Best Pick

Canon L IS USM

88 Video/Cinema Score
24-70mm f/2.8 Canon RF IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and built-in image stabilization deliver sharp, versatile performance across its 24-70mm zoom range. The lens offers a robust build and is a native fit for the Canon RF mirrorless ecosystem. It is best for event photographers and content creators needing a reliable, all-purpose lens for both stills and video work.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sony G Master FE 16-35mm f/2.8 GM Wide Angle Zoom

87 Video/Cinema Score
16-35mm f/2.8 Sony E-Mount IS Weather Sealed
Why we recommend this

This lens stands out with its constant f/2.8 aperture and advanced optics, including three aspherical and two XA elements for exceptional sharpness. Its robust G Master build and nano AR coating ensure high contrast and durability for demanding use. It is best for Sony full-frame photographers needing a versatile, high-performance wide-angle zoom for landscapes, events, and environmental portraits.

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Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR

83.8 Video/Cinema Score
22-70mm f/2.8 Nikon F IS Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and Vibration Reduction system provide excellent low-light performance and sharpness for a versatile zoom. The inclusion of specialized elements like ED and HRI glass, along with Nano Crystal Coatings, effectively controls aberrations and flare. This lens is best for event photographers and videographers who need a reliable, high-performance standard zoom in varied lighting conditions.

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Nikon NIKKOR AF-S 24-70mm f/2.8E ED VR lens
Price CA$2,329

Panasonic Leica DG Vario-Summilux Leica DG Vario-Summilux 25-50mm f/1.7 ASPH.

82.5 Video/Cinema Score
25-50mm f/1.7 Micro Four Thirds Weather Sealed
Why we recommend this

Its constant f/1.7 aperture across the 25-50mm zoom range provides exceptional low-light capability and background blur for a Micro Four Thirds lens. It meets strict Leica optical standards, ensuring professional-grade sharpness and rendering for photographers and videographers. This lens is best for Panasonic LUMIX shooters prioritizing portrait work and run-and-gun video where a fast, consistent aperture is critical.

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Panasonic Leica DG Vario-Summilux Leica DG Vario-Summilux 25-50mm f/1.7 ASPH. lens
Price CA$2,742

Canon EF EF 70-200mm IS III USM

85.2 Video/Cinema Score
70-200mm f/2.8 Canon EF IS
Why we recommend this

Its f/2.8 maximum aperture and advanced optics, including one fluorite and five UD elements, deliver exceptional sharpness and color fidelity. The lens is also built with a robust, professional-grade construction and features effective image stabilization for handheld shooting. This lens is best for professional event photographers and videographers who require reliable performance in controlled environments.

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Canon EF EF 70-200mm IS III USM lens
Price CA$3,292

Sigma Art 50mm f/1.2 DG DN

78.6 Video/Cinema Score
50mm f/1.2 L-Mount
Why we recommend this

Its f/1.2 maximum aperture and four aspherical elements deliver exceptional sharpness and beautiful bokeh for a 50mm prime. The high-response linear actuator AF system provides fast and quiet focusing performance. This lens is best for portrait photographers and cinematographers who prioritize optical quality and shallow depth-of-field over portability.

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Nikon NIKKOR Z 70-200mm f/2.8 VR S

76.7 Video/Cinema Score
70-200mm f/2.8 Nikon Z IS
Why we recommend this

Its constant f/2.8 aperture provides excellent low-light performance and subject isolation throughout the 70-200mm zoom range. The included lens hood and cap add practical value for on-the-go photographers. This lens is best for budget-conscious shooters needing a versatile telephoto for portraits and general use, though it lacks stabilization for video work.

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Pentax Star HD -D FA★85mmF1.4ED SDM Prime Telephoto

74.8 Video/Cinema Score
85mm f/1.4 Pentax K IS
Why we recommend this

Its f/1.4 maximum aperture and three Super ED glass elements deliver exceptionally sharp, high-contrast images with minimal chromatic aberration, even at wide-open apertures. The lens is also distinguished by its robust all-weather (AW) sealing and a nine-blade rounded diaphragm for producing a natural, beautiful bokeh effect. This prime telephoto is best for Pentax K-mount photographers specializing in portraiture who require a fast, weather-sealed lens with superb optical performance.

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Tamron Di III 35-150mm f/2-2.8 VXD

72.3 Video/Cinema Score
35-150mm f/2 Nikon Z Weather Sealed
Why we recommend this

Its f/2-2.8 aperture range is the fastest available for a zoom, offering exceptional low-light capability and background blur. The VXD linear motor provides notably fast and quiet autofocus, which is ideal for capturing candid moments. This lens is best for event and portrait photographers who need a single, versatile lens with pro-level speed and rendering.

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Tamron Di III 35-150mm f/2-2.8 VXD lens
Price CA$2,147

Sony FE 70-200mm f/4 Macro G OSS II

68 Video/Cinema Score
70-200mm f/4 Sony E IS
Why we recommend this

This lens stands out with its constant 0.5x maximum magnification across the entire 70-200mm zoom range, offering true macro capability in a telephoto zoom. Its internal focus and floating elements design ensure sharp performance at all distances while maintaining a compact, 771g build. It is best for photographers who need a versatile telephoto for both portraiture and close-up product or nature macro work.

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Sony FE 70-200mm f/4 Macro G OSS II lens
Price CA$2,110

Zeiss Batis 135mm f/2.8 Series

67.8 Video/Cinema Score
135mm f/2.8 Sony E (Full Frame) IS Weather Sealed
Why we recommend this

Its standout feature is an innovative OLED display that clearly shows focus distance and depth-of-field, even in low light. The lens combines robust, weather-sealed metal construction with a smooth autofocus system for reliable outdoor use. This lens is best for portrait photographers who require precise manual focus control and excellent color rendition from their full-frame Sony cameras.

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OM System M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO

65.3 Video/Cinema Score
90mm f/3.5 Micro Four Thirds IS Weather Sealed
Why we recommend this

Its 2:1 maximum magnification and 180mm full-frame equivalent reach offer exceptional close-up capability for a compact 454g lens. The weather-sealed PRO build and built-in image stabilization make it reliable for field use. This lens is best for macro photographers needing high magnification and portability, especially for insects or detailed botanical work.

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Zeiss Otus ML 85mm f/1.4

65.1 Video/Cinema Score
85mm f/1.4 Nikon Z
Why we recommend this

Its f/1.4 maximum aperture and Sonnar optical design deliver exceptional sharpness and beautiful bokeh, ideal for portrait work. The robust, all-metal construction and 10-blade diaphragm ensure precise manual control and smooth out-of-focus highlights. This lens is best for studio and portrait photographers who prioritize ultimate optical quality over autofocus or portability.

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