Canon Portrait and Travel Two Review
This budget-friendly two-lens kit from Canon covers portraits and wide-angle shots, but is it sharp enough? We break down the pros, cons, and who it's really for.
Overview
Looking for a simple, affordable way to get into prime lenses and wide-angle photography? This Canon two-lens kit bundles the classic EF 50mm f/1.8 STM with the ultra-wide EF-S 10-18mm f/4.5-5.6 IS STM. It's a combo aimed at Canon DSLR users who want to move beyond their kit zoom. The 50mm is the star here, a 'nifty fifty' known for its large aperture and portrait-friendly focal length. The 10-18mm is your go-to for landscapes, architecture, or fitting more into the frame indoors. For people searching for a 'Canon portrait lens' or a 'budget wide-angle lens,' this package covers both bases without breaking the bank.
Performance
The autofocus on these lenses is a real highlight, landing in the 95th percentile. The STM motors are quick and, more importantly, whisper-quiet, which is great if you're shooting video. The 50mm's f/1.8 aperture lets in a lot of light, scoring in the 74th percentile, so you can shoot in dim conditions and get that nice, soft background blur. The image stabilization in the 10-18mm is solid too, at the 86th percentile, helping you get sharp shots at slower shutter speeds. Just know that optical performance is a weaker point, sitting in the 34th percentile. You might see some softness in the corners, especially on the wide-angle, but for the price, it's more than acceptable.
Pros & Cons
Pros
- Strong af (95th percentile) 96th
- Strong macro (87th percentile) 93th
- Strong stabilization (86th percentile) 91th
- Strong aperture (74th percentile) 88th
Cons
- Below average build (23th percentile) 21th
- Below average optical (34th percentile)
Specifications
Full Specifications
Optics
| Type | Wide-Angle |
| Focal Length Min | 50 |
| Focal Length Max | 50 |
Aperture
| Max Aperture | f/1.8 |
Build
| Mount | ES-68 |
| Weight | 0.5 kg / 1.2 lbs |
AF & Stabilization
| AF Type | STM |
| Stabilization | Yes |
Focus
| Min Focus Distance | 50 |
Value & Pricing
At around $419 for the pair, this kit is a steal if you need both focal lengths. Buying these lenses separately would cost you more. You're getting a capable portrait/low-light lens and a stabilized ultra-wide zoom for less than the price of many single, higher-end lenses. If you only need one type of lens, you could find a sharper single option, but as a starter bundle to expand your creative options, the value is hard to beat.
vs Competition
Let's look at some alternatives. The Viltrox 35mm f/1.7 is a popular single prime that's sharper and often cheaper than this kit, but you lose the ultra-wide option and autofocus might not be as refined. The Canon EF-S 17-85mm f/4-5.6 IS USM is a direct competitor as a versatile all-in-one zoom; it's more convenient for travel but can't match the 50mm's low-light ability or the 10-18mm's width. For a similar two-lens approach, pairing a used 50mm f/1.8 with a Tokina 11-16mm f/2.8 would give you better optics and a constant aperture, but it'll cost more and be heavier.
| Spec | Canon Portrait and Travel Two | Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF | Sony G Master Sony FE 35mm F1.4 GM Full-Frame Large-Aperture | Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X | Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony | Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus |
|---|---|---|---|---|---|---|
| Focal Length | 50mm | 55mm | 35mm | 35mm | 17-70mm | - |
| Max Aperture | f/1.8 | f/1.4 | f/1.4 | f/1.7 | f/2.8 | f/1.4 |
| Mount | ES-68 | Nikon Z | Sony E-Mount, Sony E-Mount (Full-Frame) | Fujifilm X | Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M | Fujifilm X |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | false | false | true | false | false | true |
| Weight (g) | 544 | 281 | 522 | 400 | 544 | 320 |
| AF Type | STM | STM | Autofocus | STM | Autofocus | STM |
| Lens Type | Wide-Angle | - | Wide-Angle | - | Wide-Angle Zoom | - |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Canon Portrait and Travel Two | 95.6 | 68.8 | 20.7 | 90.5 | 35 | 75.8 | 37.5 | 92.6 | 87.7 |
| Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare | 95.6 | 81.8 | 81.2 | 89 | 67.9 | 88.1 | 37.5 | 90.5 | 87.7 |
| Sony G Master FE 35mm F1.4 GM Full-Frame Large-Aperture Wide Angle Compare | 46.4 | 95 | 81.1 | 84.3 | 84.4 | 88.1 | 37.5 | 95.4 | 87.7 |
| Viltrox Air 35mm F1.7 f/1.7 AF Compare | 95.6 | 73.6 | 63.6 | 93.1 | 74.5 | 80.5 | 37.5 | 95.4 | 87.7 |
| Tamron Di III 17-70mm f/2.8 -A VC RXD Compare | 46.4 | 59.2 | 64.6 | 77.2 | 91.3 | 54.6 | 92.5 | 95.4 | 87.7 |
| Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare | 95.6 | 81.8 | 88.8 | 85.1 | 35 | 88.1 | 37.5 | 87.3 | 87.7 |
Verdict
So, should you buy this? If you're a Canon APS-C DSLR user (like with a Rebel T7i or 80D) and you want to try prime lenses and ultra-wide angles without a huge investment, this kit is a perfect starting point. It answers the 'is this good for portraits?' question with a resounding yes for the 50mm, and the 10-18mm handles wide shots well. But if you prioritize ultimate image sharpness, need weather sealing, or mostly shoot in low light with the wide-angle, you might want to save up for individual, higher-quality lenses. For the price, though, it's a fantastic way to learn and grow.