Sony Sony Alpha ZVE10 II - APS-C Interchangeable Lens Review
The Sony ZV-E10 II delivers incredible 60fps burst shooting for action, but its lack of stabilization makes it a specialist's tool.
Overview
If you're hunting for a mirrorless camera that's basically built for action, the Sony ZV-E10 II should be on your radar. It's an APS-C camera with a 26MP sensor, and it's designed for people who want to swap lenses and get creative. The big story here is speed: it can shoot bursts at a wild 60 frames per second, which is something you usually only see in much more expensive cameras. For anyone asking 'is this good for sports or wildlife?', the short answer is yes, it's one of the best in its class for that. It's also a solid pick for general photography and product shots, though it's not the first camera I'd grab for heavy travel use.
Performance
Let's talk numbers, because they're impressive. The burst shooting lands in the 97th percentile, which means it's faster than almost every other camera out there. That 60fps mechanical shutter is no joke for capturing split-second moments. The autofocus is right up there too, in the 96th percentile, with Sony's reliable Real-time Eye AF for humans, animals, and birds. The sensor itself scores in the 91st percentile, so image quality is excellent. The video is good at 4K, sitting in the 72nd percentile, but it's not the main focus here. Where it takes a hit is in stabilization, which is in the 41st percentile because it doesn't have in-body stabilization, and the battery life is just average at the 50th percentile. So you get blazing speed, but you might need a gimbal for super smooth video and an extra battery for long days.
Pros & Cons
Pros
- Incredible 60fps burst shooting for action 97th
- Top-tier autofocus with reliable eye tracking 96th
- Excellent 26MP APS-C sensor for sharp images 92th
- Great for sports, wildlife, and fast-moving subjects 91th
- Interchangeable lens system offers tons of flexibility
Cons
- No in-body image stabilization
- Battery life is just okay, not great
- Not weather-sealed, so be careful in bad conditions
- Lacks a high-resolution electronic viewfinder
- Video features are good but not class-leading
Specifications
Full Specifications
Sensor
| Type | BSI CMOS |
| Size | APS-C |
| Megapixels | 26 |
Autofocus
| Eye AF | Yes |
Shooting
| Burst (Mechanical) | 60 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 4K |
Display & EVF
| Touchscreen | Yes |
Value & Pricing
Priced around $1,100, the ZV-E10 II sits in a competitive spot. You're paying for that exceptional speed and autofocus system above all else. If your main goal is to shoot sports, wildlife, or anything that moves fast, this camera delivers performance that rivals models costing much more. However, if you need built-in stabilization for handheld video or plan to be out all day without charging, the value proposition shifts, and you might want to look at alternatives that cover those weaknesses, even if they can't match its burst rate.
vs Competition
Compared directly to its peers, the ZV-E10 II carves out a niche. The Canon EOS R7 is another APS-C speed demon, often praised for its stabilization and wildlife chops, but the Sony's burst rate is higher. The Fujifilm X-S20 offers better video features and in-body stabilization, making it a more balanced hybrid, but its continuous shooting speed isn't as blistering. Even Sony's own older a6400 is a competitor; it's cheaper and has a similar sensor, but it lacks the ZV-E10 II's higher burst speeds and some of the vlogging-focused features. So, if pure speed is your top priority, the ZV-E10 II wins. If you need a better all-rounder with stabilization, the Canon R7 or Fuji X-S20 might be better fits.
Verdict
So, should you buy the Sony ZV-E10 II? If you're a photographer who lives for action—sports, wildlife, kids, pets—then absolutely yes. Its combination of 60fps shooting and excellent autofocus is hard to beat at this price. It's a specialist tool that excels at capturing moments that blink and you'll miss them. But if you're a traveler who needs weather sealing, a videographer who relies on handheld stabilization, or someone who just wants a single do-it-all camera, its limitations become more apparent. For the right person, though, it's a fantastic and focused piece of gear.