Best Landscape Lenses Under CA$1,500 in 2026
Sony FE SEL24240 24-240mm F3.5-6.3 OSS Full-frame
Great Alternatives
These options also score highly and may better suit your specific needs
Tamron Di III 28-200mm F/2.8-5.6 RXD
Why we recommend this ▼
Its standout feature is the constant f/2.8 maximum aperture across its 28-200mm zoom range, offering consistent light-gathering ability. This combination of a wide aperture and extensive zoom in a relatively compact design provides exceptional versatility for travel. It is best for budget-conscious Sony shooters who need a single, fast lens for everything from landscapes to portraits.
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS
Why we recommend this ▼
This lens stands out with its massive 24-450mm equivalent zoom range, a 1:2 macro magnification, and a high-speed HLA autofocus motor. Its all-in-one design offers significant versatility for a single lens, covering wide-angle to super-telephoto photography. It is best for photographers who need one lens for everything from landscapes to close-up details and want to avoid changing lenses on an APS-C camera.
Rokinon AF 24-60mm f/2.8 Zoom
Why we recommend this ▼
Its constant f/2.8 aperture and built-in stabilization make it a versatile, weather-sealed zoom for low-light and action photography. The lens offers excellent integration with Sony FE cameras and delivers crisp image quality from its 14-element optical design. This lens is best for professional photographers and videographers who need a reliable, all-purpose zoom for events, sports, and run-and-gun filmmaking.
Sony G E 16-55mm f/2.8
Why we recommend this ▼
Its constant f/2.8 aperture and advanced aspherical elements deliver outstanding corner-to-corner sharpness and suppress aberrations. The lens is further defined by its XD linear motor, which provides fast, precise, and quiet autofocus for both photos and video. This is an ideal primary zoom for Sony APS-C shooters who prioritize optical performance and a bright aperture for everyday photography and controlled-depth-of-field work.
Tamron Di III VC 150-500mm f/5-6.7 Di VXD
Why we recommend this ▼
Its 150-500mm zoom range in a relatively compact 1880g package provides substantial reach for a full-frame Sony camera. The VXD linear autofocus motor and VC image stabilization are key features for maintaining sharp shots at long focal lengths. This lens is best for wildlife and sports photographers who need a portable telephoto option without the bulk of a super-telephoto prime.
Sigma Art 85mm f/1.4 DG DN
Why we recommend this ▼
Its f/1.4 maximum aperture delivers exceptional background blur and low-light performance, ideal for isolating subjects. The lens is built with a complex 15-element optical formula designed to minimize aberrations and produce sharp, high-contrast images. This lens is best for portrait photographers and videographers who prioritize creamy bokeh and optical clarity over portability or weather sealing.
Tamron 28-75mm F/2.8 for Sony Mirrorless Full Frame
Why we recommend this ▼
Its constant f/2.8 aperture delivers superb optical performance and beautiful bokeh, while its RXD stepping motor provides extremely quiet autofocus ideal for video work. The lens is also comfortably lightweight at 549g and features moisture-resistant construction for added durability. This lens is best for Sony mirrorless shooters who need a versatile, fast-aperture zoom for both stills and video without the bulk of first-party options.
Viltrox 16mm F1.8 FE
Why we recommend this ▼
Its f/1.8 maximum aperture and built-in optical stabilization provide exceptional low-light capability for a wide-angle prime, while its integrated LCD screen offers convenient on-lens parameter readouts. The lens delivers sharp results with its advanced optical design, though its 1107g weight limits portability. This lens is best for astrophotographers and architectural photographers who prioritize aperture and manual control over a lightweight kit.
Laowa Zero-D 12mm f/2.8 Lite AF
Why we recommend this ▼
Its standout feature is a bright f/2.8 aperture on a full-frame 12mm prime lens, enabling low-light shooting and a unique 10-point sun-star effect from its 5-blade iris. The lens is notably lightweight at 363 grams and offers autofocus, a rarity for such a specialized ultra-wide-angle optic. This lens is best for architectural and landscape photographers who need a compact, fast prime with close-focusing capability down to 5.5 inches for creative foreground elements.
Samyang AF 135mm f/1.8 FE
Why we recommend this ▼
Its 135mm f/1.8 design with three ED elements and an aspherical element delivers exceptional sharpness and beautiful background separation for portraits. The lens offers strong autofocus performance and solid build quality at a price point typically below competing models. This lens is best for portrait photographers and content creators seeking a high-quality telephoto prime with a cinematic look.
Rokinon 24-70mm f/2.8 AF Zoom
Why we recommend this ▼
Its fast f/2.8 aperture and inclusion of three HR and three ED elements deliver sharp, high-contrast images across the zoom range. While not weather-sealed, its robust 1089g build and optical design prioritize image quality for the price. This lens is best for photographers needing a versatile, sharp standard zoom for studio portraits or controlled-environment macro work, given its 1:3.7 magnification ratio.
Meike 24mm f/1.4 AF
Why we recommend this ▼
Its f/1.4 maximum aperture provides excellent low-light performance and shallow depth of field for a 24mm wide-angle prime. The inclusion of autofocus and an aperture ring on the lens barrel offers direct control and convenience. This lens is best for Sony full-frame shooters needing a fast, versatile prime for landscapes, architecture, and environmental portraits.
Samyang 24-70mm f/2.8 AF
Why we recommend this ▼
Its f/2.8 constant aperture and 13.8" minimum focusing distance provide excellent versatility for both portraits and close-up work. The lens features a quiet, smooth linear stepless motor ideal for video, though it lacks image stabilization and weather sealing. This lens is best for Sony shooters needing a sharp, all-purpose zoom for studio portraits and detailed product photography.
Laowa Argus 25mm f/0.95 CF APO
Why we recommend this ▼
Its manual-focus, f/0.95 aperture delivers exceptional low-light performance and a very shallow depth of field for a 37.5mm full-frame equivalent lens. The APO optical design controls chromatic aberration well, and the 575g build feels substantial for its class. This lens is best for portrait photographers and videographers on APS-C cameras who prioritize creative bokeh and low-light capability over autofocus convenience.
Sirui Sniper f/1.2 Autofocus 3
Why we recommend this ▼
Its standout f/1.2 aperture across both lenses enables exceptional low-light performance and shallow depth of field, particularly useful for the 75mm portrait lens. The pair offers a versatile two-lens kit covering wide-angle and short-telephoto needs for Sony APS-C cameras. This set is best for portrait photographers and content creators who prioritize subject isolation and bokeh quality in controlled or low-light environments.