Fujifilm GFX GFX 100S II Black 2024 Review
The GFX 100S II brings medium format image quality to a (slightly) more accessible price point. But its slow burst and AF might leave some photographers wanting.
The 30-Second Version
The GFX 100S II delivers jaw-dropping 102MP medium format images with class-leading stabilization in a rugged, travel-friendly body. It's not for everyone, but for the right shooter, it's pure magic.
Overview
The Fujifilm GFX 100S II is the medium format camera that makes you want to ditch full-frame forever. That 102MP sensor is the real deal, rendering detail and dynamic range that leaves even the best 35mm sensors in the dust. It's not the fastest camera on the block, but if your priority is ultimate image quality in a rugged, portable body, this is the one to beat.
Performance
We were genuinely blown away by the 8-stop IBIS, handholding a 102MP sensor at silly shutter speeds and getting pixel-sharp results still feels like a cheat code. The 5.8M-dot EVF is a standout too, huge and crisp enough to make you forget it's not optical. Autofocus is solid, not class-leading, and the 7fps burst feels adequate for most work but won't satisfy sports shooters. The 530-shot battery life is one of the best we've seen in a high-res mirrorless body.
Pros & Cons
Pros
- 102MP medium format sensor delivers jaw-dropping detail 98th
- 8-stop IBIS is best-in-class and a total game-changer for handheld shooting 97th
- The 5.8M-dot EVF is one of the best on the market 95th
- Weather-sealed build feels rugged yet surprisingly light 94th
Cons
- 7fps burst and decent-but-not-great AF won't cut it for fast action
- Limited selection of fast autofocus lenses for the G mount
- 4K video tops out at 30fps, so hybrid shooters may feel hamstrung
- Price swings wildly between retailers, making it easy to overpay
The Word on the Street
Specifications
Full Specifications
Sensor
| Type | CMOS II |
| Size | medium-format |
| Megapixels | 102 |
| ISO Range | 80 |
| Processor | X-Processor 5 |
Autofocus
| AF Type | Single AF/Continuous AF/MF |
| Eye AF | Yes |
| Animal AF | Yes |
| Subject Detection | Yes |
Shooting
| Burst (Mechanical) | 7 |
| Burst (Electronic) | 4.1 |
| Max Shutter | 1/4000 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 4K |
| 4K FPS | 30 |
| 1080p FPS | 60 |
| 10-bit | Yes |
| Log Profile | Yes |
| RAW Video | Yes |
| Codec | Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, HEVC/H.265, MPEG-4 AVC/H.264 |
Display & EVF
| Screen Size | 3.2 |
| Touchscreen | Yes |
| Articulating | Yes |
| EVF Resolution | 5760000 |
Build
| Weather Sealed | Yes |
| Weight | 0.9 kg / 1.9 lbs |
| Battery Life | 530 |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | Yes |
| USB | USB Type-C (USB3.2 Gen2x1) |
| HDMI | HDMI Micro connector (Type D) |
| Hot Shoe | Yes |
Value & Pricing
We've seen the GFX 100S II range from $5,700 to $9,400 depending on the store, so shop around. At the lower end, it's a surprisingly fair price for genuine medium format. If you can snag it near that $5,700 mark, it's a no-brainer for anyone who prints large or demands the highest possible stills quality.
vs Competition
Next to full-frame heavyweights like the Sony a7R V and Nikon Z8, the GFX 100S II gives up speed and autofocus sophistication for outright resolution. The Sony and Nikon will track eyes and fire off bursts at double the frame rate, but neither can match the medium format sensor's detail and tonal nuance. Its truest rival is the Hasselblad X2D, but Fuji's better stabilization, lower entry price, and broader lens roadmap give it the edge for most shooters.
| Spec | Fujifilm GFX GFX 100S II | Canon EOS R6 Mark III R6 Mark III | Sony a7 a7 V | Nikon Z9 Z9 | Panasonic LUMIX GH7 GH7 | OM System OM-1 Mark II OM-1 Mark II |
|---|---|---|---|---|---|---|
| Type | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless |
| Sensor | 102MP medium-format | 32.5MP full-frame | 33MP full-frame | 45.7MP full-frame | 25.2MP micro-four-thirds | 20.4MP micro-four-thirds |
| AF Points | - | 1053 | 759 | 1053 | 315 | 1053 |
| Burst FPS | 7 | 40 | 30 | 30 | 75 | 120 |
| Video | 4K @30fps | 6K @120fps | 4K @120fps | 8K @120fps | 8K @120fps | 4K @60fps |
| IBIS | true | true | true | true | true | true |
| Weather Sealed | true | true | true | true | false | true |
| Weight (g) | 883 | 609 | 610 | 1160 | 721 | 511 |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Evf | Build | Burst | Video | Sensor | Battery | Display | Connectivity | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Fujifilm GFX GFX 100S II | 70.4 | 96.8 | 84.3 | 58.2 | 73.9 | 95.3 | 94 | 82.3 | 92.4 | 51.8 | 98.1 |
| Canon EOS R6 Mark III R6 Mark III Compare | 98.4 | 86.6 | 94.3 | 92.4 | 98.4 | 57.2 | 95.8 | 99.2 | 92.4 | 94.1 | 99.6 |
| Sony a7 a7 V Compare | 95.4 | 87.5 | 94.4 | 90 | 88.7 | 58.6 | 95.9 | 99.6 | 92.4 | 94.1 | 95.9 |
| Nikon Z9 Z9 Compare | 98.4 | 88.1 | 99.1 | 95.6 | 97.6 | 63.6 | 96.8 | 82.3 | 92.4 | 84.1 | 82.7 |
| Panasonic LUMIX GH7 GH7 Compare | 82.7 | 86.6 | 74.2 | 94.6 | 97.1 | 54.8 | 87.6 | 82.3 | 92.4 | 94.1 | 95.9 |
| OM System OM-1 Mark II OM-1 Mark II Compare | 98.4 | 88.8 | 80.5 | 99.7 | 81 | 39.6 | 92.7 | 82.3 | 92.4 | 94.1 | 99.6 |
Common Questions
Q: Is the GFX 100S II any good for sports or wildlife?
Honestly, no. The 7fps burst and competent but not cutting-edge autofocus can't hang with a Nikon Z9 or Sony a9 III. This is a deliberate, slow-composition camera.
Q: Does medium format really look different from full-frame?
Absolutely. The dynamic range and micro-contrast are on another level, especially for large prints. Once you see a 102MP file on a big monitor, it's hard to go back.
Q: Can I use this as my main video camera?
You could, but you'd be fighting it. 4K is solid and the IBIS helps, but the 30fps cap and less sophisticated AF mean a dedicated hybrid like a Sony A7S III or a Panasonic S5 II makes way more sense for serious video work.
Who Should Skip This
If you're after a fast hybrid that rips through bursts and nails eye-tracking without thinking, move along. Go grab a Sony a7R V or a Nikon Z8 instead. The GFX 100S II is a specialist tool, not a Swiss Army knife.
Verdict
If you're a landscape, portrait, or product photographer who lives for big prints and buttery tonal transitions, this camera is your new best friend. It's not a do-everything hybrid, and that's the point. The GFX 100S II focuses on what matters, stunning image quality, and absolutely nails it.