Best Pick

Sigma 16-28mm f/2.8 DG DN Contemporary Lens

84.9 Professional Score
28mm f/2.8 L-Mount Weather Sealed
Why we recommend this

Its constant f/2.8 aperture and internal zoom design provide a versatile, weather-sealed package for full-frame mirrorless cameras. The stepping motor AF ensures quiet and smooth focus transitions, making it suitable for video work. This lens is best for hybrid shooters and travel photographers who need a compact, wide-angle zoom for both stills and video in varied conditions.

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Great Alternatives

These options also score highly and may better suit your specific needs

Panasonic LUMIX S 24-60mm f/2.8 Lens (L-Mount)

77.2 Professional Score
60mm f/2.8 L-Mount Weather Sealed
Why we recommend this

Its constant f/2.8 aperture provides excellent low-light performance and consistent depth of field control across its 24-60mm zoom range. The weather-sealed, 544g build offers solid portability for a standard zoom, making it a practical all-day lens. This lens is best for travel and landscape photographers who need a reliable, versatile primary lens in various conditions.

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Laowa Venus Optics Laowa 90mm f/2.8 2x Ultra Macro APO

59.8 Professional Score
90mm f/2.8 L-Mount
Why we recommend this

Its standout 2:1 maximum magnification allows for extreme close-up photography, while its 13-blade aperture contributes to smooth bokeh. The lens is a specialized tool, offering double the magnification of most standard macro lenses for capturing intricate details. This lens is best for macro photographers and product detail shooters who require extreme reproduction ratios beyond life-size.

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Sirui SIRUI Astra 100mm 1.33X Full Frame Auto Focus

28.5 Professional Score
100mm Leica L IS
Why we recommend this

With a 100mm focal length and fast T1.8 aperture, it delivers a 1.33x anamorphic squeeze for a cinematic look with excellent low-light performance. Its dual flare options and dedicated AF/MF switch provide creative control and professional workflow integration. This lens is best for filmmakers and cinematographers seeking a dedicated anamorphic prime for narrative or commercial projects.

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