Best Pick

Tamron Di III 18-300mm f/3.5-6.3 -A VC VXD

76.6 Landscape Score
18-300mm f/3.5 Canon RF IS
Why we recommend this

Its standout 18-300mm focal length provides a massive 16.6x zoom range, making it exceptionally versatile for everything from landscapes to distant subjects. The lens is also relatively compact and lightweight at 635g, suiting it well for travel and everyday use on APS-C cameras. This lens is best for photographers who want a single, all-in-one travel lens and value versatility over specialized macro or low-light performance.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon RF 35mm F1.8 Macro IS STM Macro

71.4 Landscape Score
35mm f/1.8 Canon RF IS
Why we recommend this

Its standout 0.5x macro magnification and 5-stop optical image stabilization make it a versatile prime lens for a 35mm focal length. The inclusion of a control ring and compact 306g design adds direct manual control and excellent portability. This lens is best for photographers who need a lightweight, stabilized option for close-up product or nature photography, not for dedicated portrait work.

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Samyang 12mm f/2 AF Ultra Wide Angle

59.3 Landscape Score
12mm f/2 Canon RF-S
Why we recommend this

Its 12mm focal length and bright f/2 maximum aperture provide an expansive, fast prime lens for APS-C cameras. The lens incorporates two aspherical and three extra-low dispersion elements for strong optical correction, paired with a quiet linear STM autofocus motor. This lens is best for Canon RF-S shooters needing a compact, wide-angle option for astrophotography or indoor event photography in low light.

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Sirui Saturn 50mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic

56 Landscape Score
50mm Canon RF IS
Why we recommend this

Its carbon fiber construction makes it the lightest full-frame anamorphic lens on the market at just 465g, ideal for gimbal or drone use. The premium 1.6x squeeze factor delivers a cinematic 2.4:1 aspect ratio with distinctive oval bokeh and optional blue flares. This lens is best for independent filmmakers and cinematographers needing a lightweight, manual-focus anamorphic for stabilized rigs and unique overhead shots.

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Rokinon 12mm f/2 AF Ultra Wide-Angle

55.8 Landscape Score
12mm f/2 Canon RF-S
Why we recommend this

Its 12mm focal length and bright f/2 aperture provide an exceptionally wide and fast field of view for APS-C cameras, making it ideal for astrophotography and indoor shooting. The lens incorporates two aspherical and three extra-low dispersion elements for strong optical correction, paired with a quiet linear STM autofocus motor. This lens is best for Canon RF-S shooters needing a compact, affordable ultra-wide for night skies or tight interior spaces.

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Sirui 50mm T2.9 1.6X Full-Frame Anamorphic

52.2 Landscape Score
Canon RF IS
Why we recommend this

Its 1.6x squeeze factor creates a distinctive 2.8:1 widescreen aspect ratio from a 16:9 sensor, producing cinematic oval bokeh and horizontal lens flares. The lens offers a solid T2.9 to T16 aperture range with a 10-blade iris for smooth out-of-focus effects. This lens is best for filmmakers and cinematographers specifically seeking an affordable, full-frame anamorphic look with classic widescreen characteristics.

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Laowa 15mm f/5 Cookie

51.3 Landscape Score
15mm f/5 Canon RF
Why we recommend this

This 15mm f/5 pancake lens stands out for its remarkably compact 159g design and 110° ultrawide angle of view on a full-frame sensor. Its manual focus and aperture controls offer a tactile, simplified shooting experience for photographers who prefer direct control. This lens is best for travel and street photographers needing a discreet, wide-angle option in a minimal kit.

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7Artisans 35mm T2.0 Large Aperture Full Frame Cine

29.8 Landscape Score
Canon RF IS
Why we recommend this

Its T2.0 large aperture and nearly "zero" breathing effect make it a strong tool for controlled focus pulls in low-light video work. The 310-degree extra-long focus travel and stepless gear design provide precise manual control for follow-focus systems. This lens is best for independent filmmakers and videographers who prioritize manual operation and cinematic focus transitions over autofocus speed.

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