Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Review

The Sirui Astra kit delivers stunning 96th percentile optics for a true anamorphic look, but its middling autofocus and low versatility make it a tool for a very specific job.

Focal Length 50mm
Mount Nikon Z
Stabilization No
Weather Sealed No
Weight 635 g
AF Type Autofocus
Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens lens
46.6 Overall Score

The 30-Second Version

Optical quality is top-tier (96th percentile), but everything else is a compromise. This $2,294 three-lens kit delivers a true, no-crop anamorphic look with usable autofocus, making it a solid entry point for dedicated videographers. Just don't expect it to be your everyday lens.

Overview

The Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Kit is a $2,294 ticket to a very specific cinematic look. It's a set of three primes (50mm, 75mm, and 100mm) designed to squeeze a 2.4:1 widescreen image onto a standard full-frame sensor without cropping, giving you that classic anamorphic vertical stretch and oval bokeh. The headline here is the optical quality, which lands in the 96th percentile. That means these lenses are sharp and controlled, but they're also heavy, not weather-sealed, and their autofocus and versatility scores are well below average. This isn't a do-everything lens set; it's a tool for a specific job.

Performance

Let's talk about what this kit does well. That 96th percentile optical score is the star of the show. In practical terms, you're getting a level of sharpness and aberration control that's genuinely impressive for the price point, especially considering the complexity of anamorphic optics. The trade-off is in the other metrics. Autofocus sits in the 45th percentile, which is fine for deliberate, cinematic pulls but won't keep up with fast action. There's no stabilization (36th percentile), so you'll need a good gimbal or rig. And while the T1.8 aperture sounds fast, it's only in the 29th percentile for this category, meaning many competing cine primes are significantly brighter.

Performance Percentiles

AF 45.7
Bokeh 55.8
Build 57.4
Macro 49
Optical 95.2
Aperture 29.6
Versatility 38.7
Stabilization 36.5

Pros & Cons

Pros

  • Optical quality is elite, scoring in the 96th percentile for sharpness and control. 95th
  • The 1.33x squeeze gives a true 2.4:1 anamorphic look without sensor cropping.
  • Selectable AF/MF is a nice hybrid feature for a cine lens.
  • The three-lens kit (50/75/100mm) covers useful focal lengths for narrative work.
  • Blue streak flares are a signature, intentional look many filmmakers seek.

Cons

  • Autofocus performance is middling, ranking in the 45th percentile. 30th
  • No image stabilization (36th percentile) means you're carrying the shake.
  • Build quality is just okay at the 57th percentile, and there's no weather sealing.
  • Versatility is low (38th percentile); this is a dedicated video/cine tool.
  • Minimum focus distance of 500mm is quite long, limiting close-up shots.

Specifications

Full Specifications

Optics

Focal Length Min 50
Focal Length Max 50
Elements 18
Groups 14

Aperture

Diaphragm Blades 11

Build

Mount Nikon Z
Format Full-Frame (44 mm Image Circle)
Weight 0.6 kg / 1.4 lbs
Filter Thread 67

AF & Stabilization

AF Type Autofocus
Stabilization No

Focus

Min Focus Distance 500
Max Magnification 1:7.2

Value & Pricing

At $2,294 for three lenses, the value proposition is clear: you're paying for accessible anamorphic optics. Compared to renting or buying traditional cinema anamorphics, this is a bargain. But within the world of stills/video hybrid lenses, it's a niche purchase. You're trading general versatility for a specific look. The price gets you into the anamorphic game with autofocus capability, which is rare at this cost, even if that AF isn't class-leading.

$2,294

vs Competition

This kit doesn't really compete with the listed stills lenses like the Nikon Z 35mm f/1.8 S or Viltrox primes. Those are sharper across the frame for photos and have faster, more reliable AF. The real competition is other entry-level anamorphic options. Compared to single focal length anamorphics, this three-lens kit offers more shooting flexibility. Against manual-focus-only anamorphics, the selectable AF is a legitimate advantage for solo shooters or run-and-gun scenarios, even if it's not perfect. You're buying a system here, not just a lens.

Spec Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Meike Meike 50mm F1.8 Full Frame AF STM Lens Standard Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto Canon Canon - RF28-70mm F2.8 IS STM Standard Zoom Lens Panasonic Panasonic LUMIX G Vario 14-140mm f/3.5-5.6 II Fujifilm VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount,
Focal Length 50mm 50mm 35mm 28-70mm 14-140mm 25mm
Max Aperture f/1.8 f/1.7 f/2.8 f/3.5 f/1.7
Mount Nikon Z Nikon Z Fujifilm X Canon RF Micro Four Thirds Fujifilm X
Stabilization false true true true true true
Weather Sealed false false false false false false
Weight (g) 635 301 301 499 27 400
AF Type Autofocus STM STM Autofocus STM
Lens Type Standard Zoom Telephoto

Common Questions

Q: Can I use these lenses for photography?

Technically yes, but they're not optimized for it. The anamorphic squeeze will give you distorted, vertically stretched images unless you de-squeeze them in post, which is extra work. For pure photography, a standard lens with a higher versatility percentile will serve you better.

Q: How good is the autofocus really?

Our data puts it in the 45th percentile, which is below average. It's fine for slow, cinematic focus pulls or static shots, but it's not designed for tracking fast-moving subjects. Think of it as a helpful assistant for video, not a sports photography solution.

Q: Is the T1.8 aperture fast enough for low light?

While T1.8 sounds fast, it ranks only in the 29th percentile for aperture in this category. Many dedicated cine primes are T1.5 or faster. You'll get decent low-light performance, but it's not a standout feature. Pair it with a good full-frame camera for best results.

Who Should Skip This

Hybrid shooters and travel photographers should steer clear. The kit scores in the 32nd percentile for travel and 38th for versatility. The weight (635g per lens), lack of stabilization, and specialized anamorphic output make it a poor choice for casual use or run-and-gun documentary work where speed and flexibility are key. If your scorecard doesn't have 'cinematic narrative video' at the top, your money is better spent elsewhere.

Verdict

If you're a filmmaker or serious videographer chasing the anamorphic look and you need the focal length flexibility of a three-lens kit, this Sirui Astra set is a compelling, data-backed choice. The optical performance is excellent for the price, and the hybrid AF is a useful bonus. However, if you're a hybrid shooter who also needs great stills, fast apertures, stabilization, or weather sealing, the data says to look elsewhere. The low versatility (38th percentile) and travel (32nd percentile) scores don't lie.