Canon EF Du Review

The Dulens APO Mini 6-lens set offers filmmakers a matched kit of full-frame primes for a fraction of the cost of high-end cine glass. But is the vintage look and manual-only operation worth it for your shoot?

Focal Length 21mm
Mount Interchangeable Mount with Included Canon EF
Stabilization No
Weather Sealed No
Weight 550 g
Lens Type Prime
Canon EF Du lens
31.9 Puntuación global

The 30-Second Version

The Canon Dulens APO Mini 6-lens set is a matched kit of full-frame cinema primes for filmmakers. For around $4,200, you get six focal lengths with consistent T-stops and handling, designed to deliver a smooth, vintage look. It's a great value for dedicated video shooters but a poor choice for photographers needing autofocus.

Overview

If you're a filmmaker or serious video shooter looking for a full set of cinema primes without the rental house price tag, the Canon Dulens APO Mini 6-lens kit is a unique option. For around $4,200, you get six focal lengths (21, 31, 43, 58, 85, and 110mm) designed specifically for video work. They're all full-frame, share a consistent T2.4 to T2.6 max aperture, and have matching 72mm filter threads and 80mm front diameters, which is a huge plus for rigging and using matte boxes. The lenses are coated to deliver a smooth, vintage look, which is a specific creative choice that sets them apart from clinical modern glass. Our data shows they score best for video/cinema use, which makes sense given their feature set.

Performance

These are manual focus cinema primes, so performance is about optical character and mechanical feel, not autofocus speed. The optical quality scores land in the 35th percentile in our database, which is solid but not class-leading. The 11-blade aperture diaphragm should produce nice, round bokeh, and the bokeh quality score is a decent 56th percentile. The max aperture of T2.4-T2.6 is good, but it's not an ultra-fast set; that metric sits in the 29th percentile. In practice, you're getting a very consistent look across all six lenses, which is critical for multi-cam shoots or projects where you need to cut between different focal lengths without jarring shifts in color or contrast. The focus and iris gears are standard 0.8 MOD, so they'll play nice with follow focus systems.

Performance Percentiles

AF 46.4
Bokeh 56.1
Build 62.8
Macro 21.7
Optical 34.6
Aperture 29.7
Versatility 37.5
Stabilization 37.9

Pros & Cons

Pros

  • Full six-lens kit covers wide to telephoto for video
  • Consistent T-stop, front diameter, and filter thread across all lenses
  • Designed for a specific 'smooth, vintage' optical character
  • Interchangeable EF mount system (mounts included)
  • Full-frame coverage with a 46mm image circle

Cons

  • Manual focus only, no autofocus 22th
  • No image stabilization in any lens 30th
  • Not weather-sealed 35th
  • Max aperture isn't exceptionally fast for the price
  • Weakest for macro photography (17th percentile)

Specifications

Full Specifications

Optics

Type Prime
Focal Length Min 21
Focal Length Max 21

Aperture

Diaphragm Blades 11

Build

Mount Interchangeable Mount with Included Canon EF
Format Full-Frame (46 mm Image Circle)
Weight 0.6 kg / 1.2 lbs
Filter Thread 72

AF & Stabilization

Stabilization No

Value & Pricing

At $4,199 for six lenses, you're paying about $700 per lens. That's a compelling price for a matched cinema set. The value really depends on your needs. If you need autofocus or plan to use these primarily for stills, there are better values in stills photography lenses. But if you're building a dedicated video rig and want the consistency of a matched set without spending $15,000+ on higher-end cine glass, this kit starts to make a lot of sense. You're paying for the convenience and uniformity, not necessarily for bleeding-edge optical performance.

4199 US$

vs Competition

This set is in a different league than the single, budget autofocus primes listed as competitors, like the Meike 55mm F1.8 or Viltrox lenses. A fairer comparison would be against other entry-level cinema prime sets, like the Sirui Venus series or the DZOFilm Pictor zooms. The Dulens kit's main trade-off is the vintage character and manual-only operation versus the modern, clinical look and sometimes included autofocus in stills lenses. If you need one fast, versatile lens for run-and-gun video and photos, a single Canon RF 24-70mm f/2.8 might be a better investment. But if you need a dedicated set of tools that all feel and perform the same on a cinema camera, the Dulens package is hard to beat at this price point.

Spec Canon EF Du Meike Meike 55mm F1.4 Standard Aperture APS-C Frame AF Viltrox Air VILTROX 35mm F1.7 f/1.7 Air AF Lens for Fuji X Tamron Di III Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony Nikon NIKKOR Z Nikon NIKKOR Z 24-70mm f/2.8 S II Lens (Nikon Z) Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus
Focal Length 21mm 55mm 35mm 17-70mm 24-70mm -
Max Aperture - f/1.4 f/1.7 f/2.8 f/2.8 f/1.4
Mount Interchangeable Mount with Included Canon EF Nikon Z Fujifilm X Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-Mount, Sony E-M Nikon Z Fujifilm X
Stabilization false true true true true true
Weather Sealed false false false false true true
Weight (g) 550 281 400 544 676 320
AF Type - STM STM Autofocus Autofocus STM
Lens Type Prime - - Wide-Angle Zoom Wide-Angle Zoom -
Compare Compare Compare Compare Compare
Product AfBokehBuildMacroOpticalApertureVersatilityStabilization
Canon EF Du 46.456.162.821.734.629.737.537.9
Meike 55mm F1.4 Standard Aperture APS-C Frame AF STM Compare 95.681.881.289.167.588.137.587.7
Viltrox Air 35mm F1.7 f/1.7 AF Compare 95.673.663.593.27480.637.587.7
Tamron Di III 17-70mm f/2.8 -A VC RXD Compare 46.459.264.477.490.854.692.587.7
Nikon NIKKOR Z 24-70mm f/2.8 S II Compare 46.471.672.372.49754.685.487.7
Fujifilm VILTROX 56mm F1.4 STM APS-C Frame Auto Focus Standard Prime Compare 95.681.888.985.234.688.137.587.7

Common Questions

Q: Are the Dulens APO Mini lenses good for photography?

They can be used for photography, but they're manual focus only and lack autofocus and stabilization, which most photographers rely on. Our data shows they score weakly for portrait and professional stills use compared to dedicated photo lenses.

Q: What does 'T2.4' mean compared to 'f/2.4'?

T-stop (Transmission-stop) measures the actual light passing through the lens, while f-stop is a geometric calculation. For video, T-stop is more critical for exposure matching between lenses. A T2.4 lens is roughly equivalent to an f/2.2 or f/2.3 lens in terms of light gathering.

Q: Can I use these lenses on a Sony mirrorless camera?

Yes, but you'll need an EF to E-mount adapter. Since the lenses are manual focus, basic adapters work fine. Just ensure the adapter supports the full-frame image circle if you're using a Sony full-frame sensor.

Q: How does the Dulens kit compare to Rokinon cine lenses?

Both are popular entry-level cine options. Rokinon (now Samyang) lenses are often faster (T1.5) and cheaper individually but may have more variation in color and contrast between focal lengths. The Dulens kit's main advantage is the guaranteed consistency across all six lenses right out of the box.

Who Should Skip This

Still photographers and hybrid shooters should skip this set. The lack of autofocus and image stabilization makes them awkward for photography. If you mostly shoot run-and-gun documentary style or vlogging, a single stabilized zoom lens will be far more practical. Also, if you demand the absolute sharpest, most modern optical rendering, you might find the 'vintage look' coating too soft. For those users, look at Sigma's Art series primes or a high-quality standard zoom instead.

Verdict

So, should you buy the Dulens APO Mini 6-lens set? If you're a filmmaker or content creator who shoots primarily on a Canon EF-mount cinema camera (or use an adapter) and you value a consistent, matched look across multiple focal lengths, this is a very smart buy. The kit solves a real problem for indie filmmakers. However, if you're a hybrid shooter who needs autofocus, image stabilization, or plans to use these lenses mostly for photography, you should look elsewhere. These are specialized tools, and they're excellent at their specific job.