Best Pick

Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR

77.8 Video/Cinema Score
18-300mm f/3.5 Nikon F IS
Why we recommend this

Its 16.7x zoom range, from 27-450mm equivalent, provides exceptional versatility in a single lens for Nikon DX cameras. The inclusion of three aspherical and three ED elements helps control aberrations and maintain image quality across the focal range. This lens is best for photographers who need a comprehensive all-in-one solution for events or wildlife without changing lenses.

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Price CA$920
Nikon NIKKOR AF-S DX 18-300mm f/3.5-6.3G ED VR lens

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24mm f/1.4 DG HSM

74.5 Video/Cinema Score
24mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 maximum aperture and robust HSM autofocus system deliver exceptional low-light performance and sharpness for a wide-angle prime. The lens's 15-element optical design effectively controls distortion and chromatic aberration, making it highly reliable for critical work. This lens is best for portrait and documentary photographers who require a fast, wide-angle optic with consistent rendering and precise focus.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2

74.3 Video/Cinema Score
24-70mm f/2.8 Nikon F IS
Why we recommend this

With a constant f/2.8 aperture and built-in Vibration Compensation (VC), this lens excels in low-light photography and handheld shooting. Its robust G2 build quality and versatile 24-70mm zoom range make it a reliable workhorse for everyday professional use. This lens is best for event photographers and videographers who need a sharp, all-purpose zoom in challenging lighting conditions.

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Tamron SP SP 24-70mm f/2.8 Di VC USD G2 lens
Price CA$1,220

Zeiss Planar Classic ZF.2 T* 50mm f/1.4 Standard Camera

67.3 Video/Cinema Score
50mm f/1.4 Nikon F IS
Why we recommend this

Its f/1.4 aperture and ZEISS T* coating deliver superior contrast and low-light performance with minimal flare. The precise manual focus ring and nine-blade aperture create exceptionally smooth, harmonious bokeh. This lens is best for portrait photographers and cinematographers who prioritize manual control and rendering quality over autofocus speed.

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Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom

70.4 Video/Cinema Score
17-50mm f/2.8 Nikon F (DX) IS
Why we recommend this

Its constant f/2.8 aperture and optical stabilization provide excellent low-light performance for a standard zoom lens. The inclusion of FLD glass elements ensures high sharpness and color correction comparable to fluorite. This lens is best for professional photographers and videographers working with Nikon DX cameras who need a versatile, fast zoom for events or controlled shoots.

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Rokinon 85mm f/1.4

66 Video/Cinema Score
85mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 aperture and hybrid aspherical element deliver sharp portraits with beautiful background blur. The lens is also relatively lightweight at 481g for its class and features a 9-blade diaphragm for smooth bokeh. This lens is best for portrait photographers seeking a classic focal length with modern autofocus on Nikon F-mount cameras.

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Rokinon 85mm f/1.4 lens
Price CA$822

Samyang AF 85mm f/1.4 F

64.5 Video/Cinema Score
85mm f/1.4 Nikon F
Why we recommend this

Its f/1.4 maximum aperture and 85mm focal length provide excellent subject isolation and low-light performance for portraits. The lens offers a compelling combination of a bright aperture and relatively lightweight build at 481g, making it a more portable option than many competitors. This lens is best for portrait photographers seeking a classic focal length with a very shallow depth of field on a budget.

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Samyang AF 85mm f/1.4 F lens
Price CA$734

Voigtländer Nokton 58mm f/1.4 SL II S AI-S

62.8 Video/Cinema Score
58mm f/1.4 Nikon FX IS
Why we recommend this

Its manual-focus f/1.4 aperture and CPU-integrated Ai-S mount deliver outstanding performance and beautiful bokeh for both modern DSLRs and classic film SLRs. The lens offers a nostalgic barrel design reminiscent of vintage Nikkor optics while providing chipped metering compatibility. This lens is best for portrait photographers and Nikon enthusiasts seeking a high-quality, character-rich normal prime for both digital and film systems.

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Tamron Di II Auto Focus 10-24mm f/3.5-4.5 SP LD Aspherical

57.7 Video/Cinema Score
10-24mm f/3.5 Nikon F IS
Why we recommend this

Its versatile 10-24mm focal range provides an ultra-wide 15-36mm equivalent on APS-C cameras, paired with built-in image stabilization for handheld shooting. The lens accepts standard 77mm filters and uses a micromotor autofocus system, though it lacks full-time manual override. This lens is best for APS-C Nikon and Canon photographers needing a stabilized, wide-angle zoom for landscapes or interior photography on a budget.

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Laowa Zero-D 12mm f/2.8

51.1 Video/Cinema Score
12mm f/2.8 Nikon F Weather Sealed
Why we recommend this

This 12mm f/2.8 prime lens stands out with its ultra-wide field of view and a bright maximum aperture, supported by three extra-low dispersion and two aspherical elements for sharp, low-distortion images. Its robust, all-metal build quality is a notable highlight that ensures durability for demanding use. This lens is best for landscape and architectural photographers who require extreme wide-angle perspectives with minimal optical distortion.

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Zeiss Milvus 50mm f/1.4 ZF.2

50.9 Video/Cinema Score
50mm f/1.4 Nikon F
Why we recommend this

Its fast f/1.4 aperture and inclusion of four low-dispersion elements provide excellent sharpness and control over chromatic aberration. The robust, all-metal build quality ensures long-term durability for demanding use. This lens is best for portrait photographers seeking a classic 50mm focal length with exceptional optical performance.

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Lensbaby Velvet 28mm f/2.5

49.9 Video/Cinema Score
28mm f/2.5 Nikon F
Why we recommend this

Its unique soft-focus glow at wide apertures, paired with a versatile 1:2 macro magnification, makes it a creative tool rather than a standard prime. The 12-blade aperture contributes to smooth bokeh, enhancing its portrait capabilities despite lacking autofocus or stabilization. This lens is best for photographers seeking an artistic, dreamy look in their close-up and portrait work, where manual control and optical character are prioritized over technical perfection.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC

44.2 Video/Cinema Score
24mm f/3.5 Nikon F
Why we recommend this

Its +/- 8.5º tilt and shift capabilities provide extensive perspective and focus control for architectural and product photography. The 24mm focal length and full-frame coverage offer a versatile wide-angle perspective for creative compositions. This lens is best for photographers specializing in architectural, real estate, or tabletop product photography requiring precise perspective correction.

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Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC lens
Price CA$781

Tokina atx-i 100mm f/2.8 FF Macro

40.9 Video/Cinema Score
100mm f/2.8 Nikon F
Why we recommend this

Its 1:1 magnification and 300mm minimum focus distance deliver true macro capabilities for detailed close-up work. The f/2.8 maximum aperture provides useful subject isolation for portrait photography as well. This lens is best for Nikon F-mount photographers specializing in macro subjects like insects or product details, who also want a versatile 100mm prime for portraits.

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Trioplan 100mm f/2.8 II

34.8 Video/Cinema Score
100mm f/2.8 Nikon F
Why we recommend this

Its revised triplet optical design with coated Schott glass produces distinct, swirly bokeh, a signature look from its three-element construction. The 15-blade diaphragm ensures exceptionally smooth and circular out-of-focus highlights at various apertures. This lens is best for portrait photographers and creative artists specifically seeking that unique, vintage-inspired optical character for subject isolation.

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