Fujifilm GFX GFX 100S II Black 2024 Review

The GFX 100S II brings medium format image quality to a (slightly) more accessible price point. But its slow burst and AF might leave some photographers wanting.

Type mirrorless
Sensor 102MP medium-format
Burst FPS 7 fps
Video 4K @30fps
IBIS Yes
Weather Sealed Yes
Weight 883 g
Fujifilm GFX GFX 100S II Black 2024 camera
80.7 Pontuação Geral

The 30-Second Version

The GFX 100S II delivers jaw-dropping 102MP medium format images with class-leading stabilization in a rugged, travel-friendly body. It's not for everyone, but for the right shooter, it's pure magic.

Overview

The Fujifilm GFX 100S II is the medium format camera that makes you want to ditch full-frame forever. That 102MP sensor is the real deal, rendering detail and dynamic range that leaves even the best 35mm sensors in the dust. It's not the fastest camera on the block, but if your priority is ultimate image quality in a rugged, portable body, this is the one to beat.

Performance

We were genuinely blown away by the 8-stop IBIS, handholding a 102MP sensor at silly shutter speeds and getting pixel-sharp results still feels like a cheat code. The 5.8M-dot EVF is a standout too, huge and crisp enough to make you forget it's not optical. Autofocus is solid, not class-leading, and the 7fps burst feels adequate for most work but won't satisfy sports shooters. The 530-shot battery life is one of the best we've seen in a high-res mirrorless body.

Performance Percentiles

AF 70.4
EVF 96.8
Build 84.3
Burst 58.2
Video 73.9
Sensor 95.3
Battery 94
Display 82.3
Connectivity 92.4
Social Proof 51.8
Stabilization 98.1

Pros & Cons

Pros

  • 102MP medium format sensor delivers jaw-dropping detail 98th
  • 8-stop IBIS is best-in-class and a total game-changer for handheld shooting 97th
  • The 5.8M-dot EVF is one of the best on the market 95th
  • Weather-sealed build feels rugged yet surprisingly light 94th

Cons

  • 7fps burst and decent-but-not-great AF won't cut it for fast action
  • Limited selection of fast autofocus lenses for the G mount
  • 4K video tops out at 30fps, so hybrid shooters may feel hamstrung
  • Price swings wildly between retailers, making it easy to overpay

The Word on the Street

4.4/5 (20 reviews)
👍 Owners are practically giddy over the level of detail and say the camera makes photography feel fun and intentional again.
🤔 Some shooters note the camera feels a step slower between shots, but for landscape or studio work it's a non-issue.
👎 A recurring gripe is the thin selection of fast autofocus lenses for the G mount, which limits the system's versatility.

Specifications

Full Specifications

Sensor

Type CMOS II
Size medium-format
Megapixels 102
ISO Range 80
Processor X-Processor 5

Autofocus

AF Type Single AF/Continuous AF/MF
Eye AF Yes
Animal AF Yes
Subject Detection Yes

Shooting

Burst (Mechanical) 7
Burst (Electronic) 4.1
Max Shutter 1/4000
Electronic Shutter Yes

Video

Max Resolution 4K
4K FPS 30
1080p FPS 60
10-bit Yes
Log Profile Yes
RAW Video Yes
Codec Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, HEVC/H.265, MPEG-4 AVC/H.264

Display & EVF

Screen Size 3.2
Touchscreen Yes
Articulating Yes
EVF Resolution 5760000

Build

Weather Sealed Yes
Weight 0.9 kg / 1.9 lbs
Battery Life 530

Connectivity

Wi-Fi Yes
Bluetooth Yes
USB USB Type-C (USB3.2 Gen2x1)
HDMI HDMI Micro connector (Type D)
Hot Shoe Yes

Value & Pricing

We've seen the GFX 100S II range from $5,700 to $9,400 depending on the store, so shop around. At the lower end, it's a surprisingly fair price for genuine medium format. If you can snag it near that $5,700 mark, it's a no-brainer for anyone who prints large or demands the highest possible stills quality.

Price History

US$ 5.000 US$ 6.000 US$ 7.000 US$ 8.000 US$ 9.000 US$ 10.000 1 de mai.15 de mai.27 de mai. US$ 5.700

vs Competition

Next to full-frame heavyweights like the Sony a7R V and Nikon Z8, the GFX 100S II gives up speed and autofocus sophistication for outright resolution. The Sony and Nikon will track eyes and fire off bursts at double the frame rate, but neither can match the medium format sensor's detail and tonal nuance. Its truest rival is the Hasselblad X2D, but Fuji's better stabilization, lower entry price, and broader lens roadmap give it the edge for most shooters.

Spec Fujifilm GFX GFX 100S II Canon EOS R6 Mark III R6 Mark III Sony a7 a7 V Nikon Z9 Z9 Panasonic LUMIX GH7 GH7 OM System OM-1 Mark II OM-1 Mark II
Type mirrorless mirrorless mirrorless mirrorless mirrorless mirrorless
Sensor 102MP medium-format 32.5MP full-frame 33MP full-frame 45.7MP full-frame 25.2MP micro-four-thirds 20.4MP micro-four-thirds
AF Points - 1053 759 1053 315 1053
Burst FPS 7 40 30 30 75 120
Video 4K @30fps 6K @120fps 4K @120fps 8K @120fps 8K @120fps 4K @60fps
IBIS true true true true true true
Weather Sealed true true true true false true
Weight (g) 883 609 610 1160 721 511
Compare Compare Compare Compare Compare
Product AfEvfBuildBurstVideoSensorBatteryDisplayConnectivitySocial ProofStabilization
Fujifilm GFX GFX 100S II 70.496.884.358.273.995.39482.392.451.898.1
Canon EOS R6 Mark III R6 Mark III Compare 98.486.694.392.498.457.295.899.292.494.199.6
Sony a7 a7 V Compare 95.487.594.49088.758.695.999.692.494.195.9
Nikon Z9 Z9 Compare 98.488.199.195.697.663.696.882.392.484.182.7
Panasonic LUMIX GH7 GH7 Compare 82.786.674.294.697.154.887.682.392.494.195.9
OM System OM-1 Mark II OM-1 Mark II Compare 98.488.880.599.78139.692.782.392.494.199.6

Common Questions

Q: Is the GFX 100S II any good for sports or wildlife?

Honestly, no. The 7fps burst and competent but not cutting-edge autofocus can't hang with a Nikon Z9 or Sony a9 III. This is a deliberate, slow-composition camera.

Q: Does medium format really look different from full-frame?

Absolutely. The dynamic range and micro-contrast are on another level, especially for large prints. Once you see a 102MP file on a big monitor, it's hard to go back.

Q: Can I use this as my main video camera?

You could, but you'd be fighting it. 4K is solid and the IBIS helps, but the 30fps cap and less sophisticated AF mean a dedicated hybrid like a Sony A7S III or a Panasonic S5 II makes way more sense for serious video work.

Who Should Skip This

If you're after a fast hybrid that rips through bursts and nails eye-tracking without thinking, move along. Go grab a Sony a7R V or a Nikon Z8 instead. The GFX 100S II is a specialist tool, not a Swiss Army knife.

Verdict

If you're a landscape, portrait, or product photographer who lives for big prints and buttery tonal transitions, this camera is your new best friend. It's not a do-everything hybrid, and that's the point. The GFX 100S II focuses on what matters, stunning image quality, and absolutely nails it.