Best Lenses under €500 for video production

Best Pick

Viltrox 25mm f1.7 E

100 Video/Cinema Score
25mm f/1.7 Sony IS
Why we recommend this

Its f/1.7 aperture with 9 blades produces a notably smooth and artistic bokeh, ideal for subject isolation. The compact 170g design and STM autofocus with eye/face tracking make it highly portable and responsive for dynamic situations. This lens is best for street photographers and run-and-gun videographers who need a fast, lightweight prime for spontaneous shooting.

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Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM

98.5 Video/Cinema Score
55mm f/1.4 Nikon Z IS
Why we recommend this

Its f/1.4 aperture and STM autofocus provide excellent low-light performance and smooth, quiet focusing for video. The lens offers a classic 55mm portrait focal length on APS-C cameras and features a direct USB-C port for firmware updates. This lens is best for videographers and street photographers using Nikon Z-mount APS-C bodies who need reliable autofocus and shallow depth of field.

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Sirui Sniper 56mm f/1.2 Autofocus

83.9 Video/Cinema Score
56mm f/1.2 Sony E IS
Why we recommend this

Its f/1.2 maximum aperture and 11-blade diaphragm deliver exceptional background blur and smooth bokeh for portrait work. The lens provides a fast 85mm full-frame equivalent focal length with reliable autofocus, including eye and object tracking. This lens is best for portrait photographers and videographers on Sony APS-C cameras seeking a dedicated, fast telephoto prime for subject isolation.

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GoPro Max Lens Mod Max

78.8 Video/Cinema Score
f/0 GoPro HERO Black Mount IS
Why we recommend this

Its ultra-wide 177° field of view enables stunning 4K60 footage, while Max HyperSmooth and 360° Horizon Lock provide unbreakable video stabilization in a smaller, more durable design. This mod excels at vertical capture, expanding the field of view by up to 48% without rotating the camera, making it ideal for social media content. It's best for action sports enthusiasts and vloggers who need immersive, rock-steady POV footage directly from their HERO12 Black.

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Meike 55mm F1.8 Full Frame AF STM Stepping Motor

86.9 Video/Cinema Score
55mm f/1.8 Nikon Z IS
Why we recommend this

With a bright f/1.8 aperture and STM autofocus motor, this 55mm prime lens excels at isolating subjects with smooth bokeh, even in low light. Its compact 201g build and optical design with extra-low dispersion elements effectively suppress chromatic aberration and flaring. This lens is best for street photographers and videographers who need a lightweight, fast-focusing portrait lens for Nikon Z mount cameras.

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Viltrox AF 35mm f1.7 Z

85.8 Video/Cinema Score
35mm f/1.7 Nikon Z IS
Why we recommend this

Its bright f/1.7 aperture and STM autofocus motor provide excellent low-light capability and quiet, precise focusing. The compact 179g design and inclusion of specialized HR, ED, and Aspherical optical elements make it highly portable with strong image correction. This lens is best for photographers needing a lightweight, versatile prime for street photography, portraits, and everyday use.

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Nikon NIKKOR 2179 AF-S DX 18-105mm f/3.5-5.6G ED VR

77.5 Video/Cinema Score
18-105mm f/3.5 Nikon F IS
Why we recommend this

Its built-in stabilization enables handheld shooting slower than normal, while its ED glass elements help eliminate coma and other aberrations for improved image integrity. The lens offers superior color consistency and reduced flare, further enhancing its optical performance. This zoom is best for videographers and landscape photographers who need a versatile, stabilized range from 18-105mm.

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Yongnuo YN50mm F1.8S

77.5 Video/Cinema Score
50mm f/1.8 Sony E IS
Why we recommend this

Its f/1.8 maximum aperture and quiet Digital Stepping Motor (DSM) provide smooth, accurate autofocus suitable for both photography and video. The lens is exceptionally lightweight at 145 grams, making it a highly portable option for Sony APS-C mirrorless camera users. This lens is best for videographers and hybrid shooters who need reliable, quiet autofocus in a compact package.

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Canon EF 18-55mm f/3.5-5.6 is STM

76.8 Video/Cinema Score
18-55mm f/3.5 Canon EF-S IS
Why we recommend this

Its STM motor provides smooth and quiet continuous autofocus for video, while its Optical Image Stabilizer offers up to four stops of shake correction. This compact and lightweight lens is a versatile standard zoom for Canon's APS-C cameras, featuring a useful 0.25m minimum focusing distance across its entire zoom range. It's best for travel photographers and videographers who need a stabilized, all-purpose kit lens for run-and-gun shooting.

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Panasonic Meike 35mm F1.8 Full Frame Wide Angle AF STM

76.4 Video/Cinema Score
35mm f/1.8 Panasonic Sigma L IS
Why we recommend this

Its f/1.8 aperture and STM autofocus motor enable sharp, low-light photography with smooth background blur, supported by a robust optical design with three extra-low dispersion elements. The lens offers a classic 35mm focal length and includes in-body stabilization compatibility, making it a practical choice for Panasonic L-mount systems. This lens is best for wildlife and sports photographers who need reliable autofocus and low-light performance from a versatile prime.

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Sigma Art 24mm f/1.4 DG HSM

76.3 Video/Cinema Score
24mm f/1.4 Canon EF IS
Why we recommend this

Its f/1.4 maximum aperture and robust HSM autofocus system enable excellent low-light performance and sharpness. The lens's 24mm wide-angle focal length is particularly well-suited for environmental portraits and cinematic video work. This lens is best for portrait photographers and videographers who need a fast, wide prime for creative shallow depth-of-field shots.

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Sony E 50mm f/1.8 OSS

74.4 Video/Cinema Score
50mm f/1.8 Sony (E mount for NEX) IS
Why we recommend this

Its f/1.8 aperture and built-in Optical SteadyShot stabilization enable sharp, low-light shooting and smooth handheld video. The lens is remarkably compact at 206g and features a Linear Autofocus motor for quiet, precise focusing. This lens is best for Sony APS-C shooters prioritizing portability for street photography and run-and-gun video work.

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Best Lenses under €900 for video production

Best Pick

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

90.9 Video/Cinema Score
16-300mm f/3.5 Sony E IS
Why we recommend this

This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.

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Canon EF 18-135mm f/3.5-5.6 IS USM

77.2 Video/Cinema Score
18-135mm f/3.5 Canon EF-S IS
Why we recommend this

This lens offers a versatile 18-135mm zoom range, equivalent to 28.8-216mm on APS-C cameras, making it a practical all-in-one option for travel and general photography. Its inclusion of a UD and an aspherical element helps control aberrations for improved image quality across its focal range. It is best for Canon APS-C camera owners seeking a single, lightweight walk-around lens for everyday shooting and travel.

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Viltrox 16mm F1.8 FE

70.8 Video/Cinema Score
16mm f/1.8 Sony E IS Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and built-in optical stabilization provide exceptional low-light capability for a wide-angle prime, while its integrated LCD screen offers convenient on-lens parameter readouts. The lens delivers sharp results with its advanced optical design, though its 1107g weight limits portability. This lens is best for astrophotographers and architectural photographers who prioritize aperture and manual control over a lightweight kit.

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Sony FE 20mm f/1.8 G Ultra Wide Angle Prime

69.1 Video/Cinema Score
20-22mm f/1.8 Sony E-Mount Weather Sealed
Why we recommend this

Its 20mm focal length and f/1.8 maximum aperture deliver a wide field of view with excellent low-light capability. The lens is notably compact for its class and features a programmable focus hold button alongside a manual aperture ring. This lens is best for landscape and astrophotography shooters who need a lightweight, fast ultra-wide prime for Sony full-frame cameras.

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Sigma Art 18-35mm F1.8 DC HSM

80.4 Video/Cinema Score
18-35mm f/1.8 Canon EF Weather Sealed
Why we recommend this

Its constant f/1.8 aperture across the 18-35mm zoom range provides exceptional low-light performance and background blur for a zoom lens. The robust Art-series build quality and sharp optics make it a reliable tool for demanding shoots. This lens is best for Canon DSLR photographers and videographers who need a versatile, fast prime-like zoom for portraits, events, or cinematic work.

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Canon RF 15-30mm F4.5-6.3 IS STM Ultra-Wide Angle Zoom

72.3 Video/Cinema Score
15-30mm f/4.5 Canon RF IS
Why we recommend this

Its standout feature is its ultra-wide 15-30mm zoom range, providing expansive coverage ideal for landscapes and travel photography. As a budget-friendly RF lens, it offers a lightweight and compact design that enhances portability for on-the-go shooting. This lens is best for budget-conscious photographers seeking a versatile wide-angle option for capturing sweeping vistas and tight interior spaces.

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Viltrox AF 13mm f/1.4 XF

69.5 Video/Cinema Score
13mm f/1.4 Sony E
Why we recommend this

Its ultra-wide 13mm focal length combined with a bright f/1.4 maximum aperture makes it a strong choice for low-light and astrophotography. The inclusion of two aspherical elements helps control distortion, enhancing image quality for its class. This lens is best for Sony APS-C shooters, particularly portrait and street photographers who value a fast, wide-angle perspective.

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Yongnuo YN85mm F1.8S DF DSM

68.7 Video/Cinema Score
f/1.8 Sony A, Sony E IS
Why we recommend this

With its F1.8 large aperture and quiet DSM stepping motor, this lens excels in low-light shooting and offers fast, silent autofocus. The inclusion of a USB Type-C port for firmware updates is a practical feature for long-term performance. It is best for wildlife and sports photographers who need a responsive telephoto prime for action shots in varying light.

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Best Lenses under €1,500 for video production

Best Pick

Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame

77.1 Video/Cinema Score
24-240mm f/3.5 Sony E (Full-Frame) IS Weather Sealed
Why we recommend this

Its 10x zoom range from 24-240mm makes it a uniquely versatile all-in-one travel lens for full-frame Sony cameras, backed by Optical SteadyShot stabilization. The inclusion of one ED and five aspherical elements helps control aberrations across its ambitious focal range, and it maintains a weather-sealed build. This lens is best for landscape photographers and professionals who need a single, durable lens for varied shooting conditions without changing optics.

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Price €917
Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame lens

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Olympus M.Zuiko Digital ED 100-400mm f/5-6.3 IS

75.4 Video/Cinema Score
100-400mm f/5 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its standout feature is its remarkably compact 120g build paired with an extensive 200-800mm equivalent zoom range, making it exceptionally portable for its reach. The lens is fully weather-sealed, allowing photographers to shoot confidently in adverse conditions without worrying about moisture or dust. This lens is best for travel and wildlife photographers who need a lightweight, all-weather telephoto option for handheld shooting on the go.

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Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro

72.3 Video/Cinema Score
105mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

This 105mm f/2.8 macro lens stands out with its true 1:1 life-size magnification and a fast f/2.8 aperture for excellent subject isolation. Its Dual-Motor STM autofocus system provides smooth, quiet operation, making it a strong choice for video work. This lens is best for photographers and videographers specializing in detailed product shots, insect photography, or anyone needing a versatile, high-quality macro prime.

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Tamron SP SP 35mm f/1.4 Di USD

67.6 Video/Cinema Score
35mm f/1.4 Nikon F Weather Sealed
Why we recommend this

Its f/1.4 maximum aperture and inclusion of four LD and three aspherical elements deliver exceptional sharpness and bokeh, making it a standout for its optical performance. The lens is built with a robust construction and features Tamron's USD motor for fast, quiet autofocus, though it lacks weather sealing. This prime is best for portrait photographers and Nikon shooters prioritizing optical quality over portability in a standard focal length.

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Sony G E 15mm f/1.4

69.8 Video/Cinema Score
15mm f/1.4 Sony E
Why we recommend this

Its f/1.4 maximum aperture and 22.5mm full-frame equivalent focal length make it exceptionally fast and wide for an APS-C prime. The lens is remarkably compact at 218g, and its optical design uses Super ED and aspherical elements for high sharpness. This lens is best for street photographers who need a fast, lightweight prime for low-light and environmental shooting.

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Nikon NIKKOR AF-S 20mm f/1.8G ED

67.8 Video/Cinema Score
20mm f/1.8 Nikon F Weather Sealed
Why we recommend this

Its f/1.8 maximum aperture and inclusion of two ED and two aspherical elements deliver sharp, low-light performance with minimal aberrations. The relatively lightweight 355g build and Nano Crystal Coatings enhance handling and reduce flare for a versatile prime. This lens is best for landscape and architectural photographers needing a wide, fast prime for Nikon F-mount full-frame cameras.

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Zeiss Planar Classic ZE T* 50mm f/1.4 Standard Camera

65.9 Video/Cinema Score
50mm f/1.4 Canon EF IS
Why we recommend this

Its f/1.4 aperture and nine-blade diaphragm produce exceptionally smooth, circular bokeh ideal for subject separation. The lens is distinguished by its precise manual focus ring and ZEISS T* coating for superior flare control and brilliance. This is a top choice for portrait photographers and cinematographers prioritizing beautiful out-of-focus rendering and tactile manual operation.

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Rokinon AF 35-150mm f/2-2.8 AF

64 Video/Cinema Score
35-150mm f/2 Sony E
Why we recommend this

Its f/2-2.8 variable aperture across a 35-150mm full-frame zoom range provides exceptional low-light versatility and background separation. The lens is a remarkably complete all-in-one solution for event and portrait work, featuring three customizable mode switches for quick settings changes. This lens is best for wedding photographers and portrait shooters who need a single, fast-aperture zoom to cover a wide range of focal lengths without changing lenses.

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Samyang AF 35-150mm f/2-2.8 AF

63.5 Video/Cinema Score
150mm f/2 Sony E Weather Sealed
Why we recommend this

Its f/2-2.8 variable aperture provides a bright, fast lens across its versatile 35-150mm zoom range for full-frame Sony cameras. The lens includes three customizable mode switches for quickly adjusting focus and stabilization settings on the fly. This lens is best for portrait and event photographers who need a single, high-performance zoom to cover wide to telephoto shots without changing lenses.

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Viltrox LAB AF 35mm f/1.2 Z

62.2 Video/Cinema Score
35mm f/1.2 Nikon Z
Why we recommend this

Its f/1.2 maximum aperture offers exceptional low-light performance and a very shallow depth of field for a full-frame lens. The quiet VCM focusing motor and an integrated LCD screen for settings are practical features for on-location work. This lens is best for portrait photographers and videographers who prioritize a bright, fast aperture and manual control in a native Z-mount design.

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Best Lenses under €2,500 for video production

Best Pick

Nikon NIKKOR Z 24-70mm f/2.8 S Optical Zoom

85 Video/Cinema Score
24-70mm f/2.8 Nikon Z IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and multi-focusing system deliver sharp, aberration-free images across its 24-70mm zoom range. The lens is also built with robust weather sealing and specialized coatings that effectively suppress flare and ghosting. This lens is best for event and wedding photographers who need reliable, high-quality performance in varied lighting conditions.

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OM System M.Zuiko Digital ED 25mm f/1.2 PRO

83.4 Video/Cinema Score
25mm f/1.2 Micro Four Thirds Weather Sealed
Why we recommend this

Its f/1.2 maximum aperture provides exceptional low-light performance and shallow depth of field for a Micro Four Thirds lens. The internal focusing design and manual focus clutch offer precise control for professional workflows. This lens is best for portrait and street photographers who prioritize a fast, classic 50mm-equivalent focal length.

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Sony G Master FE 35mm F1.4 GM Full-Frame Large-Aperture Wide Angle

80.7 Video/Cinema Score
35mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 aperture and 11-blade design produce exceptionally smooth bokeh, while its compact 522g build enhances portability for handheld shooting. The lens features advanced coatings that minimize flare, ensuring high contrast and clarity even in challenging light. This prime is best for portrait photographers and hybrid shooters who prioritize both subject isolation and a lightweight kit for all-day use.

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Rokinon AF 35-150mm f/2-2.8 AF

78.9 Video/Cinema Score
35-150mm f/2 L-Mount Weather Sealed
Why we recommend this

Its standout feature is an exceptionally fast f/2.0-2.8 aperture across its 35-150mm zoom range, paired with robust weather sealing across 11 points for reliability in tough conditions. The lens offers extensive customization with programmable buttons and switches, making it highly adaptable for different shooting scenarios. This lens is best for hybrid creators and event photographers who need a single, versatile lens for both photo and video work in variable environments.

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Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

83.8 Video/Cinema Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

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Sony FE 24-105mm f/4 G OSS

77 Video/Cinema Score
24-105mm f/4 Sony E IS Weather Sealed
Why we recommend this

Its constant f/4 aperture and G-lens design with four aspherical elements deliver high resolving power across its 24-105mm zoom range. The optical formula provides reliable performance for a versatile walk-around lens. This lens is best for budget-conscious photographers needing a single, sharp zoom for travel and general landscape photography.

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Tamron Di III 28-75mm f/2.8 VXD G2

73.6 Video/Cinema Score
28-75mm f/2.8 Nikon Z Weather Sealed
Why we recommend this

Its fast f/2.8 aperture across the 28-75mm zoom range provides excellent low-light performance and background blur for a full-frame Nikon Z camera. The updated optical design and VXD linear motor deliver sharp images and quick, quiet autofocus, with a very close 7.1-inch minimum focusing distance for detailed shots. This lens is best for Nikon Z photographers needing a versatile, high-performance standard zoom for portraits, events, and creative close-up work.

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Brightin Star AF Oculilumen 7.5mm f/2.8 Fisheye

71.6 Video/Cinema Score
35mm f/2.8 Sony E Weather Sealed
Why we recommend this

Its 90-degree probe design and 2:1 maximum magnification enable unique, close-up perspectives that are difficult to achieve with standard macro lenses. The manual focus design and 11.8-inch minimum focus distance provide precise control for detailed, creative shots. This lens is best for specialized macro photographers and videographers capturing intricate subjects like insects, product details, or scientific specimens.

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Zeiss Batis 135mm f/2.8 Series

67.8 Video/Cinema Score
135mm f/2.8 Sony E (Full Frame) IS Weather Sealed
Why we recommend this

Its standout feature is an innovative OLED display that clearly shows focus distance and depth-of-field, even in low light. The lens combines robust, weather-sealed metal construction with a smooth autofocus system for reliable outdoor use. This lens is best for portrait photographers who require precise manual focus control and excellent color rendition from their full-frame Sony cameras.

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Pentax D FA* HD -D FA* 85mm f/1.4 ED SDM AW

58.7 Video/Cinema Score
85mm f/1.4 Pentax K
Why we recommend this

Its f/1.4 maximum aperture and inclusion of three Super ED and one aspherical element deliver exceptional sharpness and beautiful bokeh for portraits. The robust, all-metal construction and full-frame coverage make it a durable choice for dedicated Pentax K-mount shooters. This lens is best for portrait photographers seeking a classic focal length with outstanding optical performance and build quality.

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Premium Lenses for video production

Best Pick

Sony G Master FE 28-70mm F2

92 Video/Cinema Score
28-70mm f/2 Sony E
Why we recommend this

This lens stands out with its constant f/2 aperture, providing exceptional low-light performance and background blur across its 28-70mm zoom range. Its optical design delivers sharpness and contrast that challenge many prime lenses, offering versatility without sacrificing image quality. It is best for portrait and event photographers who need a single, high-performance zoom for varied shooting conditions.

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Nikon NIKKOR AF-S 500mm f/5.6E PF ED VR

45.8 Video/Cinema Score
500mm f/5.6 Nikon F IS
Why we recommend this

Its Phase Fresnel element and three ED glass elements deliver sharp 500mm reach in a remarkably lightweight 1.46kg package for a super-telephoto lens. The f/5.6 maximum aperture and built-in VR stabilization make it a practical handheld option for wildlife and action photography. This lens is best for birders and sports photographers who require long focal lengths but prioritize portability over maximum light gathering.

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Thypoch DZOFilm Simera-C 5

32.8 Video/Cinema Score
135mm Interchangeable Mount with Included Sony E
Why we recommend this

This kit stands out by pairing five ultracompact, lightweight Simera-C T1.5 prime lenses with a Catta 70-135mm T2.9 zoom, offering a fast aperture range from T1.5 to T22 for full-frame cine-style capture. The 16-blade diaphragm in the primes contributes to smooth, rounded bokeh, a key qualitative feature for cinematic image quality. This bundle is best for independent filmmakers and video creators seeking a versatile, cost-saving entry into a full-frame cine lens ecosystem without sacrificing shallow depth-of-field capabilities.

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