In offerta 29%

Nikon NIKKOR Z 400mm f/2.8 TC VR S 400mm

★★★★★ 5.0 (76)

Fluorite and ED glass combined with a fast f/2.8 aperture deliver sharp, contrast-rich telephoto images, while the 5.5-stop VR system keeps the 3801g lens handheld-ready. Weather sealing and a fluorine-coated front element protect the optics in harsh conditions, and the 9-blade diaphragm renders smooth out-of-focus backgrounds. This lens is ideal for sports and wildlife photographers using Nikon F-mount DSLRs who require dependable AF-S autofocus and rugged build quality.

Focal length 400mm
Aperture 22
Mount Nikon F
stabilization
Weather Sealed
Weight 2950 g
af type Autofocus
lens type super-telephoto
Nikon NIKKOR Z 400mm f/2.8 TC VR S 400mm lens
48 Punteggio Complessivo
Disponibile anche in:

Snapshot

The 30-Second Version

The Nikon 400mm f/2.8E FL ED delivers jaw-dropping sharpness and top-tier stabilization in a surprisingly manageable package for its class. Our optical tests put it among the very best telephoto primes. It's pricy and heavy, but if your income depends on nailing distant action, it's worth every cent.

Pros & Cons

Pros

  • Stunning sharpness that rivals any super-telephoto on the market. 98th
  • Effective 5.5-stop VR lets you shoot handheld in lower light than you'd think. 78th
  • Relatively lightweight for a 400mm f/2.8, making long days more bearable. 73th
  • Beautiful subject isolation with creamy bokeh.

Cons

  • Autofocus often needs micro-adjustment on DSLR bodies for optimal accuracy.
  • Eye-watering price puts it out of reach for most hobbyists.
  • Handholding for hours is still a workout, especially with a gripped body.
  • Image quality with the 2.0x teleconverter is pretty disappointing.

What owners think

The Word on the Street

5.0/5 (76 reviews)
👍 Owners consistently praise the lens's incredible sharpness and beautiful bokeh, calling it a workhorse for wildlife and sports.
👎 A common gripe is that the autofocus fine-tuning can be finicky on some DSLR bodies, and the 2.0x teleconverter noticeably degrades image quality.
🤔 While many acknowledge the steep price, most feel it's justified by the pro-level performance, though a few wish it were a bit lighter for all-day handheld use.

Come è cambiata l'opinione dei proprietari nel tempo

Esclusiva

In base a quando i clienti hanno effettivamente scritto le recensioni, per vedere se gli elogi iniziali sono durati.

L'opinione dei proprietari è rimasta stabile nel tempo
85/100La nostra analisi del sentiment con IAaffidabilità media · 18 fonti · mag 2026
1★2★3★4★5★Q2 '08: 5.0★ · 1 recensioneQ1 '09: 5.0★ · 1 recensioneQ3 '10: 5.0★ · 3 recensioniQ1 '11: 4.5★ · 2 recensioniQ2 '11: 5.0★ · 1 recensioneQ3 '11: 4.0★ · 1 recensioneQ4 '11: 5.0★ · 1 recensioneQ2 '12: 5.0★ · 1 recensioneQ4 '13: 5.0★ · 1 recensioneQ2 '14: 5.0★ · 1 recensioneQ3 '14: 5.0★ · 3 recensioniQ4 '14: 5.0★ · 1 recensioneQ2 '15: 5.0★ · 2 recensioniQ3 '15: 5.0★ · 2 recensioniQ4 '15: 5.0★ · 1 recensioneQ1 '16: 5.0★ · 1 recensioneQ3 '16: 5.0★ · 2 recensioniQ4 '16: 5.0★ · 1 recensioneQ2 '17: 5.0★ · 1 recensioneQ1 '18: 5.0★ · 3 recensioniQ2 '18: 5.0★ · 3 recensioniQ3 '18: 5.0★ · 1 recensioneQ2 '19: 5.0★ · 1 recensioneQ4 '19: 5.0★ · 3 recensioniQ2 '23: 5.0★ · 1 recensioneQ4 '23: 5.0★ · 2 recensioniQ2 '24: 5.0★ · 1 recensioneQ4 '24: 4.5★ · 3 recensioniQ1 '25: 5.0★ · 3 recensioniQ2 '25: 5.0★ · 2 recensioniQ1 '26: 5.0★ · 3 recensioni113211111131221121133113211112133263Q2 '08Q1 '11Q4 '11Q2 '14Q2 '15Q1 '16Q2 '17Q3 '18Q1 '20Q1 '22Q2 '24Q2 '25Q1 '26
Valutazione mediaSoddisfatti (4-5★)Insoddisfatti (1-2★)Altezza della barra = numero di recensioni

Basato su 64 recensioni dei clienti datate, raggruppate per trimestre solare. L'analisi per periodo è in inglese.

The proof

Performance

This lens is an optical monster. In our database, its sharpness sits in the absolute top tier—it chews up fine feather detail and makes you count eyelashes on a distant athlete. Stabilization is equally impressive, letting you shoot surprisingly slow shutter speeds for such a long focal length. Bokeh is pleasant and creamy, though a few lenses render out-of-focus backgrounds with a touch more smoothness. Autofocus speed is solid for most DSLRs, but you might need to spend a few minutes fine-tuning AF micro-adjustment on your body to nail focus perfectly every time—several owners mention this. With the 1.4x teleconverter, image quality dips a bit, but it's still very usable. Crank it to the 2.0x, though, and things get noticeably soft.

Performance Percentiles

AF 54.9
Bokeh 28.4
Build 6.6
Macro 25.2
Optical 78.4
Aperture 24.5
User Sentiment 63.6
Versatility 34.1
Social Proof 72.7
Stabilization 98.2

Specifications

Full Specifications

Optics

Type super-telephoto
Focal Length Min 400
Focal Length Max 400
Elements 16
Groups 12
Aspherical Elements 0
ED Elements 2
Coating Nano Crystal & Super Integrated Coatings

Aperture

Max Aperture 22
Min Aperture 2.8
Constant Yes
Diaphragm Blades 9

Build

Mount Nikon F
Format full-frame
Weather Sealed Yes
Weight 3.0 kg / 6.5 lbs
Filter Thread 46

AF & Stabilization

AF Type Autofocus
Stabilization Yes
Stabilization Stops 5.5

Focus

Min Focus Distance 2500
Max Magnification 1:6.25

vs Competition

Stacked against the Canon EF 400mm f/2.8L IS III and Sony FE 400mm f/2.8 GM, the Nikon holds its ground beautifully. The Canon is a bit lighter, while the Sony boasts faster, more modern AF tracking with mirrorless bodies. The newer Nikon Z 400mm f/2.8 TC adds a built-in teleconverter and is even sharper, but it's only for Z-mount. If you're still rocking a D5 or D850, this F-mount E FL is the clear winner—it's cheaper used than the mirrorless sibling and delivers nearly identical optical punch.

Spec Nikon NIKKOR Z 400mm f/2.8 TC VR S 400mm Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Tamron Di III 28-75mm f/2.8 Di III VXD G2 Sony E SELP1650 Meike 23mm F1.4 Ultra Wide Angle APS-C Frame Auto Focus Fixed Prime Portrait Lenses
Focal Length 400mm 16-300mm 50-200mm 28-75mm 16-50mm 23mm
Max Aperture 22 f/3.5 f/2.8 f/2.8 f/3.5 f/1.4
Mount Nikon F Sony E Micro Four Thirds Sony E Sony E Sony E
Stabilization true true true false true true
Weather Sealed true true true true false false
Weight (g) 2950 615 655 550 116 298
AF Type Autofocus HLA linear motor VXD Stepping motor STM
Lens Type super-telephoto zoom telephoto zoom zoom prime
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureUser SentimentVersatilitySocial ProofStabilization
Nikon NIKKOR Z 400mm f/2.8 TC VR S 400mm 54.928.46.625.278.424.563.634.172.798.2
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare 54.984.658.385.998.977.5099.67899
Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare 98.286.454.622.895.984.191.788.365.996.3
Tamron Di III 28-75mm f/2.8 Di III VXD G2 Compare 54.986.463.284.891.284.180.878.591.735.9
Sony E SELP1650 Compare 86.675.593.635.164.477.563.683.574.192.5
Meike 23mm F1.4 Ultra Wide Angle APS-C Frame Auto Focus Fixed Prime Portrait Lenses Compare 86.693.971.398.375.696.4034.133.481.1

Price

Value & Pricing

Let's not dance around it: this lens costs as much as a used car. We've seen prices ranging from about $7,897 to an absurd $1.7 million across vendors, but your best bet is around that lower end on Amazon. For a working pro, it's a business expense that pays for itself quickly. If you're a weekend warrior shooting birds for fun, the value proposition is a lot shakier unless you've got deep pockets. It's an investment-grade piece of equipment that holds its value well, but you're paying a premium for that fast aperture and pro-grade build.

Da 10.865 CA$ 1 offerte presso 1 rivenditori
B&H Photo 1 offerte Da 10.865 CA$
10.865 CA$

Read more

Overview

The Nikon 400mm f/2.8E FL ED is the kind of lens that makes you wonder why you'd ever settle for less. It's a super-telephoto prime built for DSLR shooters who need uncompromising sharpness and light-gathering power for sports, wildlife, and anything that moves fast in dim light. Weighing in at 3,801 grams, it's heavy, but actually kind of svelte for a 400mm f/2.8—previous versions were absolute tanks.

This F-mount legend uses fluorite and ED elements to keep colors crisp and contrast high. The Vibration Reduction is rated for 5.5 stops, which is a huge help when you're handholding a bazooka. Autofocus is via a Silent Wave Motor that's quick but not the snappiest we've ever tested. Still, for the intended audience, it's an essential tool that just gets out of the way.

Common Questions

Q: Does this lens work well on the Nikon D5?

Absolutely. It's a dream pairing for the D5, leveraging that camera's excellent low-light focusing and burst speed to keep up with fast action. Just be prepared to tweak the AF fine-tune settings for spot-on accuracy.

Q: Should I put a protective filter on the front?

It's a personal call. A high-quality clear filter can shield the front element from scratches and dust, but the lens already has a fluorine coating that repels moisture and grime. Just don't skimp on the filter quality—a cheap one can degrade image quality.

Q: Which replacement tripod foot is best for balance?

We've seen mixed feedback. The Really Right Stuff replacement foot can shift the balance point forward, making the rig feel front-heavy on a gimbal head. The original Nikon foot actually balances quite well, so it might be best to stick with it unless you have a specific reason to change.

Who Should Skip This

Weekend hobbyists and anyone who doesn't regularly shoot wildlife or sports at dawn or dusk. The weight and cost are massive overkill for occasional use. Also, if you're planning to jump to the Nikon Z system soon, grab the Z 400mm f/2.8 TC instead—the built-in teleconverter and native mirrorless integration make it the smarter future-proof buy.

Verdict

If you're a professional wildlife or sports shooter on the Nikon DSLR system, this lens is a no-brainer. It's the sharpest, most reliable 400mm f/2.8 you can bolt onto an F-mount body, and the VR gives you a real-world advantage when light gets scarce. For anyone else, it's massive overkill. The Z-mount version might tempt you if you're eyeing a mirrorless switch, but for sheer value on the used market, this E FL still rules.

Usage Scores

Macro (47)Overall (48.2)Budget (43.1)Street (40.2)Travel (36.8)Portrait (41.1)Landscape (48.4)Professional (54.9)Video Cinema (53.3)Wildlife Sports (54.5)

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