Nikon Nikon 105mm f2.8 G ED AF-S VR Micro Lens Review
The Nikon 105mm f/2.8G's VR stabilization is fantastic, but its macro performance is in the 17th percentile. It's a solid portrait telephoto, not a true macro workhorse.
Overview
The Nikon 105mm f/2.8G is a bit of a puzzle. On paper, it's a telephoto prime with a solid f/2.8 aperture and Nikon's VR stabilization, which lands in the 91st percentile. That means rock-solid handheld shots are a real strength. But its best performance scores are for video and portrait work, not macro, which is odd for a lens with 'Micro' in the name. In fact, its macro capability sits in the 17th percentile, which is a head-scratcher. You're getting a sharp, stabilized telephoto, but you might want to look elsewhere for true 1:1 close-up work.
Performance
Let's talk about what this lens does well. That VR system is legit. Being in the 91st percentile for stabilization means you can confidently shoot handheld at slower shutter speeds, which is great for video and low-light portraits. The f/2.8 aperture is decent, sitting in the 68th percentile, giving you nice subject separation. But the autofocus is just average at the 48th percentile, so it's not the fastest for tracking moving subjects. And the optical performance score, at the 32nd percentile, suggests there might be some compromises in sharpness or distortion compared to higher-tier glass.
Pros & Cons
Pros
- Stabilization is top-tier (91st percentile) for steady handheld shots. 99th
- f/2.8 aperture (68th percentile) provides good background blur for portraits. 93th
- Build quality is above average (65th percentile), feeling solid. 87th
- Bokeh quality is decent (61st percentile) for smooth out-of-focus areas. 81th
- Nikon F-mount and FX format ensure compatibility with full-frame DSLRs.
Cons
- Macro performance is surprisingly weak (17th percentile) for a 'Micro' lens.
- Optical performance is below average (32nd percentile), hinting at possible softness.
- Versatility is low (38th percentile); it's a one-trick telephoto pony.
- Autofocus is just middling (48th percentile), not great for fast action.
- Not weather-sealed, which is a bummer for a lens at this price point.
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 105 |
| Focal Length Max | 105 |
Aperture
| Max Aperture | f/2 |
Build
| Mount | Nikon 1 |
| Weight | 0.1 kg / 0.2 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | Autofocus |
| Stabilization | Yes |
Focus
| Min Focus Distance | 105 |
Value & Pricing
At around $1070, this lens asks a lot for what it delivers. You're paying a premium for the Nikon badge and that excellent stabilization, but you're accepting mediocre macro performance and average optics. For a dedicated macro shooter, that's a tough sell. You could find a true macro lens for less, or a sharper general-purpose telephoto for a similar price. The value really hinges on how much you need that specific combination of 105mm focal length and top-notch VR.
Price History
vs Competition
Look at the competitors. The Viltrox 35mm f/1.7 Z gives you a much wider aperture for low light and bokeh at a fraction of the price, though it's a different focal length. The Panasonic 14-140mm is a superzoom with way more versatility (but slower variable aperture). The Sony 24-240mm is another all-in-one travel zoom. Compared to these, the Nikon 105mm f/2.8G is a specialist. It offers better stabilization and a fixed aperture than the zooms, but it's completely outclassed in macro by dedicated options like the Laowa 100mm. You're trading versatility for a specific, stabilized telephoto look.
| Spec | Nikon Nikon 105mm f2.8 G ED AF-S VR Micro Lens | Meike Meike 55mm F1.8 Pro Full Frame AF STM Lens High | Tamron Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto | Sony Sony G Master Sony - FE 24-70mm F2.8 GM II Full-Frame | Nikon Nikon NIKKOR Z DX 16-50mm f/2.8 VR Lens (Nikon Z) |
|---|---|---|---|---|---|---|
| Focal Length | 105mm | 55mm | 17-70mm | 35mm | 24-70mm | 16-50mm |
| Max Aperture | f/2 | f/1.8 | f/2.8 | f/1.7 | f/2.8 | f/2.8 |
| Mount | Nikon 1 | Sony E | Sony E Mount | Fujifilm X | Sony E | Nikon Z |
| Stabilization | true | true | true | true | false | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 91 | 201 | 544 | 301 | 694 | 329 |
| AF Type | Autofocus | STM | Autofocus | STM | Autofocus | Autofocus |
| Lens Type | Telephoto | — | Zoom | — | Standard Zoom | Zoom |
Verdict
Here's the deal: get this lens if you need a 105mm focal length with exceptional image stabilization for portraits or video, and macro is just an occasional bonus. But if true 1:1 macro photography is your main goal, look at a dedicated macro lens. And if you need a flexible walk-around lens, one of the superzooms might serve you better. The data doesn't lie—this is a good lens with one great trick, not a great all-rounder.