Panasonic LUMIX G G97 Black Review

The G97 is a minor update that makes a big difference for video shooters. But if you need good battery life or autofocus, look elsewhere.

Type mirrorless
Sensor 20.3MP micro-four-thirds
AF Points 49
Burst FPS 9 fps
Video 4K @30fps
IBIS Yes
Weather Sealed Yes
Weight 478 g
Panasonic LUMIX G G97 Black camera
65.8 종합 점수

The 30-Second Version

Panasonic added a USB-C port and V-Log L to the G95 and called it a day. That makes it a fantastic budget video camera, but the battery life is a joke and the autofocus feels stuck in the past. At $598, it's the cheapest 4K log camera you'd actually want to use.

Overview

Panasonic took the aging but still capable G95, gave it a USB-C port, a slightly better screen, and freshened up the Bluetooth. That's the G97. If you shoot video on a budget, this is a seriously compelling little camera. The pre-installed V-Log L profile and solid 5-axis stabilization make it a streaming and vlogging workhorse that punches above its price. But the ancient DFD autofocus and a battery that struggles to hit 300 shots keep it firmly in 'good for the right person' territory—and that person is definitely not a stills photographer.

Performance

What surprised us most is how good the 4K footage looks straight out of this thing. V-Log L at this price is a steal, and the IBIS is genuinely one of the best on the market for handheld shooting. The flip side? The autofocus still hunts like it's 2016, especially in video with any kind of subject movement. And the battery life? It's a real letdown. At 290 shots, it's one of the worst we've seen in any mirrorless camera. You'll need at least two spares for a day of hybrid shooting.

Performance Percentiles

AF 65.6
EVF 76.8
Build 91.9
Burst 61.8
Video 94.1
Sensor 40.9
Battery 2.4
Display 84.3
Connectivity 93
Social Proof 47.1
Stabilization 84.7

Pros & Cons

Pros

  • USB-C finally makes it feel modern 94th
  • V-Log L pre-installed is a massive value add 93th
  • Class-leading stabilization for smooth handheld video 92th
  • Great streaming and vlogging feature set 85th

Cons

  • DFD autofocus hunts and pulses in video 2th
  • Battery life is laughably bad—carry spares
  • Micro Four Thirds sensor struggles for stills in low light
  • EVF and burst shooting are just okay

Specifications

Full Specifications

Sensor

Type MOS
Size micro-four-thirds
Megapixels 20.3
ISO Range 200

Autofocus

AF Points 49
AF Type Contrast Detection: 49
Eye AF Yes

Shooting

Burst (Mechanical) 9
Max Shutter 1/16000
Electronic Shutter Yes

Video

Max Resolution 4K
4K FPS 30
1080p FPS 60
Log Profile Yes
Codec MP4, AVCHD

Display & EVF

Screen Size 3
Touchscreen Yes
Articulating Yes
EVF Resolution 2360000

Build

Weather Sealed Yes
Weight 0.5 kg / 1.1 lbs
Battery Life 290

Connectivity

Wi-Fi Yes
Bluetooth Yes
USB USB-C
HDMI Micro-HDMI
Hot Shoe Yes

Value & Pricing

At the $598 we're seeing from some sellers, the G97 is an absolute bargain for video-first creators. That's the price you want to aim for. The wild $174,160 listing we spotted is obviously a bundle gone rogue—ignore it entirely. For real-world money, you're getting a 4K log-capable camera with top-shelf stabilization. That's tough to beat. If you need it for hybrid photo/video work, the value drops fast because the stills performance is just average.

JP¥174,160

vs Competition

The Sony a6700 runs circles around the G97 for autofocus and low-light stills, but it costs nearly twice as much. The OM System OM-5 shares the same sensor size and similar price, but it leans harder into computational photography while the G97 walks all over it for video features like V-Log L and streaming tools. If you're a vlogger who needs reliable face tracking, the Sony is the better pick. If you want the cheapest route to 4K log with great stabilization, the G97 is your camera. Nikon's Z5 II and Canon's R6 Mark II are in a totally different league (and price bracket); they're not really competitors for this kind of budget hybrid shooter.

Spec Panasonic LUMIX G G97 Fujifilm X-H2 X-H2 Sony Alpha 6700 Canon EOS R6 Mark II R6 Mark II Nikon Z5 II Z5 II OM System OM-5 OM-5 Mark II
Type mirrorless mirrorless mirrorless mirrorless mirrorless mirrorless
Sensor 20.3MP micro-four-thirds 40.2MP aps-c 26MP aps-c 24.2MP full-frame 24.5MP full-frame 20.4MP micro-four-thirds
AF Points 49 425 793 1053 273 121
Burst FPS 9 20 11 12 30 30
Video 4K @30fps 8K @60fps 4K @120fps 4K @60fps 4K @60fps 4K @30fps
IBIS true true true true true true
Weather Sealed true true true true true true
Weight (g) 478 579 413 590 620 370
Compare Compare Compare Compare Compare
Product AfEvfBuildBurstVideoSensorBatteryDisplayConnectivitySocial ProofStabilization
Panasonic LUMIX G G97 65.676.891.961.894.140.92.484.39347.184.7
Fujifilm X-H2 X-H2 Compare 88.195.489.585.499.997.196.984.39394.693.5
Sony Alpha 6700 Compare 97.687.19169.789.39195.284.39384.884.7
Canon EOS R6 Mark II R6 Mark II Compare 98.487.894.488.484.149.698.684.39394.698.1
Nikon Z5 II Z5 II Compare 82.789.495.288.585.253.990.784.39394.684.7
OM System OM-5 OM-5 Mark II Compare 78.895.790.385.476.942.387.684.384.894.696.1

Common Questions

Q: Does the autofocus ruin video?

If you're doing slow talking-head shots or controlled streaming, it's fine. But for fast-moving subjects or continuous tracking, the DFD system will hunt and pulse noticeably. You'll want to use manual focus or stick to single-point AF for anything serious.

Q: How many batteries do I really need?

Honestly, at least three for a full day of mixed shooting. The 290-shot rating is optimistic—recording 4K video drains it even faster. Turn off Wi-Fi and Bluetooth when not in use, and keep spares in every pocket.

Q: Is it good for stills?

Not really. The 20.3MP Micro Four Thirds sensor is fine in good light, but dynamic range and low-light performance fall behind larger sensors. The autofocus for stills is also just middling. If photography matters, look at a used Sony A6400 or even the Panasonic G9 II.

Who Should Skip This

If you're primarily a stills photographer, someone who needs reliable continuous autofocus for action, or a vlogger who can't carry four batteries, this isn't your camera. Go get a Sony ZV-E10 or stretch to the a6700 instead. The G97 is a video specialist that doesn't pretend to be anything else.

Verdict

Get the G97 if video is your main game and you're okay with manual focus or slow, deliberate pans. The V-Log L footage and IBIS are absurdly good for the price. For photography, skip it—the autofocus and small sensor will frustrate you. As a dedicated budget video rig or a compact streaming camera, it's an easy recommendation. Just budget for extra batteries immediately.