Best Lenses under CA$700 for video production

Best Pick

Sony E 11mm f/1.8

75 Video/Cinema Score
11mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its 11mm focal length and large f/1.8 aperture enable dynamic, low-light shooting in an exceptionally compact and lightweight design. The lens also delivers fast, precise autofocus that is ideal for capturing spontaneous moments. This prime is best for travel and street photographers using APS-C cameras who prioritize portability and a unique, ultra-wide perspective.

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Sony G E PZ 18-105mm f/4.0 OSS Power Zoom

72.9 Video/Cinema Score
18-105mm f/4 Sony E-Mount IS
Why we recommend this

Its constant f/4 aperture and built-in Optical SteadyShot provide reliable performance for both stills and video across its versatile 27-158mm equivalent zoom range. The lens is relatively compact for its focal range, making it a practical all-in-one option for Sony APS-C camera users. This lens is best for hybrid shooters and videographers who need a stabilized, power-zooming lens for documentary or travel content.

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Sony SEL50F18 Compact ILC Lenses 50mm f/1.8

68 Video/Cinema Score
50mm f/1.8 Sony (E mount for NEX) IS
Why we recommend this

Its compact 206g design and built-in Optical SteadyShot stabilization make it a highly portable option for handheld shooting. The fast f/1.8 aperture and linear autofocus motor contribute to smooth, quiet focusing ideal for video work. This lens is best for Sony E-mount videographers and street photographers who need a lightweight, stabilized prime lens for run-and-gun situations.

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Sony FE 35mm f/1.8

66.6 Video/Cinema Score
35mm f/1.8 Sony E Weather Sealed
Why we recommend this

Its f/1.8 aperture provides excellent low-light performance and shallow depth of field for a compact, lightweight prime lens. This lens is a strong, affordable option for Sony full-frame shooters prioritizing portability. It is best for street photographers and portrait shooters who value a natural 35mm perspective without a heavy kit.

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Sony FE 35mm f/1.8 lens
Price CA$700

Sony SEL2860 Full Frame E-Mount

63.7 Video/Cinema Score
28-60mm Sony E IS
Why we recommend this

Its standout feature is its remarkably compact 167g build paired with a full-frame E-mount, delivering high-resolution image quality across its 28-60mm zoom range. The lens achieves sharp results and smooth bokeh using three aspherical elements, while its linear motor provides fast, quiet autofocus ideal for video. This lens is best for travel and everyday photographers who prioritize a lightweight kit without sacrificing full-frame sensor coverage.

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Sony VCLECF2 10-13mm f/2.8-22 Fisheye

57.5 Video/Cinema Score
10-13mm f/2 Sony E
Why we recommend this

Its constant f/2 aperture provides excellent low-light performance for a fisheye lens, paired with a lightweight 295g build. This lens offers a unique, adaptable fisheye perspective that changes focal length based on the attached converter lens. It's best for budget-conscious Sony Alpha shooters seeking creative, exaggerated distortion effects for urban or experimental photography.

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Sony SEL55210 Compact ILC Lenses

46.2 Video/Cinema Score
10mm f/4 Sony (E mount for NEX) IS
Why we recommend this

Its standout feature is a versatile 55-210mm telephoto zoom range, paired with Optical SteadyShot stabilization for handheld shooting. The lens also incorporates ED glass elements to minimize color fringing and offers smooth, quiet internal autofocus. This is best for Sony APS-C mirrorless shooters needing an affordable, lightweight telephoto option for subjects like distant wildlife or sports on a budget.

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Sony SEL057FEC 16mm f/3.5-22 Fisheye Converter

29.6 Video/Cinema Score
16mm f/3.5 Sony E
Why we recommend this

This fisheye converter transforms compatible 28mm lenses into a 16mm prime with a 180-degree angle of view for full-frame cameras, while transmitting EXIF data. Its built-in petal-type lens hood offers practical flare protection without adding bulk. This accessory is best for architectural or creative photographers looking to experiment with extreme perspective on their existing Sony E-mount lenses.

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Sony SEL16F28 Compact ILC Lenses 16mm f/2.8 Wide-Angle

17.9 Video/Cinema Score
16mm f/28 Sony (E mount for NEX)
Why we recommend this

Its ultra-compact pancake design makes it just 22mm long, ideal for pairing with mirrorless bodies for a pocketable setup. The fast f/2.8 aperture and 16mm focal length (24mm equivalent) provide a versatile wide-angle perspective. This lens is best for street photographers and travel vloggers who prioritize a minimal, lightweight kit over specialized features like weather sealing.

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Best Lenses under CA$1,500 for video production

Best Pick

Sony G E 15mm F1.4 APS-C Large-Aperture Wide-Angle

77.5 Video/Cinema Score
15mm f/1.4 Sony E IS
Why we recommend this

Its f/1.4 aperture and dual linear motors deliver exceptional low-light performance and impressively fast, quiet autofocus for both stills and video. The compact, constant-length design and dedicated aperture ring with a de-click switch offer professional handling ideal for run-and-gun filmmaking. This lens is best for APS-C hybrid shooters who need a fast, wide prime for vlogging, documentary work, or astrophotography.

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Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame

77.1 Video/Cinema Score
24-240mm f/3.5 Sony E (Full-Frame) IS Weather Sealed
Why we recommend this

Its 10x zoom range from 24-240mm makes it a uniquely versatile all-in-one travel lens for full-frame Sony cameras, backed by Optical SteadyShot stabilization. The inclusion of one ED and five aspherical elements helps control aberrations across its ambitious focal range, and it maintains a weather-sealed build. This lens is best for landscape photographers and professionals who need a single, durable lens for varied shooting conditions without changing optics.

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Sony SEL24F18Z Compact ILC Lenses Carl Zeiss 24mm f/1.8 Wide-Angle

58 Video/Cinema Score
24mm f/1.8 Sony (E mount for NEX)
Why we recommend this

Its Carl Zeiss Sonnar optics and large f/1.8 aperture deliver exceptional sharpness and beautiful background blur, even in low light. The compact 224g design and smooth, quiet autofocus make it highly portable and ideal for video work. This lens is best for street photographers and videographers using Sony APS-C cameras who prioritize optical quality and discreet handling in a lightweight package.

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Sony 16-50mm f/2.8 Standard Zoom

54.5 Video/Cinema Score
16-50mm f/2.8 Sony/Minolta Alpha
Why we recommend this

Its constant f/2.8 aperture across the 16-50mm zoom range provides excellent low-light capability and consistent depth-of-field control for APS-C cameras. The inclusion of a Super Sonic wave Motor ensures fast and quiet autofocus, making it responsive for dynamic shooting. This lens is best for Sony APS-C DSLR users needing a versatile, fast standard zoom for everyday photography and general video work.

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Best Lenses under CA$2,000 for video production

Best Pick

Sony G Master FE 35mm F1.4 GM Full-Frame Large-Aperture Wide Angle

80.7 Video/Cinema Score
35mm f/1.4 Sony E Weather Sealed
Why we recommend this

Its f/1.4 aperture and 11-blade design produce exceptionally smooth bokeh, while its compact 522g build enhances portability for handheld shooting. The lens features advanced coatings that minimize flare, ensuring high contrast and clarity even in challenging light. This prime is best for portrait photographers and hybrid shooters who prioritize both subject isolation and a lightweight kit for all-day use.

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Sony FE 24-105mm f/4 G OSS

77 Video/Cinema Score
24-105mm f/4 Sony E IS Weather Sealed
Why we recommend this

Its constant f/4 aperture and G-lens design with four aspherical elements deliver high resolving power across its 24-105mm zoom range. The optical formula provides reliable performance for a versatile walk-around lens. This lens is best for budget-conscious photographers needing a single, sharp zoom for travel and general landscape photography.

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Sony FE 24-105mm f/4 G OSS lens
Price CA$1,548
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Also available open box & refurbished:

Biotar 58mm f/1.5 II

37.5 Video/Cinema Score
58mm f/1.5 Sony E
Why we recommend this

Its f/1.5 maximum aperture and 14-blade diaphragm produce exceptionally smooth bokeh and sharp, characterful images. The manual focus design and substantial 1329g metal build prioritize tactile, deliberate control over speed or portability. This lens is best for portrait photographers seeking a specific, classic rendering and who value a premium, hands-on shooting experience.

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Best Lenses under CA$3,500 for video production

Best Pick

Sony G Master FE 16-35mm f/2.8 GM Wide Angle Zoom

87 Video/Cinema Score
16-35mm f/2.8 Sony E-Mount IS Weather Sealed
Why we recommend this

This lens stands out with its constant f/2.8 aperture and advanced optics, including three aspherical and two XA elements for exceptional sharpness. Its robust G Master build and nano AR coating ensure high contrast and durability for demanding use. It is best for Sony full-frame photographers needing a versatile, high-performance wide-angle zoom for landscapes, events, and environmental portraits.

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Sony FE 70-200mm f/4 Macro G OSS II

68 Video/Cinema Score
70-200mm f/4 Sony E IS
Why we recommend this

This lens stands out with its constant 0.5x maximum magnification across the entire 70-200mm zoom range, offering true macro capability in a telephoto zoom. Its internal focus and floating elements design ensure sharp performance at all distances while maintaining a compact, 771g build. It is best for photographers who need a versatile telephoto for both portraiture and close-up product or nature macro work.

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Sony FE 70-200mm f/4 Macro G OSS II lens
Price CA$2,110

Sony RF Blazar

37.9 Video/Cinema Score
85mm Sony E
Why we recommend this

Its 1.5x anamorphic squeeze and fast T1.8 to T2.8 apertures deliver a classic cinematic look with signature silver flares and oval bokeh. The three-lens set covers a versatile 33mm, 50mm, and 85mm range for full-frame mirrorless cameras, and the 16-blade iris contributes to smooth out-of-focus rendering. This kit is best for independent filmmakers and cinematographers seeking an accessible anamorphic lens set to achieve a distinct, widescreen aesthetic.

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Sony RF Blazar lens
Price CA$3,426

Premium Lenses for video production

Best Pick

Sony G Master FE 28-70mm F2

92 Video/Cinema Score
28-70mm f/2 Sony E
Why we recommend this

This lens stands out with its constant f/2 aperture, providing exceptional low-light performance and background blur across its 28-70mm zoom range. Its optical design delivers sharpness and contrast that challenge many prime lenses, offering versatility without sacrificing image quality. It is best for portrait and event photographers who need a single, high-performance zoom for varied shooting conditions.

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Price CA$3,998
Sony G Master FE 28-70mm F2 lens

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Sony FE 400-800mm f/6.3-8 G OSS

57.3 Video/Cinema Score
400-800mm f/6.3 Sony E IS
Why we recommend this

Its standout feature is an exceptionally long 400-800mm zoom range with a constant f/6.3 aperture, offering full-frame coverage in a relatively compact internal zoom design. The lens is built for professional use with dual linear motors for fast autofocus and a focus limiter switch for responsive tracking. It is best for wildlife and sports photographers who need extreme reach without the bulk of traditional super-telephoto primes.

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Sony FE 400-800mm f/6.3-8 G OSS lens
Price CA$4,100

Sony APSARA LUMIERE APSARA LUMIERE T1.4 Super Speed 4

47.9 Video/Cinema Score
24mm Interchangeable Mount with Included Sony E
Why we recommend this

Its T1.4 maximum aperture and 12-blade iris enable an ultra-shallow depth of field with a painterly, vintage-inspired look characterized by organic rendering and controlled flares. The lens is built for manual cinema use with a 270-degree focus rotation, 0.8 MOD gears, and a soft, low-profile focus mark light for precise operation. This lens is best for cinematographers and filmmakers seeking a specific, characterful optical signature for narrative or commercial projects.

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Sony Blazar

37.6 Video/Cinema Score
25mm Interchangeable Mount with Included Sony E
Why we recommend this

Its 1.33x anamorphic squeeze and consistent T2.0-T3.2 aperture across a six-lens kit deliver a signature cinematic look with oval bokeh and amber flares. The 14-blade iris and 0.8 MOD gearing provide precise, professional-grade focus control and visual character. This set is best for filmmakers building a full-frame anamorphic workflow who prioritize a cohesive aesthetic across multiple focal lengths.

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