Sirui Sirui Sniper 2 Lens Kit with 16mm f/1.2 and 75mm Review

The Sirui Sniper 2 kit gives you two blazing-fast f/1.2 lenses for Fujifilm cameras at a stunning price, but you'll need to compromise on autofocus speed and versatility to get it.

Focal Length 16mm
Max Aperture f/1.2
Mount FUJIFILM X
Stabilization
Weather Sealed
Weight G 363
Af Type Autofocus
Lens Type
Sirui Sirui Sniper 2 Lens Kit with 16mm f/1.2 and 75mm lens
70 Overall Score

Overview

So you're looking at the Sirui Sniper 2 kit, which bundles a 16mm f/1.2 and a 75mm f/1.2 lens for Fujifilm X-mount cameras. That's two extremely fast prime lenses for the price of one decent zoom. This isn't your typical kit. It's a statement. Sirui is saying, 'Forget slow glass. Here's a pair of lenses that let in a ridiculous amount of light and give you that creamy, dreamy background blur right out of the box.' It's a kit built for creators who prioritize shallow depth of field and low-light performance above all else, especially portrait shooters and indie filmmakers who want a cinematic look without breaking the bank.

Performance

Let's talk about what that f/1.2 aperture actually means. In percentile terms, the aperture score sits in the 96th percentile, and the bokeh quality is in the 99th. Those aren't just good numbers, they're exceptional. In practice, this means you can shoot in near-darkness without cranking your ISO into noisy territory. It also means you get that beautiful, soft background separation that makes subjects pop. The 75mm is a classic portrait focal length, and at f/1.2, it will make faces look stunning. The 16mm (roughly 24mm full-frame equivalent) gives you a wide field of view that's great for environmental portraits or tight indoor spaces, all with that same signature shallow depth of field.

Performance Percentiles

Af 47.6
Bokeh 98.6
Build 77
Macro 58.2
Optical 71.1
Aperture 96
Versatility 40.2
Stabilization 39.9

Pros & Cons

Pros

  • Strong bokeh (99th percentile) 99th
  • Strong aperture (96th percentile) 96th
  • Strong build (77th percentile) 77th
  • Strong optical (71th percentile) 71th

Cons

Specifications

Full Specifications

Optics

Focal Length Min 16
Focal Length Max 16
Elements 14
Groups 5

Aperture

Max Aperture f/1.2
Min Aperture f/16
Diaphragm Blades 13

Build

Mount FUJIFILM X
Format APS-C
Weight 0.4 kg / 0.8 lbs
Filter Thread 58

AF & Stabilization

AF Type Autofocus
Stabilization No

Focus

Min Focus Distance 300

Value & Pricing

Here's the kicker: you're getting two specialized, ultra-fast primes for $599. Individually, lenses with this aperture speed often cost that much or more. So from a pure price-to-aperture ratio, it's a compelling deal. You're not paying for features like weather sealing or optical stabilization. You're paying for glass that lets in light and creates a specific look. Compared to Fujifilm's own first-party f/1.2 or f/1.4 lenses, this kit is significantly more affordable, though you trade some autofocus refinement and build polish.

$599

vs Competition

If you're looking at other third-party options, Viltrox offers lenses like their 35mm f/1.7. You'll save money, but you're giving up that extreme f/1.2 aperture and the dedicated two-lens combo. The Meike 55mm f/1.8 is another competitor, but again, it's slower. The real trade-off comes from Fujifilm's own lenses, like the XF 16mm f/1.4 or the XF 56mm f/1.2. Those lenses have superior autofocus, often better optical correction, and weather sealing. But buying just one of them can cost as much as this entire two-lens kit. So you choose: ultimate optical and build refinement from Fujifilm, or maximum aperture value from Sirui.

Verdict

For portrait photographers and indie videographers on a budget who live for shallow depth of field, this kit is a no-brainer. The image character you get from f/1.2 is special, and having both a wide and a short telephoto lens covered is a great start. Just be ready for its limitations. The autofocus, while functional, is rated only in the 48th percentile. It might hunt a bit in low light or struggle with fast action. There's no stabilization, so for video, you'll want a gimbal or good handheld technique. And forget about using these for travel or casual walkaround photography. The lack of versatility (40th percentile) and the fixed focal lengths mean you have to work for your shots.

Deal Tracker

$599