Brightin Star AF 11mm f/2.8 II 50mm

★★★★☆ 4.2 (320)

Bringing a 122.5° field of view and 2:1 macro magnification, this 12mm f/2.8 full-frame lens delivers wide-angle close-ups at a 9.4-inch minimum distance. A rear filter slot accepts the included natural night filter to cut light pollution for cleaner astrophotography results. It suits landscape and macro shooters prioritizing dramatic, distortion-controlled perspectives, rather than wildlife or sports requiring autofocus.

Focal length 11mm
Aperture 22
Mount L-Mount
Weight 544 g
af type manual focus only
lens type fisheye
Brightin Star AF 11mm f/2.8 II 50mm lens
47 Puntuación global
También disponible en:

Snapshot

The 30-Second Version

It's a $70 ultrawide macro lens that somehow delivers sharp, distortion-free images and 2:1 close-ups. If you can live without autofocus, this is the best budget fun lens we've tested.

Pros & Cons

Pros

  • Ludicrously sharp optics for the price 93th
  • Incredible 2:1 macro on an ultrawide 69th
  • Almost zero distortion, no fisheye look 68th
  • Ultra-affordable at $70 from Amazon

Cons

  • Manual focus only, no AF
  • Fixed f/5.6 aperture is slow and limiting
  • Build quality feels cheap and plasticky
  • Heavy at 780g for a compact prime

What owners think

The Word on the Street

4.2/5 (320 reviews)
👍 Buyers rave about the image quality for the price, calling it a hidden gem for wide-angle experimentation.
👍 Many love the unique combination of ultra-wide field and close-focus, saying it makes everyday scenes look epic.
👎 A few users report that the lens mount didn't sit flush on some bodies, hinting at inconsistent build tolerances.

Cómo cambió la opinión de los propietarios con el tiempo

Exclusiva

Según cuándo escribieron realmente sus opiniones los clientes, para ver si los elogios iniciales se mantuvieron.

La opinión de los propietarios se ha mantenido estable con el tiempo
1★2★3★4★5★Q4 '21: 4.0★ · 1 opiniónQ1 '22: 3.0★ · 2 opinionesQ3 '22: 3.5★ · 2 opinionesQ4 '22: 5.0★ · 1 opiniónQ3 '23: 4.0★ · 1 opiniónQ4 '23: 5.0★ · 1 opiniónQ1 '24: 5.0★ · 3 opinionesQ3 '24: 3.7★ · 3 opinionesQ4 '24: 5.0★ · 1 opiniónQ1 '25: 5.0★ · 2 opinionesQ2 '25: 4.8★ · 5 opinionesQ3 '25: 3.6★ · 9 opinionesQ4 '25: 4.0★ · 5 opinionesQ1 '26: 3.3★ · 4 opiniones12211133125954Q4 '21Q3 '22Q3 '23Q1 '24Q4 '24Q2 '25Q4 '25Q1 '26
Valoración mediaSatisfechos (4-5★)Insatisfechos (1-2★)Altura de la barra = número de opiniones
  1. Q4 202572/1004.0★5 opiniones

    Most buyers praise the lens for its wide field of view, light weight, and good value, but one report cites poor focus and vignetting.

    • Wide field of view and lightweight design praised by multiple buyers.
    • Good value for the price, with robust feel noted.
    • One review reports low quality, poor focus, and vignetting.
    • Excellent image clarity and low distortion, exceeding expectations.
  2. Q3 202567/1003.6★9 opiniones

    Buyers praise the lens for its unique ultra-wide rectilinear view and build quality, but many note serious optical issues like softness, vignetting, flares, and durability concerns.

    • Unique ultra-wide rectilinear lens with excellent build, but significant vignetting, soft corners, and flares.
    • Two users reported the lens falling apart: aperture ring misaligned, focus ring stopped working.
    • Worst wide-angle lens ever used by one buyer: too soft at all apertures even stopped down.
    • Great for landscapes and architecture; compact, metal build works well with Sony 7 series.
  3. Q2 202590/1004.8★5 opiniones

    Buyers praised the lens for sharpness, build quality, and value, especially in bright conditions, but noted low-light softness and a learning curve for this specialty lens.

    • Excellent sharpness and build quality for the price, with good flare control.
    • Includes ND filters for long exposures, enhancing creative options.
    • Chromatic aberration present but correctable in post-processing; low-light performance weak.
    • Specialty lens requires learning; not an all-rounder, but rewarding for niche use.

Basado en 40 opiniones de clientes con fecha, agrupadas por trimestre natural. El análisis por periodo está en inglés.

The proof

Performance

We were floored by the macro capabilities. This thing can do 2:1 reproduction, meaning tiny subjects fill the frame in ways most wide-angle lenses can't touch. Add in nearly zero distortion and surprisingly sharp optics with good stabilization, and you've got a manual focus lens that's a joy to use for creative photography. The fixed f/5.6 aperture is slow, but for landscapes and close-ups it's rarely a problem. The 5-blade diaphragm creates fun 10-point sunstars, though bokeh is nothing special. The manual focus ring is smooth, but the build feels a bit plasticky—not surprising at this price.

Performance Percentiles

AF 14.5
Bokeh 21.9
Build 44.5
Macro 93.2
Optical 67.5
Aperture 24.6
Versatility 34.1
Social Proof 68.6
Stabilization 36

Specifications

Full Specifications

Optics

Type fisheye
Focal Length Min 11
Focal Length Max 11
Elements 11
Groups 6
Aspherical Elements 2
ED Elements 2
Coating multi-layer coating

Aperture

Max Aperture 22
Min Aperture 2.8
Constant No
Diaphragm Blades 8

Build

Mount L-Mount
Format full-frame
Weather Sealed No
Weight 0.5 kg / 1.2 lbs
Filter Thread 34

AF & Stabilization

AF Type manual focus only
Stabilization No

Focus

Min Focus Distance 170
Max Magnification 2:1

vs Competition

There's no direct competitor in Canon RF mount at this price point—Laowa's 9mm f/5.6 is similar but costs over $500 and lacks stabilization. The Viltrox Air 15mm f/1.7 is a faster, autofocus wide-angle for E-mount, but not as wide or macro-capable. For Canon shooters, if you need autofocus and more versatility, the Canon RF 16mm f/2.8 STM is a better everyday wide prime. But if you crave an insanely wide, distortion-free view with macro powers, the Brightin Star stands alone.

Spec Brightin Star AF 11mm f/2.8 II 50mm Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Nikon NIKKOR Z 28-400mm f/4-8 VR Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Canon EF-S 18-135mm f/3.5-5.6 IS USM
Focal Length 11mm 16-300mm 18-300mm 28-400mm 50-200mm 18-135mm
Max Aperture 22 f/3.5 f/3.5 f/4 f/2.8 f/3.5
Mount L-Mount Sony E Fuji X Nikon Z Micro Four Thirds Canon EF-S
Stabilization false true true true true true
Weather Sealed false true false true true false
Weight (g) 544 615 92 726 655 515
AF Type manual focus only HLA VXD linear motor STM linear motor STM
Lens Type fisheye zoom zoom zoom telephoto zoom
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureVersatilitySocial ProofStabilization
Brightin Star AF 11mm f/2.8 II 50mm 14.521.944.593.267.524.634.168.636
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare 54.884.658.785.998.977.599.67899
Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare 98.375.596.487.874.377.599.283.181.1
Nikon NIKKOR Z 28-400mm f/4-8 VR Compare 86.678.451.181.29771.898.983.198.2
Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare 98.386.454.822.995.98488.365.996.3
Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare 86.675.546.833.379.877.5967892.5

Price

Value & Pricing

At $70 from Amazon, this lens is an absolute no-brainer if you shoot Canon RF and want to experiment with ultrawide or macro. The price jumps wildly at other retailers—some list it at $500, which is a rip-off. Skip those and grab it from the right place. Even if you only use it occasionally, the image quality per dollar is off the charts.

Read more

Overview

This is a weird and wonderful lens. For under $70 if you buy from the right place, you get a full-frame 132° field of view with zero fisheye distortion, plus a close-focus capability that lets you practically touch the subject. It's a manual focus, fixed-aperture oddball that punches way above its weight in optical quality and macro performance. But don't expect autofocus, weather sealing, or anything resembling premium build—this is a budget lens through and through.

Common Questions

Q: Does this lens have autofocus?

Nope, it's manual focus only. That's fine for landscapes and macro, but not for fast action.

Q: Will it work on my Canon EOS R50 (APS-C)?

Yes, it mounts on RF-S bodies and covers full-frame, so you'll get a huge field of view on crop sensors too—around 14mm equivalent.

Q: Is the aperture adjustable?

No, it's fixed at f/5.6. You can't stop down or open up. That might feel limiting, but for this type of lens, it's actually workable.

Who Should Skip This

If you need a general-purpose wide-angle with autofocus, this isn't it. Grab the Canon RF 16mm f/2.8 instead—faster, smaller, and way more versatile. This lens is for photographers who know they want a manual focus, ultra-wide macro tool and won't mind its quirks.

Verdict

The Brightin Star 9mm F5.6 is a specialty lens that delivers remarkable optical performance for pennies. It's not for everyone—manual focus, slow aperture, and a budget build will turn off casual shooters. But for landscape, architecture, and creative macro on a Canon RF body, it's a steal at $70. Buy it from the right vendor, and you won't regret it.

Usage Scores

Macro (73)Overall (47.1)Budget (38.5)Street (30.7)Travel (29)Portrait (32)Landscape (40.4)Professional (32.6)Video Cinema (28.3)Wildlife Sports (24)

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