Best Pick

Panasonic YONGNUO YN12-35mm F2.8-4M Standard Zoom Lens, ASPH

93.6 Video/Cinema Score
12-35mm f/2.8 Four Thirds IS
Why we recommend this

Its constant f/2.8 aperture across a 24-70mm equivalent zoom range provides reliable low-light performance and a versatile field of view for Micro Four Thirds shooters. The lens features a metal mount with a dust-proof seal and uses an STM motor for quiet, smooth autofocus, making it a practical and well-built option. It's best for Micro Four Thirds videographers and documentary shooters who need a compact, all-purpose zoom with silent focusing.

Read Full Review

Great Alternatives

These options also score highly and may better suit your specific needs

OM System OM SYSTEM M.Zuiko Digital ED 40-150mm f/4-5.6 R

74.2 Video/Cinema Score
40-150mm f/4 Micro Four Thirds
Why we recommend this

Its 80-300mm full-frame equivalent reach in a 190g body makes it exceptionally portable for its focal range. The inclusion of an extra-low dispersion element helps control chromatic aberration for clearer images. This lens is best for Micro Four Thirds shooters who need a lightweight, versatile telephoto option for street and travel photography.

Read Full Review

Meike 25mm f0.95 Manual Focus APS-C Lens for

71.6 Video/Cinema Score
25mm f/0.95 Panasonic Lumix M43 IS
Why we recommend this

Its ultra-fast f/0.95 maximum aperture provides exceptional low-light performance and the ability to create a very shallow depth of field. The lens offers broad compatibility with Micro Four Thirds camera bodies from Panasonic and Olympus, making it a versatile manual option for that ecosystem. This lens is best for portrait and low-light photographers using MFT cameras who prioritize maximum light gathering and artistic bokeh over autofocus convenience.

Read Full Review

Laowa Venus Optics Argus 25mm F/0.95 APO Lens for Micro

71.5 Video/Cinema Score
25mm f/0.95 Micro Four Thirds
Why we recommend this

Its exceptionally fast f/0.95 aperture enables stunning subject isolation and low-light performance for Micro Four Thirds cameras. The lens is an internal-focusing design, keeping its length constant and minimizing dust intrusion during operation. This prime is best for portrait photographers and videographers seeking a cinematic look with a classic 50mm equivalent field of view.

Read Full Review