optical 85.9
Aperture 29.6
Versatility 38.7
Stabilization 36.5

Pros & Cons

Pros

  • Excellent optical sharpness and color correction. 86th
  • Useful close-focus capability on all five lenses. 72th
  • Compact, lightweight design for a full cine set.
  • Consistent front diameter and gearing across the kit.

Cons

  • Slow T2.8 max aperture limits low-light use. 26th
  • No autofocus or image stabilization. 30th
  • Build quality is just average for the price.
  • Very specialized; not versatile for run-and-gun.

Specifications

Full Specifications

Optics

Type Prime
Focal Length Min 25
Focal Length Max 25
Elements 14
Groups 11

Build

Mount ARRI PL
Format Full-Frame (46.5 mm Image Circle)
Weight 0.7 kg / 1.6 lbs
Filter Thread 72

AF & Stabilization

Stabilization No

Focus

Min Focus Distance 200

Value & Pricing

At $2559 for five full-frame PL-mount primes, the price per lens is tempting. You're paying for optical performance and a matched set, not for features. If you need a set of sharp, compact cine primes and you're okay with manual everything and a slower aperture, it's a decent deal. If you need speed or automation, your money goes further elsewhere.

$2,559

vs Competition

This kit exists in a different world than the listed competitors like the Meike 55mm F1.8 or Viltrox primes. Those are autofocus stills lenses for mirrorless cameras. A fairer comparison would be against other entry-level cine prime sets, like the DZOFilm Pictor zooms or used vintage sets. The Dulens kit's advantage is its matched, compact design and close-focus. Its disadvantage is the T2.8 aperture, which is slower than many alternatives in this price bracket that offer T2.0 or faster.

Spec Dulens Dulens APO Close-Focus Triassic Prime 5-Lens Kit Meike Meike 50mm F1.8 Full Frame AF STM Lens Standard Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto Canon Canon - RF28-70mm F2.8 IS STM Standard Zoom Lens Panasonic Panasonic LUMIX G Vario 14-140mm f/3.5-5.6 II Fujifilm VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount,
Focal Length 25mm 50mm 35mm 28-70mm 14-140mm 25mm
Max Aperture f/1.8 f/1.7 f/2.8 f/3.5 f/1.7
Mount ARRI PL Nikon Z Fujifilm X Canon RF Micro Four Thirds Fujifilm X
Stabilization false true true true true true
Weather Sealed false false false false false false
Weight (g) 730 301 301 499 27 400
AF Type STM STM Autofocus STM
Lens Type Prime Standard Zoom Telephoto

Common Questions

Q: Can these lenses be used on mirrorless cameras?

Yes, but you'll need a PL-to-mirrorless adapter (like PL to RF, L, or E mount). They're manual focus only, so you lose any electronic communication.

Q: How is the close-focus performance?

It's good, scoring in the 69th percentile. You can get much closer than with a standard prime, but it's not true 1:1 macro magnification.

Q: Is the T2.8 aperture fast enough for low light?

Not really. T2.8 is about two stops slower than a T1.5 lens, so you'll need more light or a higher ISO. It's a trade-off for the compact design.

Who Should Skip This

Skip this kit if you shoot in low light or love shallow depth of field. The T2.8 aperture is a major limitation there. Also, if you need autofocus for gimbal work or solo shooting, look at modern mirrorless cine lenses from brands like Sirui or Meike instead. This is a manual-only, controlled-environment tool.

Verdict

Buy this kit if you're a filmmaker building out a PL-mount camera package for narrative or commercial work where you control the lighting and pull focus manually. The image quality is there, and the set is convenient. It's a focused tool for a focused shooter.