Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Review

The Sirui Astra anamorphic kit delivers a genuine cinematic look for a fraction of the usual cost. We found the optics are sharp, but it's a specialized tool strictly for video.

Focal Length 50mm
Mount Sony E
Stabilization No
Weather Sealed No
Weight 635 g
AF Type Autofocus
Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens lens
46.2 Overall Score

The 30-Second Version

The Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Kit gives you a true cinematic anamorphic look at an unprecedented price. The three-lens set (50, 75, 100mm) is optically sharp and includes autofocus, making it a great choice for Sony shooters wanting to experiment with widescreen filmmaking without a Hollywood budget.

Overview

If you're a Sony shooter looking to get that classic widescreen movie look without breaking the bank, the Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Kit is probably on your radar. This isn't your everyday photography lens—it's a specialized tool for video and cinema work. The kit bundles three prime lenses (50mm, 75mm, and 100mm) designed to give you that stretched, cinematic 2.4:1 aspect ratio directly in-camera, with no cropping needed. At around $2,550 for the set, it's positioned as an accessible entry point into the world of anamorphic glass, a category where single lenses can easily cost more than this entire trio.

Performance

The optical performance is where this kit really stands out. According to our database, it scores in the 96th percentile for optical quality among similar products. That means these lenses are sharp and deliver a clean image. The T1.8 aperture is decently fast, though it lands in the 29th percentile, so you're not getting the absolute brightest lens on the market. The autofocus performance is solid, sitting at the 45th percentile, which is perfectly usable for many run-and-gun or documentary-style shoots. In practice, the 1.33x squeeze factor is the star of the show, transforming standard 16:9 footage into a wide 2.4:1 cinematic frame with those signature oval bokeh balls and vertical stretch in the background.

Performance Percentiles

AF 45.7
Bokeh 55.8
Build 57.4
Macro 49
Optical 95.2
Aperture 29.6
Versatility 38.7
Social Proof 48
Stabilization 36.5

Pros & Cons

Pros

  • Excellent optical sharpness and clarity. 95th
  • Provides authentic 2.4:1 anamorphic look without cropping.
  • Includes three useful focal lengths (50, 75, 100mm) in one kit.
  • Offers both autofocus and manual focus modes for flexibility.
  • Much more affordable than most anamorphic lens options.

Cons

  • No image stabilization in the lenses. 30th
  • Minimum focus distance of 0.5m (about 1.6 ft) isn't great for close-ups.
  • Build quality is just average compared to premium cine glass.
  • Not weather-sealed, so you need to be careful on location.
  • The 1.33x squeeze is less pronounced than a 1.8x or 2x anamorphic.

The Word on the Street

5.0/5 (1 reviews)
👍 Early adopters are thrilled with the sharp image quality and the authentic cinematic look the lenses provide.
👍 Users describe the kit as a 'cheat code' for easily elevating their video footage to a more professional, filmic level.
👍 The value of getting three anamorphic lenses with autofocus for this price is consistently highlighted as the main selling point.

Specifications

Full Specifications

Optics

Focal Length Min 50
Focal Length Max 50
Elements 18
Groups 14

Aperture

Diaphragm Blades 11

Build

Mount Sony E
Format Full-Frame (44 mm Image Circle)
Weight 0.6 kg / 1.4 lbs
Filter Thread 67

AF & Stabilization

AF Type Autofocus
Stabilization No

Focus

Min Focus Distance 500
Max Magnification 1:7.2

Value & Pricing

At $2,550 for three lenses, the value proposition is clear: this is the most affordable way to get a true, multi-focal-length anamorphic kit. Single anamorphic lenses from brands like Atlas or Cooke can cost five to ten times this amount. You're trading some premium build materials and the most extreme anamorphic characteristics for a package that actually gets you shooting. For indie filmmakers, content creators, or anyone wanting to experiment with the format, it's a compelling deal.

$2,549

vs Competition

This kit exists in its own niche, but let's talk alternatives. If you just want a sharp, fast prime for general use, a standard lens like the Meike 55mm F1.8 or a Nikon Z 35mm f/1.8 S will be cheaper and offer better low-light performance. But they won't give you the anamorphic look. For that, you'd have to look at other anamorphic options, which are almost all manual focus and far more expensive. Sirui's own previous anamorphics were manual-only. The key differentiator here is the inclusion of autofocus across three lenses at this price point, which is basically unheard of. Compared to slapping an anamorphic filter on a regular lens, this kit delivers a much more authentic and higher-quality result.

Spec Sirui Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Meike Meike 50mm F1.8 Full Frame AF STM Lens Standard Viltrox VILTROX 35mm F1.7 Lens, X Mount 35mm F1.7 Auto Canon Canon - RF28-70mm F2.8 IS STM Standard Zoom Lens Panasonic Panasonic LUMIX G Vario 14-140mm f/3.5-5.6 II Fujifilm VILTROX 25mm F1.7 f/1.7 AF Lens for Fuji X Mount,
Focal Length 50mm 50mm 35mm 28-70mm 14-140mm 25mm
Max Aperture f/1.8 f/1.7 f/2.8 f/3.5 f/1.7
Mount Sony E Nikon Z Fujifilm X Canon RF Micro Four Thirds Fujifilm X
Stabilization false true true true true true
Weather Sealed false false false false false false
Weight (g) 635 301 301 499 27 400
AF Type Autofocus STM STM Autofocus STM
Lens Type Standard Zoom Telephoto

Common Questions

Q: Is the Sirui Astra anamorphic kit good for filmmaking?

Yes, that's its entire purpose. It's designed to give indie filmmakers and video creators an accessible way to achieve a classic 2.4:1 cinematic aspect ratio with oval bokeh and lens flares.

Q: How does the Sirui Astra compare to using anamorphic filters?

It's a much better solution. Anamorphic filters can degrade image quality and often don't produce true oval bokeh. These dedicated lenses provide a cleaner, more authentic anamorphic look directly from the optics.

Q: Can I use these Sirui lenses for photography?

You can, but it's not ideal. The 1.33x squeeze will distort still images, which you'd have to de-squeeze in post-production. They're really designed and optimized for video work.

Q: Do I need a special monitor to use anamorphic lenses?

Yes, you'll need a monitor that can de-squeeze the 1.33x image in real-time so you can frame your shot correctly while filming. Most modern external monitors and some cameras have this feature built-in.

Who Should Skip This

Skip this kit if you're mainly a still photographer. The anamorphic effect is a hassle to deal with for photos. Also, if you need a versatile, all-in-one travel lens or require weather sealing for outdoor adventures, look at a standard zoom instead. For extreme macro work, the 0.5m minimum focus distance is a real limitation. And if your budget is tight and you don't specifically need the anamorphic look, a standard prime lens will give you better low-light performance and closer focusing for a fraction of the price.

Verdict

So, should you buy the Sirui Astra Anamorphic Kit? If you're a video creator or filmmaker who specifically wants that cinematic, widescreen anamorphic look and you shoot on a Sony E-mount camera, this is a no-brainer. It's the most straightforward and cost-effective path to getting that style. The image quality is excellent, and having AF is a huge practical benefit. But if you're primarily a photographer, or if you need extreme close-focusing, image stabilization, or weather sealing for tough shoots, this specialized kit isn't for you. For its intended purpose—making cinematic video more accessible—it absolutely delivers.