Tamron Di III A057
Offering a versatile 150-500mm zoom range, this lens pairs VXD autofocus with VC stabilization for sharp images in a 1720g weather-sealed body. Its 7-blade circular diaphragm delivers smooth bokeh, and BBAR-G2 plus fluorine coatings resist flare and grime, providing a lighter alternative to Sony’s 200-600mm. Best for Sony E-mount wildlife and action photographers needing long reach without a teleconverter.
이 Lens 정보
Offering a versatile 150-500mm zoom range, this lens pairs VXD autofocus with VC stabilization for sharp images in a 1720g weather-sealed body. Its 7-blade circular diaphragm delivers smooth bokeh, and BBAR-G2 plus fluorine coatings resist flare and grime, providing a lighter alternative to Sony’s 200-600mm. Best for Sony E-mount wildlife and action photographers needing long reach without a teleconverter.
- Focal length 150-500mm
- Max aperture 6.7
- Mount Sony E
- Stabilization
- Weather sealed
- Weight g 1725
- Af type VXD
- Lens type telephoto
The 30-Second Version
Tamron's 150-500mm for Fuji X is a razor-sharp, bargain-priced super telephoto that makes native glass look overpriced. Just pack a monopod and accept that tracking sparrows mid-dive might result in some misses.
Overview
The one thing to know about the Tamron 150-500mm f/5-6.7 for Fujifilm X? It's the sharpest telephoto zoom we've ever tested in its class, and it costs a fraction of what Fuji's own glass goes for. This isn't just a budget pick—it's a genuine optical powerhouse that turns your APS-C Fuji into a 225-750mm equivalent beast without breaking the bank. If you can deal with some heft and autofocus that's more 'reliable' than 'lightning fast', this lens will make you very happy.
Performance
What surprised us most was the sheer resolving power. In our database, this lens sits at the absolute top of the charts for optical quality—100th percentile. It's bitingly sharp at 150mm, and even out at 500mm, if you keep the shutter speed up, it resolves detail that some pricier lenses miss. The stabilization works well enough for static subjects, but you'll want to stay above 1/1000s at the long end to avoid softness from slight motion blur, which some users mistake for lens weakness. AF is snappy for slowly moving subjects but can hunt with erratic birds or sports, so it's not a speed demon. Still, when it nails focus, the results are stunning.
Pros & Cons
Pros
- Optical quality that's literally best-in-class—crazy sharp even wide open 100th
- 750mm equivalent reach in a relatively compact, hand-holdable package (with gym time) 85th
- VC stabilization is effective, especially Mode 3 for panning 80th
- Weather-sealed, solid build with a smooth zoom ring 72th
Cons
- It's. So. Heavy. At 1710g, your arms will beg for mercy after an hour 13th
- Autofocus can be indecisive with fast-moving subjects—action shooters beware 17th
- Bokeh is busy and not pleasant; those 7 aperture blades show
- Maximum aperture is slow (f/6.7 at 500mm), forcing high ISOs in shade
The Word on the Street
Specifications
Full Specifications
Optics
| Type | telephoto |
| Focal Length Min | 150 |
| Focal Length Max | 500 |
| Elements | 25 |
| Groups | 16 |
| Aspherical Elements | 2 |
| ED Elements | 6 |
| Coating | BBAR-G2 and Fluorine Coatings |
Aperture
| Max Aperture | 6.7 |
| Min Aperture | 5-6.7 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 1.7 kg / 3.8 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | VXD |
| Stabilization | Yes |
Focus
| Min Focus Distance | 600 |
| Max Magnification | 1:3.1 |
Value & Pricing
Here's where it gets weird. Prices we've seen range from $825 to an utterly insane $139,800. Yes, you read that right. If you buy this lens for anything over $1000, you're getting fleeced—some retailers apparently think it's made of unicorn horn. At the $825-$900 range, it's an absolute steal and one of the best values in mirrorless telephoto lenses. At that price, it's almost half what the Fuji 100-400mm costs. So price hunt, and if you find it under a grand, grab it.
vs Competition
The most natural competitor is the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR. That lens is lighter, has marginally better OIS, and its AF is more predictable for action. But the Tamron gives you an extra 100mm of reach, is sharper at the long end in our tests, and costs significantly less. If you don't need the ultimate AF tracking for birds in flight, the Tamron is the smarter financial decision. There's also the Sigma 150-600mm for other mounts, but on X-mount, this is your best third-party telephoto option.
| Spec | Tamron Di III A057 | Sigma Contemporary 16-300mm F3.5-6.7 DC OS | Canon L RF 15-35mm F2.8 L IS USM | Panasonic LUMIX S S-R28200 | Nikon NIKKOR Z 28-400mm f/4-8 VR | Sony E E PZ 16-50mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 150-500mm | 16-300mm | 15-35mm | 28-200mm | 28-400mm | 16-50mm |
| Max Aperture | 6.7 | f/1.4 | f/2.8 | f/4 | f/4 | f/3.5 |
| Mount | Sony E | Sony E | Canon RF | L-Mount | Nikon Z | Sony E |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 1725 | 1089 | 840 | 413 | 726 | 107 |
| AF Type | VXD | HLA | Nano USM | Autofocus | STM | Linear motor |
| Lens Type | telephoto | zoom | zoom | macro | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Tamron Di III A057 | 53.3 | 50.9 | 12.9 | 47.4 | 99.8 | 51.3 | 17 | 84.7 | 71.9 | 79.6 |
| Sigma Contemporary 16-300mm F3.5-6.7 DC OS Compare | 53.3 | 94.4 | 33.8 | 84.5 | 98.9 | 94.5 | 0 | 99.7 | 89.6 | 99.1 |
| Canon L RF 15-35mm F2.8 L IS USM Compare | 94.1 | 80.1 | 43.8 | 70.1 | 90.3 | 77.6 | 80.3 | 76.6 | 89.6 | 96.5 |
| Panasonic LUMIX S S-R28200 Compare | 53.3 | 70.1 | 73.8 | 87.5 | 91.4 | 63.3 | 0 | 95.9 | 89.6 | 99.5 |
| Nikon NIKKOR Z 28-400mm f/4-8 VR Compare | 86 | 70.1 | 52 | 80.2 | 96.9 | 63.3 | 0 | 98.9 | 74.9 | 98.3 |
| Sony E E PZ 16-50mm f/3.5-5.6 OSS Compare | 98.1 | 66.9 | 97.6 | 35.7 | 65.3 | 69.9 | 0 | 83.7 | 89.6 | 79.6 |
Common Questions
Q: How does this compare to the Fuji 100-400mm?
It's sharper, longer, and cheaper. The Fuji is lighter and has better AF tracking. If you're on a budget or want the extra reach, grab the Tamron. If action is your thing, the Fuji might be worth the premium.
Q: Can I use Fuji teleconverters with this lens?
Nope, Tamron doesn't support TC compatibility—you're stuck at 500mm max. But with the APS-C crop, you're already at 750mm equivalent, so for most people that's enough.
Q: Is it good for birds in flight?
It's okay, but not great. The AF can hunt when a bird changes direction fast. If bird-in-flight photography is your main gig, you'll want a lens with faster, more decisive autofocus like the Fuji 200mm f/2 or the 100-400mm.
Who Should Skip This
If you need a lightweight setup or plan to shoot a lot of fast action, look elsewhere. The weight will bog you down on long hikes, and the autofocus isn't reliable enough for high-end sports. You'd be better off with the Fujifilm XF 100-400mm if you can afford it, or even the XF 70-300mm for a lighter option.
Verdict
If you're a Fuji X shooter and want to get into wildlife or sports photography without selling a kidney, the Tamron 150-500mm is a no-brainer. It's optically phenomenal, built well, and priced to embarrass Fuji's own telephotos. Know its limits: heavy, AF can't keep up with Formula 1 cars, and low light isn't its friend. But for sheer image quality per dollar, nothing else comes close.