Nikon Brightin Star 11mm F2.8 Z Mount Fisheye Lens for Review
The Brightin Star 50mm f/1.05 offers an insane aperture for $300, but you pay for it with terrible build quality and soft images. It's a one-trick pony for very patient shooters.
Overview
The Nikon Brightin Star MF 50mm F1.05 is a weird one. It's a manual focus lens with an insanely wide f/1.05 aperture, but it's built like a toy and costs about $300. You get that crazy light-gathering ability and a standard 50mm view, but you have to work for every shot.
This lens is all about that one spec: f/1.05. It promises to let you shoot in near darkness and get super blurry backgrounds. The rest of the package, from the build quality to the handling, feels like an afterthought to hit that price point.
Performance
Let's be clear: the performance is a mixed bag. That f/1.05 aperture is the main event, and it does let in a ton of light. But the optical quality at that widest setting is soft, and the bokeh quality lands in the bottom 5th percentile, so backgrounds can look messy, not creamy. It has image stabilization, which is a huge plus for a manual lens, scoring in the 89th percentile. But the manual focus is stiff, and the overall build feels cheap, sitting in the 7th percentile. It's sharpest stopped down, but then you're not using its main feature.
Pros & Cons
Pros
- The f/1.05 aperture is wild for the price. 99th
- Built-in stabilization is a lifesaver for manual focus. 95th
- 50mm focal length is a classic, versatile field of view. 89th
- Multi-layer coatings do a decent job controlling flare. 87th
Cons
- Build quality feels incredibly cheap and plasticky. 8th
- Bokeh quality is poor and often looks nervous.
- Image quality is soft and hazy at f/1.05.
- Manual focus ring is stiff and not very precise.
Specifications
Full Specifications
Optics
| Type | Wide-Angle |
| Focal Length Min | 50 |
| Focal Length Max | 50 |
| Elements | 8 |
| Groups | 11 |
Aperture
| Max Aperture | f/2.8 |
Build
| Mount | Nikon Z |
| Weight | 0.9 kg / 2.0 lbs |
AF & Stabilization
| AF Type | STM |
| Stabilization | Yes |
Focus
| Min Focus Distance | 50 |
Value & Pricing
At around $300, it's hard to call this a bad value because nothing else gives you f/1.05 for that money. But you're paying for that one trick. You're sacrificing autofocus, build quality, and optical refinement. It's a budget experiment, not a polished tool. If you absolutely need that extreme aperture on a shoestring, it's your only option. Otherwise, your money goes further elsewhere.
vs Competition
Stack it up against its real competitors, and the trade-offs are clear. The Viltrox 35mm f/1.7 has autofocus and much better build for a similar price, but it's not as bright. The Meike 55mm f/1.8 Pro is sharper, better built, and has AF, but again, it's f/1.8. The Yongnuo 35mm f/1.8 for Sony is another competent, affordable AF option. The Brightin Star asks you to give up autofocus and durability for that extra stop of light. For most people, the Viltrox or Meike are smarter buys.
| Spec | Nikon Brightin Star 11mm F2.8 Z Mount Fisheye Lens for | Meike Meike 55mm F1.8 Pro Full Frame AF STM Lens High | Tamron Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto | Sony Sony G Master Sony - FE 24-70mm F2.8 GM II Full-Frame | Nikon Nikon NIKKOR Z DX 16-50mm f/2.8 VR Lens (Nikon Z) |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 55mm | 17-70mm | 35mm | 24-70mm | 16-50mm |
| Max Aperture | f/2.8 | f/1.8 | f/2.8 | f/1.7 | f/2.8 | f/2.8 |
| Mount | Nikon Z | Sony E | Sony E Mount | Fujifilm X | Sony E | Nikon Z |
| Stabilization | true | true | true | true | false | true |
| Weather Sealed | false | false | false | false | true | false |
| Weight (g) | 921 | 201 | 544 | 301 | 694 | 329 |
| AF Type | STM | STM | Autofocus | STM | Autofocus | Autofocus |
| Lens Type | Wide-Angle | — | Zoom | — | Standard Zoom | Zoom |
Verdict
Buy this only if you're a tinkerer on a tight budget who's obsessed with shooting in the dark. You need to be okay with manual focus, soft wide-open shots, and a lens that feels like it might break. For portrait or street photographers who value rendering and handling, look at the Viltrox or Meike alternatives. This is a niche lens for a very specific, patient shooter.