Kinefinity MAVO mark2
{ "review": "Ce kit de caméra cinéma intègre un capteur 25MP et l'enregistrement 6K ProRes, accompagné du viseur OLED KineEVF et du moniteur KineMON 7U II. Il inclut deux SSD 1 To et deux batteries V-mount, assurant une autonomie de tournage étendue sans achats additionnels. Il convient parfaitement aux réalisateurs de courts-métrages et de publicités recherchant une solution 6K clé en main avec monitoring professionnel." }
À propos de ce Camera
Get a robust cine-style camera kit with the MAVO mark2 6K S35 Digital Cine Camera with Pro Pack from Kinefinity. This pack pairs the MAVO mark2 6K S35 camera with necessities like a KineMOUNT lens mount, a protective cage kit with a top handle, an OLED viewfinder, a 7" KineMON 7U II touchscreen monitor, two 1TB KineMAG Nano SSDs, two KineBAT 200 V-mount batteries, a dual charger, and two GripBat batteries and chargers. Read more below about the items in this kit.
- MAVO mark2 6K S35 Digital Cinema Camera
- KineMOUNT, KineMON 7U II Monitor
- KineEVF OLED Viewfinder
- KineKIT-Edge Cage with Top Handle
The 30-Second Version
A burst speed freak and ProRes powerhouse that runs circles around mirrorless cameras in raw video, but only if you can live without autofocus or stabilization.
Overview
The Kinefinity MAVO mark2 is a purpose-built cinema camera that doesn't pretend to be a hybrid. It's all about raw video firepower. If you've been looking at mirrorless cameras with envy for their ProRes internal recording, the MAVO mark2 one-ups them with 6K ProRes 4444 XQ at absurd frame rates. It's a tank, it's manual, and it's glorious for the right person. But make no mistake, this is not a run-and-gun vlogging tool. It demands you know how to pull focus and hold a rig steady because it offers zero help with either.
Performance
We expected decent video, but the burst speeds knocked us sideways. 96fps mechanical burst is a spec usually reserved for expensive sports cameras, yet here it is on a cine body. In our database, that's the absolute best right now. The 6K footage is clean with the filmic ProRes codecs we love to see. What surprised us, though, is how poor the battery life is compared to mirrorless rivals. And while the sensor is full-frame, its overall quality is middle of the pack, not the class-leading light sponge we'd hoped for at this price.
Pros & Cons
Pros
- Insane 96fps mechanical burst for a cine cam 100th
- Internal 6K ProRes 4444 XQ without an external recorder 94th
- Pro Pack includes EVF, monitor, cage, and SSDs 79th
- True cinema ergonomics with KineMOUNT flexibility 78th
Cons
- No autofocus, at all. You'll need a focus puller 32th
- Zero in-body stabilization, tripod or gimbal required 34th
- Battery life is underwhelming for all-day shoots
- 1350g body is heavy for handheld work
Specifications
Full Specifications
Sensor
| Type | CMOS |
| Size | full-frame |
| Megapixels | 25 |
| ISO Range | 800 |
Shooting
| Burst (Mechanical) | 96 |
| Burst (Electronic) | 112 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 6K |
| 4K FPS | 75 |
| 1080p FPS | 112 |
| 10-bit | Yes |
| Log Profile | Yes |
| Codec | ProRes 422/ProRes 422 HQ/ProRes 422 Proxy/ProRes 422LT/ProRes 4444/ProRes 4444XQ 10/12-Bit |
Display & EVF
| Screen Size | 5 |
| Touchscreen | Yes |
| EVF Resolution | 1920000 |
Build
| Weather Sealed | No |
| Weight | 1.4 kg / 3.0 lbs |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | No |
| USB | USB-C 3.1/3.2 Gen 2 |
| HDMI | BNC (3G-SDI) |
| Hot Shoe | No |
Value & Pricing
The price spread is wild, from $4200 to nearly $11,000. If you can find it at the lower end, the Pro Pack is a solid deal considering you get a 7" monitor, OLED EVF, cage, and two 1TB SSDs. At nearly $11K, you're being ripped off. Shop around. The sub-$4500 price point makes this a compelling alternative to a tricked-out mirrorless rig that still can't match the internal codecs.
vs Competition
Stacked against hybrid cameras like the Sony a1 II or Canon EOS R6 Mark III, the MAVO mark2 is in a different league for video purists. Those cameras offer class-leading autofocus and stabilization, which this Kinefinity completely lacks. But they can't touch the internal ProRes 4444 or the 112fps electronic shutter. The Panasonic S5IIX comes closest with its raw video output, but still needs an external recorder. For filmmakers who don't need stills at all, the MAVO mark2 is a focused tool. For everyone else, a mirrorless hybrid is far more practical.
| Spec | Kinefinity MAVO mark2 | Fujifilm X-H2 X-H2 | Canon EOS R EOS R6 Mark III | Sony a7 a7 V | Nikon Z9 Z9 | Panasonic LUMIX GH7 GH7 |
|---|---|---|---|---|---|---|
| Type | cinema | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless |
| Sensor | 25MP full-frame | 40.2MP aps-c | 32.5MP full-frame | 33MP full-frame | 45.7MP full-frame | 25.2MP micro-four-thirds |
| AF Points | - | 425 | 1053 | 759 | 1053 | 315 |
| Burst FPS | 96 | 20 | 40 | 30 | 30 | 75 |
| Video | 6K @75fps | 8K @60fps | 6K @120fps | 4K @120fps | 8K @120fps | 5K @120fps |
| IBIS | false | true | true | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 1350 | 579 | 609 | 610 | 1160 | 721 |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Evf | Build | Burst | Video | Sensor | Battery | Display | Connectivity | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Kinefinity MAVO mark2 | 33.7 | 78.3 | 73.1 | 99.5 | 93.5 | 55.6 | 44.9 | 56.5 | 79.2 | 32.4 |
| Fujifilm X-H2 X-H2 Compare | 88.1 | 95.5 | 89.5 | 85.5 | 99.9 | 97.1 | 97 | 84.3 | 93.3 | 93.5 |
| Canon EOS R EOS R6 Mark III Compare | 98.4 | 88 | 94.9 | 93.1 | 89.6 | 58.8 | 96.6 | 99.2 | 93.3 | 99.5 |
| Sony a7 a7 V Compare | 95.7 | 88.7 | 95 | 91 | 89.6 | 60.1 | 96.6 | 99.6 | 93.3 | 96.1 |
| Nikon Z9 Z9 Compare | 98.4 | 89.5 | 99.4 | 96.1 | 97.9 | 65 | 97.3 | 84.3 | 93.3 | 84.7 |
| Panasonic LUMIX GH7 GH7 Compare | 84.7 | 88 | 97.4 | 95.2 | 97.5 | 56.1 | 89.2 | 84.3 | 93.3 | 96.1 |
Common Questions
Q: Does it take still photos?
Technically yes, but you'd never buy this for stills. The burst speeds are there, but the handling, menus, and lack of AF make it a clumsy photo camera. Stick to a dedicated stills body.
Q: Can I vlog with it?
Absolutely not. It's heavy, has no stabilization, no flip screen, and terrible autofocus. Get a Sony ZV-E1 or a Canon EOS R6 Mark III for vlogging. This is a cinema camera that demands a crew.
Q: What mount does it use?
It uses KineMOUNT, which is adaptable to PL, EF, and others. It's not a native mirrorless mount, so plan your lens kit accordingly. The included KineMOUNT in the Pro Pack gives you flexibility.
Who Should Skip This
If you're a solo shooter or content creator who relies on face-tracking autofocus and in-body image stabilization, skip this immediately. Go get a Sony FX3 or Panasonic S5IIX. They'll make your life infinitely easier. This camera is for controlled sets with a crew.
Verdict
The Kinefinity MAVO mark2 is a brilliant, niche camera for indie filmmakers who prioritize image quality and frame rates over convenience. If you're building a cinema rig with a follow focus and a gimbal, you'll love it. For anyone else, especially solo shooters who rely on autofocus and stabilization, this is a rough sell. It's not versatile, it's not forgiving, but it delivers where it counts.
