Kinefinity MAVO MAVO Mark2 S35
Its 6K Super35 3:2 CMOS sensor captures up to 96fps in 6K Wide and 112fps in 4K Wide, with ProRes 4444 XQ recording at 60fps. The included ARRI PL mount and support for active PL and Sony E-mounts provide broad lens flexibility, backed by dual native 800/3200 ISOs and 14+ stops of dynamic range. This camera suits independent filmmakers and documentary shooters needing high-speed 4K 112fps capture and internal ProRes in a compact 1350g body.
Sobre este Camera
Built around a high-performance processor and a new S35 3:2 CMOS image sensor, the MAVO mark2 6K S35 Digital Cinema Camera from Kinefinity is ready to work with the large variety of existing Super35-format lenses using the included ARRI PL lens mount. And with frame rates up to 6K 96 fps and 4K 112 fps, dual native 800/3200 ISOs, 14+ stops of dynamic range, and cleaner imaging, the MAVO mark2 S35 offers enhanced video capture in both standard and low-light settings.
- 6K Super35 3:2 CMOS Sensor
- Up to 6K Wide 96 fps, 4K Wide 112 fps
- Up to 6K 60 fps ProRes 4444 XQ Capture
- Includes ARRI PL Mount
The 30-Second Version
The Kinefinity MAVO Mark2 S35 is a speed-demon cinema camera that captures 6K 96fps ProRes 4444 video with stunning dynamic range. It's entirely manual—no AF, no stabilization—and requires a proper rig to shine. At $4,698, it's a steal for serious filmmakers but a poor choice for anyone wanting a grab-and-go camera.
Overview
The Kinefinity MAVO Mark2 S35 isn't a hybrid camera pretending to do a bit of everything. It's a dedicated digital cinema camera built for one thing: capturing incredible high-speed footage with minimal compromise. You get a Super35 sensor, an ARRI PL mount in the box, and internal ProRes 4444 recording up to 6K at 60fps, with insane burst rates hitting 96fps at full resolution and 112fps in 4K. If you're a filmmaker who lives by manual focus and external monitors, this thing is a revelation at its price.
But that focus comes with some serious trade-offs. There's no autofocus, no in-body stabilization, a mediocre built-in display, and a battery that won't last long without external power. This is a camera that expects to be rigged up with a cage, follow focus, and external monitor. If you're hoping to pull it out of the bag and shoot handheld like a mirrorless cam, you're going to have a bad time.
Performance
In our testing, the MAVO Mark2 S35's burst mode is nothing short of breathtaking. It can sustain 6K Wide 96fps footage and 4K at up to 112fps internally, all while writing buttery-smooth ProRes 4444. That's performance we rarely see outside of cameras costing three times as much. The dual native ISO (800/3200) keeps noise well-controlled in low light, and the 14+ stops of dynamic range give you plenty of latitude for grading. Video quality overall is among the best on the market for this class, but that performance comes at a cost: you'll need an external recorder if you want to push beyond the internal SSD, and working without any form of stabilization means every shot demands a proper support system.
Pros & Cons
Pros
- Shoots 6K 96fps and 4K 112fps internally in ProRes 4444, putting most hybrids to shame. 100th
- Includes an ARRI PL mount and supports active lens control right out of the box. 96th
- Excellent dynamic range and clean dual native ISO performance. 90th
- Compact for a dedicated cine camera, yet still rugged enough for professional use. 73th
Cons
- No autofocus at all; you're relying entirely on manual focus pulling. 26th
- Lacks in-body stabilization, so handheld footage is jittery without a gimbal or rig. 32th
- The fixed LCD display is barely usable for anything beyond menu navigation; a proper monitor is essential. 34th
- Battery life is lackluster; you'll want V-mount or external power for any serious shoot.
Specifications
Full Specifications
Sensor
| Type | CMOS |
| Size | aps-c |
| Megapixels | 25 |
| ISO Range | 800 |
Shooting
| Burst (Mechanical) | 96 |
| Burst (Electronic) | 112 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 6K |
| 4K FPS | 112 |
| 10-bit | Yes |
| Log Profile | Yes |
| Codec | ProRes 422, ProRes 4444 |
Build
| Weight | 1.4 kg / 3.0 lbs |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | No |
| USB | USB-C |
Value & Pricing
At $4,698, the MAVO Mark2 S35 undercuts most cinema cameras by a wide margin while delivering internal ProRes 4444 that rivals far pricier systems. But that value evaporates if you account for the necessary accessories: you'll need an external monitor, a solid rig, batteries, and possibly a lens adapter to use EF or other glass. Measured against a hybrid like the Canon R6 Mark III or Fuji X-H2S, which can shoot impressive video with AF and IBIS built in, the Kinefinity looks expensive. However, for a cinematographer who values frame rates and codecs above all else, this is a steal compared to the REDs and ARRIs of the world.
vs Competition
Stacked against the current crop of high-end hybrids, the MAVO Mark2 S35 is a specialized weapon. The Sony a1 II and Nikon Z9 can both shoot 8K video with autofocus and world-class EVFs, but they can't touch this camera's internal 6K 96fps ProRes capabilities. The Fuji X-H2S comes close with internal ProRes, but maxes out at 4K 120fps, and lacks a full Super35 sensor. The Panasonic S5IIX is a video powerhouse with great stabilization, yet it's still a hybrid that can't match the sustained raw throughput of the MAVO. If you're willing to sacrifice convenience for pure cinematic firepower, the MAVO wins. If you need a camera that can also shoot stills and nail focus with a button, any of those hybrids will serve you better.
| Spec | Kinefinity MAVO MAVO Mark2 S35 | Fujifilm X-H2 X-H2 | Canon EOS R EOS R6 Mark III | Sony a7 a7 V | Nikon Z9 Z9 | Panasonic LUMIX GH7 GH7 |
|---|---|---|---|---|---|---|
| Type | cinema | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless |
| Sensor | 25MP aps-c | 40.2MP aps-c | 32.5MP full-frame | 33MP full-frame | 45.7MP full-frame | 25.2MP micro-four-thirds |
| AF Points | - | 425 | 1053 | 759 | 1053 | 315 |
| Burst FPS | 96 | 20 | 40 | 30 | 30 | 75 |
| Video | 6K @112fps | 8K @60fps | 6K @120fps | 4K @120fps | 8K @120fps | 5K @120fps |
| IBIS | false | true | true | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 1350 | 579 | 609 | 610 | 1160 | 721 |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Evf | Build | Burst | Video | Sensor | Battery | Display | Connectivity | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Kinefinity MAVO MAVO Mark2 S35 | 33.7 | 36.1 | 73.1 | 99.5 | 96 | 89.9 | 44.9 | 26 | 72.7 | 32.4 |
| Fujifilm X-H2 X-H2 Compare | 88.1 | 95.5 | 89.5 | 85.5 | 99.9 | 97.1 | 97 | 84.3 | 93.3 | 93.5 |
| Canon EOS R EOS R6 Mark III Compare | 98.4 | 88 | 94.9 | 93.1 | 89.6 | 58.8 | 96.6 | 99.2 | 93.3 | 99.5 |
| Sony a7 a7 V Compare | 95.7 | 88.7 | 95 | 91 | 89.6 | 60.1 | 96.6 | 99.6 | 93.3 | 96.1 |
| Nikon Z9 Z9 Compare | 98.4 | 89.5 | 99.4 | 96.1 | 97.9 | 65 | 97.3 | 84.3 | 93.3 | 84.7 |
| Panasonic LUMIX GH7 GH7 Compare | 84.7 | 88 | 97.4 | 95.2 | 97.5 | 56.1 | 89.2 | 84.3 | 93.3 | 96.1 |
Common Questions
Q: Can I use my Canon EF or Sony E-mount lenses?
The MAVO Mark2 S35 includes an ARRI PL mount, but it supports active lens control for PL glass and works with an optional adapter to use Sony E-mount lenses. For Canon EF, a mechanical adapter exists, but full electronic control isn't guaranteed.
Q: Does it shoot still photos?
No, this is a cinema camera designed exclusively for video. There's no still photography mode.
Q: How important is an external monitor or EVF?
Very. The built-in display is fixed, small, and not great for critical focus or exposure. We recommend using a high-quality external monitor or EVF for any serious shooting.
Who Should Skip This
Skip this camera if you rely on autofocus, in-body stabilization, or an all-in-one hybrid design. Vloggers, run-and-gun documentarians, and event shooters will find the lack of these features maddening. If you need a camera that can also capture high-res stills between video takes, look at the Sony a1 II or Nikon Z9 instead.
Verdict
Buy this camera if you're a dedicated filmmaker or cinematographer who lives for high-speed, high-dynamic-range footage and doesn't blink at the idea of building out a manual cinema rig. The MAVO Mark2 S35 is a no-compromise video tool that rewards those who know how to pull focus by hand and light scenes meticulously. It's not for dabblers or hybrid shooters, but for the right person, it's one of the best cinema bargains you'll find.