Best Lenses under €500 for video production

Best Pick

Sigma APO EX DG HSM OS FLD 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom

60.6 Video/Cinema Score
70-200mm f/2.8 Sigma SA Bayonet IS
Why we recommend this

Its constant f/2.8 aperture and 4-stop image stabilization provide excellent low-light performance and sharp handheld shots. The ring-type ultrasonic AF motor offers fast, quiet autofocus with full-time manual override, a valuable feature for still photographers. This lens is best for budget-conscious photographers needing a versatile telephoto for portraits or indoor sports, where its weight makes it less ideal for extended travel.

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Sigma 50mm f/1.4 EX DG HSM

58.2 Video/Cinema Score
50mm f/1.4 Nikon F (FX)
Why we recommend this

Its f/1.4 maximum aperture provides excellent low-light performance and shallow depth of field for portraiture. The ring-type ultrasonic AF motor offers fast, quiet autofocus with the convenience of full-time manual override. This lens is best for Nikon DSLR shooters seeking a classic portrait focal length with professional-grade optics on a budget.

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Best Lenses under €900 for video production

Best Pick

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

90.9 Video/Cinema Score
16-300mm f/3.5 Sony E IS
Why we recommend this

This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 18-35mm F1.8 DC HSM

80.4 Video/Cinema Score
18-35mm f/1.8 Canon EF Weather Sealed
Why we recommend this

Its constant f/1.8 aperture across the 18-35mm zoom range provides exceptional low-light performance and background blur for a zoom lens. The robust Art-series build quality and sharp optics make it a reliable tool for demanding shoots. This lens is best for Canon DSLR photographers and videographers who need a versatile, fast prime-like zoom for portraits, events, or cinematic work.

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Sigma 15mm f/2.8 EX DG Diagonal Fisheye

39.4 Video/Cinema Score
15mm f/2.8 Nikon F (FX)
Why we recommend this

Its 15mm focal length and f/2.8 maximum aperture deliver a dramatic 180-degree field of view, with a notably close 5.9-inch minimum focus distance. The lens is digitally optimized and includes a gelatin filter holder, adding practical utility for creative control. This lens is best for photographers specializing in extreme perspective architectural shots or immersive, close-up environmental portraits.

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Sigma Sports 150-600mm 5-6.3 DG OS HSM

35.4 Video/Cinema Score
150-600mm Canon EF IS
Why we recommend this

Its 150-600mm super-telephoto zoom range and built-in optical stabilization make it a capable tool for distant subjects. The inclusion of four FLD glass elements helps control chromatic aberration for improved image clarity. This lens is best for wildlife or sports photographers on a budget who need significant reach without the cost of first-party options.

Best Lenses under €1,500 for video production

Best Pick

Sigma Art 17-40mm f/1.8 DC

79.5 Video/Cinema Score
17-40mm f/1.8 Canon RF
Why we recommend this

Its constant f/1.8 aperture across a 17-40mm zoom range provides exceptional low-light performance and consistent depth-of-field control for APS-C Canon RF cameras. The lens offers a versatile full-frame equivalent field of view from 25.5mm to 60mm, making it a superfast wide-to-normal zoom option. This lens is best for portrait photographers and content creators on APS-C bodies who need a bright, flexible prime-like zoom for both environmental shots and standard focal lengths.

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Best Lenses under €2,500 for video production

Best Pick

Sigma Art 28-105mm f/2.8 DG DN

74.6 Video/Cinema Score
28-105mm f/2.8 Sony E
Why we recommend this

Its f/2.8 constant aperture and HLA autofocus system deliver fast, sharp performance across its 28-105mm zoom range, which is unusually versatile for a lens of this speed. The robust Art-series build quality and a close 15.8-inch minimum focus distance add significant utility for creative work. This lens is best for hybrid shooters and portrait photographers who need a single, fast zoom for both environmental scenes and tighter compositions without sacrificing aperture.

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Premium Lenses for video production

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