Nikon HEKTOR Leitz Cine HEKTOR T2.1 3 25mm
A constant T2.1 aperture across 25, 50, and 73mm focal lengths delivers full-frame coverage with a distinct, gentle Petzval effect and colorful indirect flares. The interchangeable Sony E and Nikon Z mounts add versatility, while the matched 0.8 MOD gearing and 120° focus rotation streamline rig integration. This manual-focus set is best for narrative cinematographers seeking a vintage, subject-centric look with subtle edge falloff and warm, natural tones.
Snapshot
Avantages et inconvénients
Pros
Cons
What owners think
The proof
Performances
Caractéristiques techniques
Fiche technique complète
Optics
| Type | prime |
| Focal Length Min | 25 |
| Focal Length Max | 73 |
Aperture
| Max Aperture | 22 |
| Min Aperture | 2.1 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Interchangeable Mount with Included Sony E |
| Format | full-frame |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 305 |
Face à la concurrence
| Spec | Nikon HEKTOR Leitz Cine HEKTOR T2.1 3 25mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 | Canon EF-S 18-135mm f/3.5-5.6 IS USM | Meike 50mm F1.8 Full Frame STM Auto Focus Prime |
|---|---|---|---|---|---|---|
| Focal Length | 25-73mm | 16-300mm | 18-300mm | 50-200mm | 18-135mm | 50mm |
| Max Aperture | 22 | f/3.5 | f/3.5 | f/2.8 | f/3.5 | f/1.8 |
| Mount | Interchangeable Mount with Included Sony E | Sony E | Fuji X | Micro Four Thirds | Canon EF-S | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | true | false | false |
| Weight (g) | 770 | 615 | 92 | 655 | 515 | 369 |
| AF Type | manual focus only | HLA | VXD linear motor | linear motor | STM | STM |
| Lens Type | prime | zoom | zoom | telephoto | zoom | Wide-Angle |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| Nikon HEKTOR Leitz Cine HEKTOR T2.1 3 25mm | 14 | 28.2 | 22.9 | 64.1 | 16.7 | 24.4 | 80.7 | 36 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 54.5 | 84.3 | 59 | 85.9 | 98.9 | 76.9 | 99.6 | 99.1 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.3 | 74.9 | 96.6 | 87.7 | 74.6 | 76.9 | 99.2 | 81.3 |
| Panasonic LUMIX G Leica DG Vario-Elmarit H-ES50200 Compare | 98.3 | 86.1 | 55.3 | 23.1 | 95.9 | 83.7 | 88.3 | 96.4 |
| Canon EF-S 18-135mm f/3.5-5.6 IS USM Compare | 86.9 | 74.9 | 47.3 | 33.2 | 80.1 | 76.9 | 96 | 92.6 |
| Meike 50mm F1.8 Full Frame STM Auto Focus Prime Compare | 86.9 | 96.1 | 63.7 | 95.6 | 39.6 | 92.8 | 34.2 | 81.3 |