Best Pick

Meike 85mm f1.8 SE II Full Frame STM High Resolution

79.7 Street Score
85mm f/1.8 Leica L IS
Why we recommend this

With an f/1.8 aperture and built-in stabilization, it excels in low light and handheld shooting for its class. Its surprisingly light 369g weight and high-resolution optics make it a portable, sharp option for L-mount systems. This lens is best for wildlife and sports photographers on a budget who need a stabilized, medium-telephoto prime.

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Price CA$320
Meike 85mm f1.8 SE II Full Frame STM High Resolution lens

Great Alternatives

These options also score highly and may better suit your specific needs

TTArtisan 17mm f/1.4

78.8 Street Score
17mm f/1.4 L-Mount
Why we recommend this

Its f/1.4 maximum aperture and 10-blade diaphragm provide excellent low-light capability and smooth bokeh for a compact 247g lens. The 25.5mm full-frame equivalent focal length makes it a versatile wide-angle prime for everyday use. This lens is best for street photographers and portrait shooters using APS-C L-mount cameras who prioritize a bright, lightweight optic.

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Sigma Contemporary 23mm f/1.4 DC DN

75.2 Street Score
23mm f/1.4 L-Mount Weather Sealed
Why we recommend this

Its f/1.4 aperture and 35mm full-frame equivalent focal length deliver excellent low-light performance and a versatile field of view for APS-C cameras. The fast internal focus system provides quick and quiet autofocus, making it responsive for dynamic shooting situations. This lens is best for portrait photographers and content creators who need a bright, standard prime lens for their L-mount system.

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Sigma Contemporary 23mm f/1.4 DC DN lens
Price CA$580

Panasonic Lumix S 50mm f/1.8

69.9 Street Score
50mm f/1.8 L-Mount Weather Sealed
Why we recommend this

Its f/1.8 aperture and focus breathing suppression make it a strong, compact choice for L-mount videographers needing smooth bokeh and reliable performance. The lens is notably lightweight at 301g, enhancing its portability for all-day handheld shooting. This 50mm prime is best for hybrid shooters and portraitists within the L-mount ecosystem who prioritize video functionality and natural background separation.

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Panasonic Lumix S 50mm f/1.8 lens
Price CA$498

Laowa Zero-D 9mm f/2.8

68.2 Street Score
9mm f/2.8 L-Mount
Why we recommend this

This ultra-wide 9mm f/2.8 prime lens is exceptionally compact at 215g and offers a versatile 35mm-equivalent focal length of 13.5mm for APS-C L-Mount cameras. Its optical design, featuring two aspherical elements, is engineered to minimize distortion for a rectilinear look. It's best for landscape and architectural photographers on the go who need a lightweight, wide-angle perspective without excessive barrel distortion.

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7Artisans 24mm f/1.8 AF

64.8 Street Score
24mm f/1.8 L-Mount
Why we recommend this

Its fast f/1.8 aperture and quiet STM autofocus motor make it a capable low-light and video lens. The build quality is enhanced by a de-clicked aperture ring and a customizable function button for direct control. This lens is best for portrait and street photographers using L-mount cameras who want a fast, manual-feeling wide-angle prime.

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TTArtisan AF 40mm f/2

63.2 Street Score
40mm f/2 L-Mount
Why we recommend this

Its standout feature is the combination of a fast f/2 aperture and a compact 176g build, making it a highly portable full-frame prime. The lens differentiates itself with a clickable aperture ring for tactile control and a responsive STM autofocus motor. It is best for street photographers and portrait shooters who prioritize a lightweight, discreet setup with manual aperture control.

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Mitakon Zhongyi Speedmaster 50mm f/0.95 III

61.8 Street Score
50mm f/0.95 L-Mount
Why we recommend this

Its standout f/0.95 maximum aperture enables exceptional low-light performance and extremely shallow depth of field. The manual focus design, featuring dedicated depth-of-field and distance scales, provides precise tactile control for creative work. This lens is best for portrait photographers and cinematographers who prioritize artistic bokeh and manual operation over autofocus convenience.

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Brightin Star 35mm f/1.4

59.2 Street Score
35mm f/1.4 L-Mount
Why we recommend this

Its f/1.4 maximum aperture and lightweight 204g build offer excellent low-light capability and handling for its price. The manual focus design, featuring a de-clickable aperture ring, provides tactile control ideal for video work. This lens is best for portrait and street photographers seeking a compact, fast prime lens for L-mount cameras.

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Laowa 90mm f/2.8 2x Ultra Macro APO

55.6 Street Score
90mm f/2.8 L-Mount
Why we recommend this

Its standout 2:1 maximum magnification allows for extreme close-up photography, while its 13-blade aperture contributes to smooth bokeh. The lens is a specialized tool, offering double the magnification of most standard macro lenses for capturing intricate details. This lens is best for macro photographers and product detail shooters who require extreme reproduction ratios beyond life-size.

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Laowa 90mm f/2.8 2x Ultra Macro APO lens
Price CA$685

Sigma Art 70mm f/2.8 DG Macro

53.9 Street Score
70mm f/2.8 Leica L
Why we recommend this

Its 1:1 magnification and f/2.8 aperture provide exceptional detail and background separation for true macro work. The lens is also a sharp 70mm prime, making it versatile for portraits and product photography. This lens is best for L-mount photographers who need a dedicated macro tool for capturing intricate subjects like jewelry, insects, or botanical details.

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7Artisans Lumix S AutoFocus 50mm F1.8 Full Frame

53 Street Score
50mm f/1.8 Leica/Panasonic/Sigma L IS
Why we recommend this

Its STM autofocus motor and face/eye recognition provide reliable, fast focusing for a third-party lens. The inclusion of a physical aperture ring offers intuitive manual control over depth of field and exposure. This lens is best for portrait photographers on a budget who value autofocus performance and direct aperture control in a 50mm prime.

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AstrHori 85mm f/1.8 II Full Frame AF

47.7 Street Score
85mm f/1.8 L-Mount
Why we recommend this

Its f/1.8 aperture and inclusion of two extra-low dispersion elements allow for sharp, high-quality portraits with pleasing background separation. The lens offers solid autofocus performance for its price point, making it a capable alternative to more expensive first-party options. This lens is best for portrait photographers and content creators on a budget who need a reliable, fast prime for their L-mount cameras.

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Mitakon Zhongyi Creator 135mm f/2.5

42.2 Street Score
135mm f/2.5 L-Mount
Why we recommend this

Its standout feature is a fast f/2.5 aperture paired with a 9-blade diaphragm, engineered to produce exceptionally smooth bokeh and sharp, color-accurate images with minimal chromatic aberration. The lens offers precise manual focus control and a robust metal build, providing a tactile, dedicated shooting experience for photographers who favor deliberate composition. This lens is best for portrait photographers on the Leica L system seeking a high-quality, manual-focus telephoto prime that prioritizes rendering character and subject separation over autofocus speed.

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Sirui Aurora 85mm f/1.4

41.3 Street Score
85mm f/1.4 L-Mount
Why we recommend this

Its f/1.4 aperture and 85mm focal length are ideal for creating a shallow depth of field and beautiful subject separation in portraits. The lens incorporates ASPH., ED, and HRI elements to control aberrations and enhance sharpness, while physical controls like an AFL button provide direct handling. This lens is best for portrait photographers seeking a fast, dedicated prime lens for studio or controlled outdoor work.

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Sirui 50mm F1.8 1.33X S35 Anamorphic

37.2 Street Score
50mm f/1.8 Leica L
Why we recommend this

Its 50mm focal length paired with a 1.33x anamorphic squeeze delivers a 37.5mm-equivalent field of view and signature oval bokeh for a cinematic look. The lens is constructed with high-quality Schott glass elements, offering a robust yet relatively lightweight build for an anamorphic optic. This lens is best for independent filmmakers and videographers using L-mount cameras who want to achieve a classic, widescreen film aesthetic without a massive cinema lens budget.

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